架构师提供的文本描述。这位客户想要在家族企业上方的地板上装修一间卧室、一间工作室和一间厨房/餐厅，这将成为新房子的核心。位于市中心，地块又长又窄，党墙之间有4米宽，其中现有的建筑占据了整个建筑的表面。家族企业，一家肉店，必须穿过大门才能买到房子，尽管第一项提议试图解决邻居的一栋建筑的通道问题。

Text description provided by the architects. The Client wanted to renovate the floors, just above the family business, in to their private home with bedrooms, a studio, and a kitchen/dining room, which would become the heart of the new house. Located in the town centre, the plot is long and narrow with a 4m width between party walls, of which the existing building took up the whole surface. The family business, a butcher's shop, must be crossed to get the house, although the first proposal tried to resolve the access from one of the neighbours' buildings.

 Previous Section

前一科

门廊屋顶是连接前住宅主体积与后立面空间的唯一要素，在它们之间形成了一个被覆盖但未关闭的区域。这样，尽管建筑结构非常零散，但从外部看，原来的建筑体积还是很小的。

The gabled roof was the only element linking the main volume of the former dwelling with the spaces located on the rear façade, creating an area between them that is covered but not closed. This way, the original building could be seen from outside as a very compact volume despite having a very fragmented structure.

 © Juan Carlos Quindós

(Juan Carlos Quindós)

该项目试图利用纵向剖面的巨大可能性，将地块和空洞连接起来，保持空间和循环，并激发以前不存在的新的视线。

The project has attempted to take advantage of the great possibilities of the longitudinal section, articulating massifs and voids, keeping spaces and circulations and provoking new sight-lines that were formerly non-existent.

 Floor Plans

平面图

从物理上讲，改造使结构木结构框架处于良好状态，期望屋面的后坡不受外露的保护。这已经完全取代和修改了它的几何结构，以适应功能程序和新的优先次序，在房子的内部空间引入最大的光线。

Physically, the renovation has kept the structural wooden frame in good condition, expecting the rear slope of the roof, unprotected out in the open. This has been entirely replaced and modified in its geometry in order to adapt it to the functional program and the new priorities, introducing the maximum light into the inner spaces of the house.

 © Juan Carlos Quindós

(Juan Carlos Quindós)

原有的木梁板体系保留了新的元素，以区别于现存的房屋。增加的元素包括：楼梯和人行桥用黑色漆成的金属结构，这一解决方案除了明显不同外，还有助于收紧木板本身和周围墙壁。

The original slab system with wooden beams has been kept with new elements added to distinguished the house from the others in existence. Added elements include: a metallic structure painted in black for the staircase and the footbridge, a solution that, besides becoming visibly different, has helped to tighten wooden slabs themselves and to the peripheral walls.

 © Juan Carlos Quindós

(Juan Carlos Quindós)

对于屋顶的新部分，新的元素包括：松树梁，矩形截面切割，预制板坯，包括隔热和干墙装饰，准备向下油漆，以建立新的纵向剖面。一项重要的工作是利用现有的材料，如罗马屋顶瓷砖，古老的陶瓷地板(现在布置成地毯在餐厅)，甚至陶瓷支撑件的拆除屋顶板，现在用作露台铺路。

For the new part of the roof, new elements include: pine tree beams, cut in rectangular section, and prefab slab pieces including thermic insulation and drywall finish downwards ready to be painted to model the new longitudinal section. An important effort has been made make use of the existing materials, such as the roman roof tiles, the ancient pieces of ceramic flooring (now arranged as a carpet on the dining-room), and even the ceramic supporting pieces of the removed roof slab now used as the terrace paving.

 © Juan Carlos Quindós

(Juan Carlos Quindós)

通过拆除一楼的隔板和新的屋顶部分，房子现在有一个主要的中心部分，一个连续的空间，集所有白天的功能。这间客厅，厨房和餐厅，坐落在古老的庭院里，垂直于三层楼高的天窗。

By retiring the partitions of the first floor and the new roof section, the house now has a main central element, a continuous space that gathers all daytime functions. This living-room, kitchen and dining-room, which, situated at the ancient courtyard, grows vertical in a three-storey height to the skylight.

 © Juan Carlos Quindós

(Juan Carlos Quindós)

在二楼，每个门面上都有两间面向外面的卧室。后侧的主卧室将音量推过餐厅，因此有必要穿过一座人行桥。从这座人行桥，甚至从卧室里，都可以看到一楼和下边的斜视线，还有新的木梁。在三楼有一个开放的工作室，第三间浴室和通往露台的出口。露台被定义为庭院体积的对立面，面向阳光，它允许比最近的建筑物更远的观光。还建造了一个阁楼来安装屠夫的装置，直到现在，这些设施都位于一楼。

At the second floor there are two bedrooms that face outside on each façade. The main bedroom on the rear side pushes its volume over the dining-room, making it necessary to access by crossing a footbridge. From this footbridge, or even from the bedroom, there are oblique sightlines both of the first floor and the lower side of the roof with its new wooden beams. At the third floor there is an open studio, a third bathroom and the exit to the terrace. The terrace is defined as the opposite of the courtyard volume and oriented to sunlight, which permits sightseeing further than the nearest buildings. An attic was also built to put up the butcher’s installations, which, until now, were located on the first floor.

 © Juan Carlos Quindós

(Juan Carlos Quindós)