After five years of extensive renovation and modernization, Nationalmuseum, Stockholm’s National Museum of Fine Arts, finally re-opened on October 13, 2018, offering visitors an enhanced experience underpinned by its mission to make art and design as accessible as possible. The same vision has been the driving force behind the museum’s new 300 seat restaurant and café which has taken over three impressive ground floor galleries previously closed to the public. Conceived as an artistic project, the project gave a collective of designers the opportunity to work together to explore materials and methods, and discover old and new producers, in order to provide visitors with insights into the design process. The result of this collaborative process, which was helmed by Swedish designers Matti Klenell, TAF Studio, Carina Seth Andersson and Stina Löfgren, is NM- - En Ny Samling, a contemporary collection of furniture, light fittings, tableware and other decorative objects that celebrate the unfinished and uncertain in a House already filled with artistic masterpieces.

经过五年的大规模翻新和现代化建设，斯德哥尔摩国家美术博物馆终于2018年10月13日重新开放，为游客提供了更好的体验，其使命是使艺术和设计尽可能方便。博物馆新建的300个座位的餐厅和咖啡厅也是这座博物馆背后的原动力，这些餐厅和咖啡厅已经接管了三座令人印象深刻的底层画廊，这些画廊此前都不对公众开放。该项目被设想为一个艺术项目，使一群设计师有机会共同探索材料和方法，并发现新旧生产者，以便向参观者提供对设计过程的洞察力。这个由瑞典设计师Matti Klenell、TAF Studio、Carina Seth Andersson和Stina L fgren领导的协作过程的结果是NM。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Wood carve printing stocks. Cabinet behind the bar. Wood carve prints by Stina Löfgren, Marie Dahlstrand, Finn Öhlund, Annalena Pääjärvi Öhlund. Numbered edition. Photo by Pia Ulin.

木材雕刻承印物。吧台后面的柜子。由ChristinaLangFgren、MarieDahlstrand、Finn和Hlund、AnnalenaPer和JinRVI在Hlund进行的木材雕刻印花。编号版本。皮亚·林林（PIAULIN）的

NM- 080: ”Kolonn* vases by Carina Seth Andersson produced by Skruf. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 063: Everyday glasses ”Unda” by Matti Klenell produced by Design House Stockholm. Photo by Pia Ulin.

NM- 062: ”Sand” tableware by Carina Seth Andersson produced by Design House Stockholm. Photo by Pia Ulin.

The collection’s name, NM- - En Ny Samling, which means “a new collection”, succinctly sums up the project’s ambitious nature but also references the Nationalmuseum’s enormous collection of paintings, sculptures, drawings and prints ranging from the Renaissance to the beginning of the 20th century and its impressive collection of applied arts and design that spans an even longer long period. In Swedish, ‘sampling’ also means gathering which not only alludes to the restaurant’s social aspect but also aptly describes the process of creating the NM- collection which involved 32 designers and 21 manufacturers from all over the Nordic countries. This is not the first time that Matti Klenell, TAF Studio, Carina Seth Andersson and Stina Löfgren have collaborated. During 2012–2014, the Swedish designers worked together with Taiwanese artisans to create a series of contemporary objects made with ancient lacquer techniques under the auspices of the National Taiwan Craft and Research Institute. Titled “A New Layer”, the project went on to foster more international collaborations, the latest of which were unveiled last year under the name A New Layer II: Crafting Identities / Design Stories from Taiwan.

集合的名称，nm

NM- 062: ”Sand” tableware by Carina Seth Andersson produced by Design House Stockholm. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 033: ”Atelier chair” chair by TAF produced by Artek. Photo by Pia Ulin.

NM- 034: ”Ateljé” extendable table by Matti Klenell produced by Gärsnäs. Photo by Pia Ulin.

NM- 080: ”Kolonn* vases by Carina Seth Andersson produced by Skruf. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 012: Lamp ”Putki” by Matti Klenell produced by Iittala. Photo by Pia Ulin.

Similarly to their previous collaboration, the concept of place and origin was at the center of the team’s assignment to design the Nationalmuseum’s restaurant and café, in this case as an assertion of the museum’s “national” character and its mission to monitor and collect design and applied arts from Sweden and the Nordic region. But more broadly, for a designer, the importance of place is manifested oftentimes as a requirement, inspiration, starting point or goal. In a globalized design scene where uniformity is the rule, local can mean unique and the manufacturing location can give distinctive character. Materials such as wood, metal, ceramics and glass are used around the world to make similar artifacts but it is place and tradition that set them apart and give them a distinctive soul. At the same time, as the design team's collective journeys in Taiwan demonstrated, cross-cultural exchanges can be a force for innovation and renewal. With this framework in mind, the design team travelled together across the Nordic countries, exploring local manufacturing both for research and inspiration. From small scale workshops in Stockholm’s Old Town, to a weaving mill in the Värmland woods in central Sweden, all the way to a glass factory in Häme, Finland, the familiarity of the places they visited was both a blessing and a challenge. As the team confesses, “it is for sure much more difficult to work with your own legacy than to interpret someone else’s”. What came out of their exploratory travels was a collection of more than 80 entirely new designed objects - each one given an archive code starting with NM- 001 similar to a museum inventory number - grounded in a shared palette of muted colors, eclectic materials and unpretentious craftsmanship. Utterly contemporary and boldly idiosyncratic, they nevertheless evocatively embody the region’s Nordic heritage. As the team explains, ”each product in the NM- collection has a sometimes messy but always well documented pedigree around its origins, and just as we hoped somewhere at the beginning of our journey, the overall final picture of a place, our place right here, right now, is just as motley and unpredictable as we hoped it would be”.

