架构师提供的文本描述。de Nieuwe Liefde(“新爱”)是一家剧院和社区中心，位于阿姆斯特丹达科斯塔卡德的一座白色建筑中，始建于1904年，是当地一家葡萄酒公司的储藏空间。在失修之后，按照2007年离开该房产的最后一批房客，德莱夫德被Wiel Arets建筑公司完全重建，并更名为de Nieuwe Liefde。这一改造将现有建筑改造成一系列新的空间，其中包括一个可容纳230人的主厅、一个可容纳60人的会议室、一个可容纳50人的唱诗班空间、一个图书馆、一个单独的餐厅-咖啡馆和一个大门厅，可减压成一个中央流通空间。

Text description provided by the architects. De Nieuwe Liefde (‘The New Love’) is a theatre and community centre located in a monumental white building on Amsterdam’s Da Costakade that was originally constructed in 1904 as storage space for a local wine company. After falling into disrepair, andin accordance with the last tenants leaving the property in 2007, the De Liefde was completely rebuilt by Wiel Arets Architects and renamed De Nieuwe Liefde. The reconstruction transformed the existing building into a series of new spaces composed of a main hall with seating for 230, a conference room with space for 60, a choir space for 50, a library, a separate restaurant-café and a grand foyer that decompresses into a central circulation void.

 Courtesy of wiel arets architects

Wiel Arets建筑师的礼遇

在翻修之前，这栋建筑保留了许多最初的新文艺复兴和新艺术特色，因此，其方法是利用这些资产，以及现有的主楼梯和穿过的大量彩色玻璃窗。建筑物的深度约为30米，反映了它以前用作葡萄酒储藏空间的情况。这一深度，加上历任业主的多次翻修，创造了一系列奇怪的空间和房间，很少接受自然光。

Prior to the renovation the building retained many of its original Neo-Renaissance and Art Nouveau features and therefore the approach was to utilise these assets, as well as the existing main staircase and extensive stained glass windows throughout.The depth of the building totals about 30 meters, reflecting its former use as a wine storage space.This depth, alongside numerous renovations by successive owners, created a series of oddly divided spaces and rooms, with few receiving natural light.

为了引入充足的自然光，中央循环空隙上方建立了一个膨胀的天窗，允许日光倾泻到建筑物中，淹没所有主要空间。中央循环的空隙从正面到背面，由交叉的台阶和坡道组成，这些台阶和坡道挑战传统的“地板”概念，而是创造了一个“零水平”，允许简洁的路线和直接的视觉连接到所有重要的空间。在咖啡厅里，巨大的天窗和一堵常春藤墙使一片原本封闭的空间变得生机勃勃。

In order to introduce plentiful amounts natural light, an expansive skylight was created above the central circulation void, allowing daylight to pour into the building and flood all principal spaces. The central circulation void spans from front to back facade, and is composed of a crisscross of steps and ramps that challenge the traditional idea of ‘floors’ and instead create a ‘zero-level’, allowing concise routing and direct visual connections to all important spaces. In the café, large skylights and a wall of ivy enliven an otherwise enclosed space.

 Courtesy of wiel arets architects

Wiel Arets建筑师的礼遇