Hotel Arc del Teatre EQUIP Xavier Claramunt
2011-06-07 00:00
架构师提供的文本描述。这项决定是为了保护一个历史性的立面,尽管它没有受到官方保护,并决定在它与邻近建筑物的党墙之间插入建筑物。新的建筑把房间当作架子,用高度紧凑的旧区的水井给位于街道下面的公共空间提供一种戏剧性的氛围。整洁而静态的立面与该地区的其他立面之间的关系具有一定的复杂性和变化性,它产生了一套传统的房间方案。它使用了一个巨大的包裹,反映了新建筑正面日新月异的光线。
Text description provided by the architects. The decision was taken to preserve a historic facade, despite the fact that it is not officially protected, and to insert the building between it and the party wall of the adjacent building. The new building treats the rooms as if they were shelves, using wells of the highly compact old district to afford a dramatic ambience to the common spaces, which are located below street level. The relationship of the neat and static facade, which yields a programme of conventional rooms with the other facades in the area, is imbued with a certain complexity and change. It uses a huge wrap that reflects the changing light of day on the facade of the new building.
© Adrià Goula
(AdriàGoula)
这些决定都是关于空间的,但也是关于整合的。由于非常阴郁和直接,我们不得不说,立面被保存下来是为了纪念曾经矗立在那里的那栋建筑,但同时也是一种工具,用来谈判规章和获得许可。是的,先生,马上就可以,先生,这样就可以使底层的建筑物休会,形成一个门廊,在这一地区迷宫般的街道中开辟一个内部露台。因此,通过这项立法,可以将房间定位在底层,从而解决隐私问题,采用独特的集群系统,光线从根本上进入和分层楼层。
These decisions are all about space, but they are also about integration. Being very sombre and direct, we would have to say that the facade is conserved as a memory of the building that once stood there, but also as a tool for negotiating with the regulations and securing permission, yes sir right away yes sir, making it possible to recess the building on the ground floor, form a porch and open up an inner patio inside the utterly dense maze of streets in the area. Working thus with the legislation will render it possible to locate rooms on the ground floor, in turn solving the conditions of privacy with peculiar clustering systems, with light entering radically and split-level floors.
© Adrià Goula
(AdriàGoula)
遮住正面的巨大外罩的目的是让建筑物的外观在白天从室内和街道上改变,而室内和外部的照明条件也各不相同。这是一项与周围建筑物的多样性相结合的承诺。这座建筑建设所需的资源经济性所要求的严肃性和系列化,被这种巨大的包装赋予了一定程度的多样性,它将随着季节的变化而变化,并将白天的自然光过滤成不同于人工夜间的光线。
The aim of the huge wrap covering the facade is for the building’s appearance to change during the day both from inside the rooms and from the street, while lighting conditions also vary on the inside and on the outside. It is a commitment to integration with the variety of the surrounding buildings. The sobriety and seriation called for by economy of resources applied in the construction of this building is granted a degree of variety by this huge wrap, which will change with the seasons and will filter the natural light of day differently to the artificial night-time light.
© Adrià Goula
(AdriàGoula)
询问用户,新酒店有两个不同的房间,取决于你是在房间还是在任何一个公共区域。建筑物的公共区域,低于街道层,被不同的对待,以产生舒适的角落和不同的氛围。提供了各种形式、颜色和家具,作为街道一级活力的延伸,而这种活力实际上并不在人们的视线之内。相反,房间里充满了清醒,以便于适应游客的决定。从房间的内部建立了一个直接的视觉关系,街道通过淋浴区域,位于正面,和巨大的包装,在乙烯基的帮助下,保护它不受街道的眼睛。
Asking the user, the new hotel has two different miens depending on whether you are in the room or in any one of the common areas. The public areas in the building, below street level, are treated heterogeneously to generate cosy corners and different ambiences. A variety of forms, colors and furniture is offered, as an extension of the street-level dynamism that is not actually within sight. And on the contrary, the rooms are imbued with sobriety to make for easy adaptation to the tourist's decisions. From the inside of the room a direct visual relationship is established with the street through the shower area, located on the facade, and the huge wrap which, with the help of vinyl, protects it from the eyes of the street.
© Adrià Goula
(AdriàGoula)
这家酒店虽然是游客的休息场所,但力求保持超市区的状态,在酒店内部洒上一剂外景,在公共区域内放置物体和组合物,从房间中看到街道的景色,因此,这座建筑就像一扇通往街道的门,反过来又延伸到一个历史街区的隐蔽、私人和多个不同的部分。
The hotel, albeit a place of rest for the tourist, seeks to remain ultraurban, peppering the inside with a dose of the outside, with objects and combinations in the public areas and views of the street from the rooms, hence the building is akin to a door onto the street and, in turn, onto the hidden, private and heterogeneous parts of a historic district.
© Adrià Goula
(AdriàGoula)
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