Shirt, £737; skirt, £1,130, both by Hermès. Twill linen cushion cover in Dijon, £50; mohair blanket in Russet, £299, both by The Conran Shop. As originally featured in the January 2019 issue of Wallpaper* (W*238). Shot on location at Canal House, London, designed by Emrys Architects. Photography: Allyssa Heuze. Fashion: Isabelle Kountoure

Turn to page 139 of Wallpaper’s January issue (W*238), and you will find Home Truths: an editorial shot by Wallpaper* New Generation prize winner, Allyssa Heuze, the photograper awarded the inaugural iteration of this award at the latest Hyères International Festival of Fashion and Photography. The editorial emanates a sense of comfort, intimacy and fun; the models captured with tropes that Heuze tends towards, such as familial gatherings, playful moments, pets and food. It’s like you’re sitting in a friend’s kitchen.

翻看“壁纸”1月刊(W*238)的第139页，你会发现“家的真相：墙纸”*新一代奖得主艾莉莎·休泽(Allyssa Heuze)拍摄的社论，这位摄影师在最新的希耶斯国际时装和摄影艺术节上颁发了这一奖项的首个版本。这篇社论散发出一种舒适感、亲密感和乐趣感；海泽倾向于用类似于家庭聚会、嬉戏的时刻、宠物和食物来捕捉模型。就像你坐在朋友的厨房里。

‘I wanted to shoot something that relates to how it can feel when living with strangers, or friends even, under the same roof. How it can be fun yet annoying – there can be these little unsaid things between people you live with,’ the photographer explains of the premise for the shoot.

我想拍摄一些与陌生人，甚至是朋友一起生活在同一个屋檐下时的感觉。这位摄影师解释了拍摄的前提，这是多么有趣而又烦人的事情-和你生活在一起的人之间可能会有一些没说过的小东西。

‘OÏ’ by Wallpaper* New Generation x Hyères Photography Prize winner Allyssa Heuze. Photography: Mary Gaudin

墙纸的“o”*新一代x Hyères摄影奖得主Allyssa Heuze。摄影：玛丽·高丁

‘Simple yet honest everyday scenes and mundane objects inspire and excite me,’ Heuze says. ‘When I have a specific idea, I try to make it come to life by inviting that space of coincidence. Whether I’m creating staged scenes with people or still life installations, I like that balance of control and accident.’

“简单而又诚实的日常场景和平凡的事物激励和激励我，”休泽说。当我有了一个具体的想法时，我会尝试通过邀请这个巧合的空间来实现它。无论我是与人或静物装置一起制作舞台场景，我都喜欢这种控制和意外的平衡。

Heuze, 24, has been taking pictures since she was 13, growing up in the Philippines, where her family still lives. The atmosphere of her photography today likely derives from her early experiences behind the camera, snapping her family on holidays, ‘I loved taking candid smiling, happy moments of my siblings.’

24岁的Heuze从13岁起就一直在菲律宾拍照，她的家人仍然住在菲律宾。她今天的摄影氛围很可能源于她早年在镜头后的经历，在节假日拍下了她的家人，“我喜欢带着坦率的微笑，我的哥哥们开心的时刻。”

The photographer, who moved to France after High School and is now based in Paris, explains that she prefers the viewing experience to be personal and intimate, too: she hopes to turn a project into a book ‘something someone would want to take home with them,’ and is currently working on the concept for a visual ode to her home country.

这位高中毕业后搬到法国的摄影师解释说，她更喜欢观看的体验，而不是私人和亲密的体验：她希望把一个项目变成一本“某人会想带回家的东西”的书，目前正在研究为她的祖国写一首视觉颂歌的概念。

‘Photography is what frustrates me the most but it is definitely what I love doing the most,’ Heuze reflects. She admits she can be stressed at shoots, ‘but I to hide it, and remember to have fun!’

“摄影是最让我沮丧的地方，但绝对是我最喜欢做的事情，”菏泽说。她承认，她在拍摄时会感到压力很大，“但是我要把它藏起来，记住要玩得开心！”

‘I guess what motivates me is creating my own little playground,’ Heuze notes. Her previous projects, such as Tic Tac Toe, have focused directly on childhood memories and naivety, and the sense of freedom and boundlessness that comes with it. That energy is instilled into her editorial and commercial work, too.

“我想我的动机是创建自己的小操场，”Heuze说。她以前的项目，如Tic Tac Toe，直接关注童年的记忆和天真，以及随之而来的自由和无涯感。这种能量也注入了她的编辑和商业工作。

There’s a genuine carefree feeling in Heuze’s work; perhaps the natural optimism of yet youthful eyes, but also comes from her personality and upbringing. Tic Tac Toe, I laugh very easily, and do always try to be an optimistic person. I guess smiles and laughs remind me most of my childhood and being around my siblings, and I unconsciously want to create these moments in my photos.’ §

在菏泽的作品中，有一种真正无忧无虑的感觉；也许是年轻眼睛的自然乐观，但也来自于她的个性和教养。抽搐脚趾，我笑的很容易，而且总是试着做一个乐观的人。我想，微笑和笑声让我想起了童年的大部分时间和与兄弟姐妹在一起的时光，我不自觉地想在我的照片中创造这些时刻。