The Hood Museum of Art in Hanover, New Hampshire, opens with a new design by New York-based architects Tod Williams and Billie Tsien. Photography: Michael Moran. Courtesy of the Hood Museum of Art, Dartmouth College

The carefully renovated and expanded Hood Museum of Art in Hanover, New Hampshire, US is gearing up to throw open its doors to the public. The refreshed institution, which is owned and operated by Dartmouth College, has been given a two-year-long makeover by New York-based architecture duo Tod Williams and Billie Tsien.

在新罕布什尔州汉诺威的艺术博物馆精心改造和扩建，我们正准备向公众开放大门。由达特茅斯学院(DartmouthCollege)拥有和运营的刷新机构，由纽约建筑DuoWilliams和BillieTsien进行了为期两年的改造。

The museum, which ties into Dartmouth College’s academic activities, now features a new central space – the Russo Atrium – as well as new gallery and research spaces. Education areas are also given a boost, ‘with an emphasis on the arts at Dartmouth’, explains the institution. ‘The building is a hybrid of newly constructed facilities and restored and updated spaces from the original 1985 Charles Moore building, and provides active spaces for teaching, exhibition, exploration, and dialogue’, add the architects.

这个博物馆与达特茅斯学院的学术活动联系在一起，现在有一个新的中央空间-罗素中庭-以及新的画廊和研究空间。该机构解释说，教育领域也得到了提振，“重点是达特茅斯的艺术”。“该建筑是一个新建造的设施和修复和更新的空间从原来的1985年查尔斯摩尔大厦，并提供积极的空间，教学，展览，探索和对话，”，增加建筑师。

The museum has just completed an extensive facelift including renovations and new elements. Photography: Michael Moran, courtesy Hood Museum of Art, Dartmouth College

博物馆刚刚完成了一次全面的整容，包括翻修和新元素。摄影：迈克尔·莫兰，达特茅斯学院胡德艺术博物馆

‘We have worked closely with the team at the Hood Museum and Dartmouth College to design a progressive teaching museum while preserving many of the distinctive features of the Charles Moore building’, says Williams. ‘The conversation throughout has been both pedagogical and architectural. The renovation of, and addition to, the existing Hood creates a complementary dialogue between old and new, extending the identity and functions of the institution well into the future.’

威廉斯说：“我们与胡德博物馆和达特茅斯学院的团队密切合作，设计了一个进步的教学博物馆，同时保留了查尔斯·摩尔大楼的许多特色。”一直以来，对话都是在教学和建筑两方面进行的。改造和补充现有的盖德，在新旧之间创造了一种互补的对话，将该机构的身份和职能延伸到未来。

Not only does the new design safeguard the museum’s collections and allows more space for them to be seen, studied and admired (specifically increasing the Hood’s exhibition space by 42 per cent); the redesigned and expanded museum also demonstrates the College’s commitment to the arts for future generations. §

新的设计不仅保护了博物馆的藏品，让人们看到、研究和欣赏它们更多的空间(特别是将胡德博物馆的展览空间增加了42%)；重新设计和扩大的博物馆也表明了学院对后代艺术的承诺。§

在一个新的中庭，一个欢迎桌坐在画廊入口处旁边。摄影：迈克尔·莫兰。位于新中庭的达特茅斯学院的胡德艺术博物馆提供了一张欢迎桌，位于画廊入口处旁边。摄影：迈克尔·莫兰。达特茅斯学院胡德艺术博物馆提供

优雅的砖块作品被洞察到新画廊的开口打破了。摄影：迈克尔·莫兰。由于胡德艺术博物馆，达特茅斯学院优雅的砖作品是打破开放提供一瞥的新画廊。摄影：迈克尔·莫兰。达特茅斯学院胡德艺术博物馆提供

翻修后的二楼画廊以当代非洲艺术、美拉尼西亚艺术和当代澳大利亚土著艺术为特色。摄影：迈克尔·莫兰。由于胡德艺术博物馆，达特茅斯学院，翻新的二楼画廊特色当代非洲艺术，美拉尼西亚艺术，以及当代澳大利亚土著艺术。摄影：迈克尔·莫兰。达特茅斯学院胡德艺术博物馆提供

罗宾汉的新东北美术馆展示了战后收集亮点的安装。摄影：迈克尔·莫兰。德特茅斯学院达特茅斯学院的德特茅斯学院的礼帽展示了战后收集亮点的安装。摄影：迈克尔·莫兰。达特茅斯学院艺术馆艺术博物馆