架构师提供的文本描述。这座城市雕塑，一个新的Tivoli信息点，实际上是另一个故事的结束，2007年的“TrimoUrbanCrash 2007竞赛”和一个新项目的开始。在第一次竞赛中，选择了两个项目作为时间结构。两个月后，活动结束了，我们把它们拆开回收。此时，卢布尔雅那市提出了四项永久使用展馆的计划，这似乎是重新利用这座城市雕塑的绝佳机会。倡议由国际图形艺术中心、国家现代史博物馆、乔·že Bernik院士和副秘书长JožefŠKolč提出。

Text description provided by the architects. This urban sculpture, a new Tivoli info point, is actually the end of another story, the¨TrimoUrbanCrash 2007 competition¨ and beginning of a new project. In the first competition, two projects were chosen to be built as temporal structures. After two months, the event was finished and we took them apart to be recycled. At this time four separate initiatives for permanent use of pavilion came to municipality of Ljubljana, and it seemed to be the perfect opportunity to reuse this urban sculpture. Initiatives were brought by International Center of Graphic Arts (MGLC), National Museum of Contemporary History, academician Jože Bernik and deputy Jožef Školč.

 Ground Plan

由于Tivoli公园是一个非常受保护的区域，你不可以在那里建造，所以我们不得不在公园附近寻找一个新的地点。这个雕塑的最后休息地是一个长满草的三角形，就在公园入口处。通过在这里放置雕塑，我们恢复了这片草地的活力，并建立了一个通往蒂沃利公园的新入口。我们已经清楚地联系了凯洛夫š卡街，蒂沃利体育和活动厅，和蒂沃利公园。

Because the Park Tivoli is a very protected area, where you are not allowed to build, we had to search for a new location within direct vicinity of the park. The final resting place for this sculpture turned out to be an untidily grassy triangle, located directly by the park entrance. By placing the sculpture here, we have revitalised this meadow and established a new entrance to Tivoli park. We've a made clear connection between Celovška street, the Tivoli Sports and Event Hall, and Tivoli park.

 © Peter Mihelic

(Peter Mihelic)

雕塑的新目的是让参观者了解公园内不同的艺术设施和博物馆展览。公园里隐藏着博物馆、花园和展览，包括：国际平面艺术中心、国家当代历史博物馆和植物园。

The new purpose of the sculpture is to inform visitors of different art installation and museum exhibitions that take place in the park. Hidden in the park, there are museums, gardens, and exhibitions including: the International Center of Graphic Arts, the National Museum of Contemporary History, and the Botanical garden.

 © Peter Mihelic

(Peter Mihelic)

雕塑具有鲜明对比的色彩，是一种开放、清晰和结构动态的形式，它探索环境中运动的可能性，而这种运动本身就是一个自然的环境过程。在某种程度上，卡尔德里亚的方法，这个想法代表了一个框架在五个不同的阶段绽放。它的形式，这个动态雕塑激发了行人的兴趣，并邀请他们通过。

With a bright and contrasting color, the sculpture is an open, clear and structurally dynamic form that explores the possibility of motion in the environment, while this movement itself is present as a natural environmental process. In a somewhat Calderian approach, the idea represents the blooming of a frame through five different phases. With it's form, this dynamic sculpture stimulates the interest of pedestrians and invites them to pass through.