Revisiting Spanish modernism and more at Madrid Design Festival 2019

2019-03-15 13:22
Extraperlo is a platform and exhibition created by Jorge Penadés at his working and living space in the Puerta del Ángel neighbourhood. Photography: Iñaki Domingo
A month-long celebration of creativity has just come to an end in the Spanish capital. In its second edition, the young and ambitious Madrid Design Festival (1-28 February) adorned the city with exhibitions, installations and activities.
在西班牙首都,为期一个月的创意庆祝活动刚刚结束。在其第二版,年轻和雄心勃勃的马德里设计节(2月1日至28日)装饰城市的展览,安装和活动。
The fair kicked off with a revision of Spanish modernity, ‘Darro: Design - Art (1959–1979)’, which was held at Fernán Gómez Villa Cultural Centre and told the story of its founder Paco Muñoz. The modern movement’s quest to produce inexpensive but well-designed living spaces in Spain during the 1920s was curtailed when the Francisco Franco dictatorship plunged the country into isolation. In the 1950-60s, Muñoz’s studio, Darro, reignited the concept and for two decades, in collaboration with major architects and artists such as Javier Carvajal, Miguel Fisac and Equipo 5, producing some of the most renowned works of Spanish modernity.
这场博览会的开始是对西班牙现代性的修订,“达罗:设计”(Darro:Design)
A selection of work exhibited at Extraperlo. From left to right: ‘Hypothesis 281’ by London-based Spanish designer Tomas Alonso; ‘List of Operable Coordinates for Two Drones to Kill Each Other in Symmetry’ by British artist, writer and film-maker Ilona Gaynor; ‘Lufa’ Torch by Mexican designer Feranado Laposse; a linocut print by Anna Ruiz of Jorge Penadés and Italian journalist and curator Maria Cristina Didero; Lampara Para Jorge Penadés by Spanish fashion photographer Nacho Alegre; ‘Cocoon’ Wardrobe by French artist Marlene Huissoud; ‘Books Without Content’ by Czech creative collective Okolo. Photography: Geray Mena
在Extraperlo展出的一批作品。从左到右:伦敦西班牙设计师托马斯·阿隆索(Tomas Alonso)的“假设281”;英国艺术家、作家和电影制作人伊洛娜·盖诺(Ilona Gaynon)的“两架无人机在对称性中相互残杀的可操作坐标列表”;墨西哥设计师费拉纳多·拉波塞(Feranado Laposse)的“罗法”火炬;乔治·佩纳德斯(Jorge Penadé)的安娜·鲁伊斯(Anna Ruiz)和意大利记者兼策展人玛丽亚·克里斯蒂娜·迪德罗(西班牙时尚摄影师纳乔·阿雷格里(Nacho Alegre)的兰帕娜·帕拉·乔治·佩纳德斯(Lampara Para Jorge Penadés);法国艺术家马琳·惠苏德(Marlene Huissoud)的“可可”(Co摄影:Geray Mena
Also at the centre was another flagship exhibition titled ‘Cuidado Diseño.’ The showcase explored contemporary Spanish crafts with projects initiated by the new generation, but executed with century-old traditions. Work by local designers included ‘FIlamento’ by Mayice Studio, a sculptural ceiling light made of a single piece of glass that measures more than one metre long and a Dekton clay table by Studio Apparatu, which explored innovative materials in collaboration with Spanish manufacturer Cosentino.
该中心还有另一个名为“Cuidado Dise o”的旗舰展览。展览探索了当代西班牙手工艺与新一代发起的项目,但执行了百年的传统。当地设计师的作品包括梅耶斯工作室(Mayice Studio)的“FIlamento”(FIlamento),这是一种雕刻的天花板灯,由一片长度超过一米的玻璃制成,另一张德克顿(Dekton)粘土桌由阿普帕拉图工作室(Studio Apparato)制作,与西班牙
The fruits of a year-long collaboration between Finsa, an Iberian Peninsula-based MDF producer, and the Dutch collective Envisions was another example of material experimentation. For ‘Wood in Progress,’ six designers, including Simone Post, Roos Gomperts and Elvis Wesley, produced six prototypes by reinventing production processes and injecting a sense of curiosity and playfulness.
