‘Apricot Dream Grande’ by Héctor Esrawe, Emiliano Godoy and Brian Thoreen with Nouvel Studio at the Vissio stand at Zona Maco

Anyone thinking that the recent collaborative energy buzzing through Mexico City was simply window dressing for its designation as World Design Capital 2018 was proven wrong at Zona Maco (6-10 February). The ninth edition of Zona Maco Diseño (the 16-year-old art fair’s design chapter) was packed with collaborative projects on high voltage, cementing the value of skill and idea exchange that has been unifying the country’s artisan and design community.

有人认为最近在墨西哥城进行的能源合作只不过是将其命名为2018年世界设计之都，这在Zona Maco(2月6日至10日)被证明是错误的。第九版的Zona Maco Dise o(有16年历史的艺术博览会的设计章节)充满了关于高压的合作项目，巩固了技能和思想交流的价值，使这个国家的工匠和设计界团结起来。

‘A collaborative effort allows for interesting showcasing and more ambitious projects,’ comments Cecilia León de la Barra, director of Zona Maco Diseño. ‘We’ve worked hard to nurture these partnerships to become a platform where they are made visible.’

“一个协作的努力允许有趣的展示和更雄心勃勃的项目”。“我们已经努力培养这些伙伴关系，成为一个可以看到的平台。”

Dinner plates by local fashion and product designers, illustrators and muralists for tableware brand Anfora

当地时装设计师、产品设计师、插画家和餐具品牌壁画师为餐具品牌Anfora提供的餐盘。

Designer Luisa Restrepo, known mainly for producing glass jewellery, demonstrated this approach with pieces on display in two booths. She collaborated with mathematically-minded designer Pedro Cerisola, using his precise, symmetrical forms as inspiration for a glass wall sculpture. While, at Ángulo Cero, she designed two lamps with industrial designer Aitor Garrido, combining glass with brass to represent the sun in various states between rising and setting.

设计师路易莎·雷斯特雷波(LuisaRestrepo)以生产玻璃首饰而闻名，他在两个展位展示了这种方法。她与有数学头脑的设计师佩德罗·塞利索拉合作，利用他精确、对称的造型作为玻璃墙雕塑的灵感。在安古洛·塞洛，她与工业设计师阿托·加里多(AitorGarrido)设计了两盏灯，将玻璃和黄铜结合起来，代表太阳在升起和落下之间的不同状态。

Guadalajara-based brand Merkki, which has brought artists together with ceramic studio Cerámica Suro for the past two years, premiered new collaborations, including Mauricio Lara’s ‘999’ collection of 999 one-off hand-painted monochrome crockery pieces. Elsewhere, tableware brand Anfora debuted a range of dinner plates with fresh designs and glazes by local fashion and product designers, illustrators and muralists.

以瓜达拉哈拉为基地的品牌merkki在过去两年里将艺术家们与陶瓷工作室Cerámica Suro联合在一起，首次推出了新的合作项目，其中包括Mauricio Lara‘999’收藏的999件一次性手绘单色陶器。在其他地方，餐具品牌Anfora推出了一系列由当地时尚和产品设计师、插画家和壁画家设计的带有新鲜设计和釉的餐盘。

Ángulo Cero’s stand that includes lamp designs by Luisa Restrepo and Aitor Garrido. Photography: José Margaleff

安古洛塞罗的立场，其中包括路易莎雷斯特雷波和阿托加里多的灯具设计。摄影：JoséMargaleff

Joel Escalona’s interior collection for furniture company Breuer offered a contemporary yet moody display. His black mirrors and linear metal tables complemented Breuer’s carpentry craftsmanship also on view.

乔尔·埃斯卡洛纳为家具公司布鲁尔(Breuer)设计的室内收藏品提供了一个当代而又喜怒无常他的黑色镜子和线性金属桌补充了布鲁尔的木工工艺也在观望。

Glass studio Nouvel, one of the country’s most forward-thinking collaborators, presented multicoloured vases by Swiss-French designer Julie Richoz and smokey-hued candle lamps by T H, a studio based between Mexico and Switzerland.

这个国家最具前瞻性的合作者之一的玻璃工作室努维尔展示了瑞士-法国设计师朱莉·里霍兹(JulieRichoz)的五颜六色花瓶，以及位于墨西哥和瑞士之间的工作室TH设计的带有烟色调的蜡烛灯。

Under limited edition brand Vissio, Nouvel also teamed up with Héctor Esrawe, Emiliano Godoy and Brian Thoreen, and the result was probably the most innovative element of the show. By casting glass vessels in layered plywood moulds that burn into new forms with each molten action, the collection is an evolution of the same shape changed by the entropy of every blow. Clear evidence that experimental minds coming together make for the most radical results. §

在限量版品牌Visio的情况下，Nouvel还与HagoCtorEsprawe、EmilianoGodey和BrianThoreen合作，结果可能是展会上最具创新性的元素。通过将玻璃容器浇铸在分层的胶合板模具中，该胶合板模具与每个熔融动作一起燃烧成新的形状，该收集是由每个吹扫的熵改变的相同形状的演变。明确的证据表明，实验性的头脑会对最激进的结果做出反应。?

瑞士-法国设计师朱莉·里霍兹的彩色花瓶和瑞士-法国设计师朱莉·里霍兹和努维尔工作室的五颜六色花瓶

乔尔·埃斯卡洛纳为布鲁尔家具公司收藏的室内收藏品乔尔·埃斯卡洛纳为布鲁尔家具公司收藏的室内收藏品