架构师提供的文本描述。我们在室内建筑和设计方面的背景告诉我们如何将空间和物体作为一个集合来把握。我们以建筑师的眼光参与到这个项目中，利用设计师的创造性、细节的关注。由于结构和屋顶状况良好，我们有了良好的工作基础。我们的目标是在不掺杂和保护其过去的情况下修复该车间。保持它的身份，而不改变现有的开放，可以避免我们漫长和不确定的行政程序。

Text description provided by the architects. Our background in interior architecture and design taught us to grasp the space and the object as a set. We fall in the project with the eye of the architect and use the inventiveness, the concern of the detail of the designer. As the structure and the roof were in good condition, we had a good working base. Our goal was to rehabilitate the workshop without adulterating it and protecting a track of its past. Keeping its identity, without changing the existing openings, could avoid us long and uncertain administrative procedures.

 © Stéphane Lariven

(Stéphane Lariven)

尽管预算有限，但图纸上的简单性和创造性很强，但我们可以成功地完成这个项目，包括主要处方的互联网和当地的超级联营者(Fran ois Caumont-L‘Atelier du chteau)。

In spite of a limited budget but much simplicity and inventiveness in the drawing, internet for the major part of prescriptions and a super local joiner (François Caumont-L'Atelier du château), we could complete the project successfully.

 © Stéphane Lariven

(Stéphane Lariven)

为了与环境和地方风格和谐相处，我们重新解读了传统萨瓦庭院建筑与当地材料(生态)相结合的规范，即落叶松、板岩和黑色花岗岩把它们从当地木屋的陈词滥调中剔除出来。

To join perfect harmony with the environment and the local style, we reinterpreted the codes of traditional Savoyard architecture Work with local materials (ecological) as the larch, the slate and the black granite taking them out of usual clichés of the local chalet.

 © Stéphane Lariven

(Stéphane Lariven)

我们的客户想要一个大的，开放的，明亮的空间。他想在家里散步，在不同的地方安顿下来，利用这个地方提供的视角.M告诉我们：“我爱我的家，因为第一次来到这里的人会立刻感到舒服。”

Our customer wanted a large opened and bright space. He would like to stroll at home, settle in different spaces and take advantages of perspectives offered by the place...M. told us " I love my home because people who come here for the first time feel immediately comfortable"

 © Stéphane Lariven

(Stéphane Lariven)

空间是按照太阳周期来组织的(东方的卧室，西/南的居住空间)，我们设想这个空间就像一个平面建筑行走。白天，主空间中的大网幕(Nya Nordiska)过滤光线，给人一种在云中的甜蜜感觉。晚上，他们被点燃，阁楼本身就是最好的灯饰。

Spaces are organized according to the sun cycle (bedrooms in the East, living spaces in the West/South).We conceived the space like a graphic architectural walk. The space staged by the light brings a succession of day and night sensations .In the day, large mesh curtains (Nya nordiska) in the main space filter the light, giving this sweet sensation to be in a cloud. At night, they are lit and the loft dons itself finest attire of lights.

 © Stéphane Lariven

(Stéphane Lariven)

大型海报(佩特奥利的娃娃)是一个滑动的框架，可以来隐藏一个海湾窗口(南露台)，并过滤光线。从不同的空间可以看到，多媒体休息室是一种非常愉快的构思和享受：思维就像休息室中间的小茅屋，就像一种口香糖书架。这个空间中的特殊房间让参观者困惑，镜子里的外部衬里破坏了房间的音量。一旦进入，镜子变成白色的表面，突出“茧雪”的想法。夜幕降临时，位于休息室上方的工作人员(对奥斯卡·尼迈耶眨眼)的火山也被点燃，给这间小屋带来了一种奇特的气氛(想象科幻小说)。

The large poster (Dolls by PetOrly) is a sliding frame which can come and hide a bay window (South terrace) and filter the light. Visible from different spaces, the multimedia lounge was a great pleasure to conceive and enjoyed us: thought like a child hut in the middle of the lounge like a kind of moucharabieh bookcase. This special room in the space puzzles the visitor with exterior lining in mirror which breaks the volume. Once inside, the mirror becomes a white surface to highlight the idea "cocooning snow". The volcano in staff (wink at Oscar Niemeyer) situated above the lounge is also lit when the night has come, giving to this hut a peculiar atmosphere (imagine science fiction).

 © Stéphane Lariven

(Stéphane Lariven)

主卧室被认为就像一间酒店套房，里面有一间大更衣室，卧室里还开着它的浴室。落叶松和板岩仍然以连贯的精神存在。

The main bedroom has been thought like a hotel suite with a large dressing-room and its bathroom opened in the bedroom. Larch and slate are still present in a spirit of coherence.

 © Stéphane Lariven

(Stéphane Lariven)