伊比利亚半岛中密度纤维板生产商芬萨与荷兰集体构想之间长达一年的合作成果是另一个材料实验的例子。在“进展中的木材”中,包括Simone Post、Roos Gomperts和Elvis Wesley在内的六位设计师通过重新发明生产工艺并注入好奇心和娱乐性,制作了六种原型。
‘Wannabe Wood’ by Simone Post. Photography: Ronald Smits
“WannabeWood”bySimmonePost。摄影:RonaldSmits(RonaldSmits)
Elsewhere, Barcelonian Guillermo Santomà, whose works are often classified as collectibles, extended his destructive yet poetic design language to the 19th-century opulent baroque setting of Museo Cerralbo. Here, he established a peculiar dialogue between his 12 new pieces – including a dissolving coach made of soft foam and purple resin – and the museum’s permanent collection.
在其他地方,巴塞罗尼亚吉列尔莫桑塔玛,他的作品往往被归类为收藏品,他的破坏性,但诗意的设计语言延伸到19世纪富丽堂皇的巴洛克布景的博物馆塞拉尔博。在这里,他建立了一个奇特的对话,他的12件新作品-包括溶解教练软泡沫和紫色树脂-和博物馆的永久收藏。
Outside of the festival’s route were two unmissable exhibitions by Madrilenian names to watch. Alvaro Catalán de Ocon opened the doors to his new studio space in emerging creative district Carabanchel with a showcase of a new edition of his acclaimed ‘PET’ Lamp, a glimpse into the new collection ‘Ceramica Cu’ (which will be presented at the upcoming Salone del Mobile) and a pop-up store with Galleria Rossana Orlandi, which presented beautiful objects by fellow Spanish studios Andrea Santamarina and Moneo Brock.
在艺术节的路线之外,有两个马德里勒人名字不可错过的展览要看。Alvaro Catalán de Ocon打开了他在新兴创意区Carabanchel的新工作室空间的大门,展示了他著名的“PET”灯的新版本,一瞥了新收藏的‘Ceramica Cu’(它将在即将到来的Sonedel Mobile上展出)和一个弹出式商店与Galleria Rossana Orlandi,它展示了西班牙同事安德里亚·桑塔马里纳和莫内奥·布罗克的漂亮物件。
Guillermo Santomà’s ‘Chandelier’ at the Escalera de Honor of Museo Cerralbo
Guillermo Santomà的“吊灯”在Cerralbo博物馆的Escalera de Hono
Designer Jorge Penadés stepped into curator shoes for his show ‘Extraperlo’ which he created to expand the boundaries of design via a roll call of international authors with diverse profiles. In its first presentation at his work/live space in the Puerta del Ángel neighbourhood, locals such as Tomás Alonso, Cristian Zuzunaga, Julen Ussía, plus British designer James Shaw, American studio Chen Chen - Kai Williams, and Korean artist Kwangho Lee contributed freshly created objects.
设计师豪尔赫·佩纳德斯(Jorge Penadés)为他的“Extraperlo”节目穿上策展人的鞋子,这是他创作的,旨在通过国际作家的点名扩大设计的界限。在他在Puerta del ngel社区的工作/生活空间的第一次展示中,当地人,如Tomás Alonso,Cristian Zuzunaga,Julen USSía,再加上英国设计师James Shaw,美国工作室陈晨。
Penadés also teased us with his new ‘Piscis’ collection for furniture brand BD Barcelona: six limited-edition vases created with extruded aluminium profiles from an old lamp in the company’s catalogue from the 1990s, which are also to be launched at Milan Design Week next month. §
Penadés还取笑我们,他为家具品牌BD巴塞罗那推出了新的“Piscis”系列:六只限量版花瓶,由上世纪90年代公司目录中一盏旧灯的挤压铝型材制成,这些花瓶也将在下个月的米兰设计周上推出。§
阿瓦罗·加泰罗尼亚·德奥孔的一家加泰罗-奥兰迪弹出式商店,位于马德里卡拉班切尔新兴创意区的新工作室-马德里阿尔瓦罗·加泰罗尼亚·德奥孔的加泰罗-奥肯新工作室的加泰罗纳·奥兰迪(Alvaro Catalan De Ocon)的加泰罗-奥兰迪弹出式商店
梅冰工作室的“Filmen”,由单片玻璃制成的雕塑式天花板灯;“Dekton”粘土表,由摄影棚设备制作,由Maynice工作室进行的材料探索,由单片玻璃制成;“Dekton”粘土表,由Studio设备制作,与COSentino进行材料勘探
陈晨的“各种金属铸造试验”
Guillermo Santomà的“迈阿密”沙发位于Salón Chaflán Museo Cerralbo Guillermo Santomà的“迈阿密”沙发位于Salón Chaflán,Museo Cerralbo

                    

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