与他们以前的合作类似，地点和产地的概念是小组任务的中心，负责设计国家博物馆的餐厅和咖啡馆，在这种情况下，是为了证明博物馆的“民族性”，以及监测和收集瑞典和北欧地区的设计和应用艺术的使命。但更广泛地说，对于一个设计师来说，场所的重要性往往表现为需求、灵感、起点或目标。在全球化的设计场景中，一致性是规则，本地意味着独特，而制造地点可以给出与众不同的特征。世界各地都使用木材、金属、陶瓷和玻璃等材料制作类似的文物，但正是地方和传统使它们与众不同，并赋予它们独特的灵魂。与此同时，正如设计团队在台湾的集体旅行所显示的那样，跨文化交流可以成为创新和更新的一股力量。考虑到这一框架，设计团队一起穿越北欧国家，探索当地制造业的研究和灵感。从斯德哥尔摩老城的小型作坊到瑞典中部V rmland树林的织布厂，一直到芬兰H me的一家玻璃厂，他们参观的地方熟悉是一种祝福，也是一种挑战。正如团队所承认的，“使用自己的遗产比解释别人的遗产要困难得多”。他们探索旅行的结果是收集了80多个全新设计的对象，每个对象都有一个以nm开头的存档代码。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 060: ”Epok cutlery by Note Design produced by Gense. Photo by Pia Ulin.

NM- 061: Glass tableware by Carina Seth Andersson produced by Skruf. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 039: ”Nisch Sofa” love seat by TAF produced by Fogia. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 001: Chandelier by Monica Backström, Matti Klenell, Ludvig Löfgren, Simon Klenell, Stina Löfgren, Mattias Ståhlbom, Åsa Jungnelius, Katja Pettersson and Carina Seth Andersson produced by The Glass Factory. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 015: ”Mela” Lights by Matti Klenell produced by Ateljé Lyktan. Photo by Pia Ulin.

NM- 016: ”Pile” Lights by Matti Klenell produced by Swedese. Photo by Pia Ulin.

NM- 040: Easy chair by Matti Klenell produced by Larsson Korgmakare. Photo by Pia Ulin.

NM- 074, NM- 070, NM- 071, NM- 072, NM- 073: Modular sofa by Matti Klenell produced by Offecct. Photo by Pia Ulin.

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

Photo by Pia Ulin.

图片来源：Pia Ulin。

NM- 036: ”Kavalett” swivel base chair by Matti Klenell produced by Swedese. Photo by Pia Ulin.

NM- 047: ”Avavick” Stool by Katja Pettersson produced by Swedese. Photo by Pia Ulin.

NM- 032: ”Bläster” Barstool by Kristoffer Sundin produced by Källemo. Photo by Pia Ulin.

NM- 037: ”Chapeau” chair by TAF produced by Offecct. Photo by Pia Ulin.

NM- 038: Height adjustable café table by Afterroom produced by Källemo. Photo by Pia Ulin.

NM- 051: ”Stoff 1* mobile by Stina Löfgren produced by JR Work Shop. Photo by Pia Ulin.

NM- 065, NM- 066: ”Husets Linne” linnen table cloths and napkins by Jakob Solgren produced by Klässbols Linneväveri. Photo by Pia Ulin.

NM- 071: ”Väven* fabric by Stina Löfgren produced by Klässbols Linneväveri. Photo by Pia Ulin.

Photo © Nationalmuseum Stockholm.

照片）国家博物馆斯德哥尔摩。

Nationalmuseum interior view. Photo by Bruno Ehrs.

国家博物馆内部景观。图片来源于Bruno EHR。

Nationalmuseum interior view. Photo by Bruno Ehrs.

国家博物馆内部景观。图片来源于Bruno EHR。

Nationalmuseum Old Library, interior design by Emma Olbers. Photo by Andy Liffner.

国家博物馆旧图书馆，室内设计，艾玛奥尔伯。照片作者是安迪·利夫纳。

Library Lamp by Front design produced by Zero. Photo by Andy Liffner.

图书馆灯的正面设计，由零生产。照片作者是安迪·利夫纳。

Library Lamp by Front design produced by Zero. Photo by Andy Liffner.

图书馆灯的正面设计，由零生产。照片作者是安迪·利夫纳。

Nationalmuseum interior view. Photo © Nationalmuseum Stockholm.

国家博物馆内部景观。斯德哥尔摩国家博物馆照片。

Nationalmuseum interior view. Photo © Nationalmuseum Stockholm.

国家博物馆内部景观。斯德哥尔摩国家博物馆照片。

Photo © Nationalmuseum Stockholm.

照片）国家博物馆斯德哥尔摩。

keywords:Design Furniture Design Industrial / Product Design Interior Design 

关键词：设计家具设计工业/产品设计室内设计