架构师提供的文本描述。当我还是巴塞罗纳建筑学院(ETSAB)的学生时，海洋社区巴塞罗那是很多人谈论的话题。海滩上的餐馆后来消失了，狭窄的街道，狭窄的公寓，露台上挂着的衣服，商店，工匠作坊和人，他们说话，还在说话，说话又快又吵。

Text description provided by the architects. When I was a student at the Barcelona School of Architecture (ETSAB), the maritime neighborhood, Barceloneta, was the subject of much conversation. Restaurants on the beach which later disappeared with its narrow streets, cramped flats, the clothes hanging out on the balconies, the shops, the artisans' workshops and its people, who talked, and still talk, fast and loud.

 © Adrià Goula

(AdriàGoula)

这个项目意味着有机会以一种感兴趣的方式回到社区；它不再是一次有趣和发现的旅行，而是对这个地方的一次调查。目的是为了确定什么能让我们揭示它的性质，并为一个项目的目的准确地描述它。

The project meant a chance to go back to the neighborhood in an interested manner; it was no longer a trip for fun and discovery, but rather a survey of the place. The object was to identify what would enable us to reveal its qualities and to describe it accurately for the purposes of a project.

 © Adrià Goula

(AdriàGoula)

最终，它试图解释一个现实，为一个建筑项目提供一个新的、更充分的意义，而不仅仅是解决一个方案或委员会。早在比赛阶段，我们就把塞萨尔·曼里克的一些绝妙的鱼拼贴在一起，为孩子们画一些我们希望能体现和表达这些人的喜悦的作品：他们的活泼，他们的精力，他们面对频繁困难时的热情。

Ultimately, it was an attempt to explain a reality and to offer a new and fuller meaning to an architectural project, beyond resolving a programme or commission. As early as the competition stage we did a collage with some of César Manrique's fantastic fish, drawings for children we hoped might embody and express the joy of these people: their liveliness, their energy, their enthusiasm in the face of frequent hardship.

市场一直是邻里社会凝聚力的一个组成部分，是一个里程碑，有时几乎是秘密，只有居民才能看到。市场相对于城市的这种密度条件应该是项目的一个条件，这样建筑物及其周围的环境实际上就成为巴塞罗那这个角落的一个明确的参照点。

The Market has always been an element of social cohesion in the neighborhood, a landmark, sometimes almost secret and visible only to its inhabitants. This condition of density that the market has in relation to the city should be a condition of the project, so that the building and its immediate surroundings actually become a clear point of reference in this corner of the city of Barcelona.

 © Adrià Goula

(AdriàGoula)

令人惊讶的是，我们在建筑过程中看到了我们为市场拍摄的照片，当时这只巨大的动物的碎片、骨头被带到了最后的地方。这只动物现在是军队强加的城镇规划中的囚犯，这个社区，没有逃跑的机会。

It is surprising to see now the photos we made of the market during construction, when the pieces, the bones, of this huge animal were being carried through the streets to their final place. This animal is now a prisoner in a military-imposed town plan, this neighborhood, with no chance of escape.

 © Adrià Goula

(AdriàGoula)

我认为很高兴能想起这些街道上的每一个运输部分，每个邻居都见证了这座建筑，或者至少是市场的一部分。让人惊讶的是，即使是现在，我们也会回想起我们与邻居和工人分享的建筑过程。最后的建造是分部分完成的，这是一个更大的现实的小部分。这些碎片的组装容易受到这些碎片的影响，这些碎片以前是在工厂切成的，以便于运输，并通过狭窄的街道到达分配给市场的空间。

I think it's nice to think of the memory of these very streets of each of these transported parts; each neighbor is witness alike to the construction, or at least some fragment of the market. It is surprising, even now, to recall that building process, which we shared with neighbors and with workers. The final construction was done in parts, little pieces of a greater reality. The assembly of these pieces is impressionable with these fragments, previously cut up in the factory to facilitate transport, and their passage through the narrow streets to the space allocated for the market.

 © Adrià Goula

(AdriàGoula)

市场寻求成为社区的一部分，它的城市结构，并被转向广场正面和后方-以前不存在广场，和海湾组成的市场交叉。

The market seeks to form part of the neighborhood, its urban fabric, and is redirected toward the squares front and rear – formerly no square existed, and the bays that made up the market crossed.

新的金属数字创造了新的市场空间，不是触地的，而是从旧的结构中悬挂下来的，而不是以真实的方式出现的，因为新旧两种结构在结构上从来没有真正重叠过，而是在一种虚假的平衡中这样做的。被囚禁的，驯服的建筑在这个空间里扭曲，某种暴力的重建形式，获得了现实之间的记忆它以前的自我和它的新的野心。它打开卷曲，并提供了一系列新的空间来发现。

The new metal figures create new market spaces, not touching the ground, but suspended from the old structure, not a in real manner, since the two structures, the old and new, never really overlap structurally, rather they do so in a false equilibrium. The imprisoned, tamed building writhes within this space, a certain violence in its rebuilt form, acquiring a reality that lies between the memory of its former self and its new ambition. It uncurls, curls back up, and offers a succession of new spaces to discover.

 © Adrià Goula

(AdriàGoula)