架构师提供的文本描述。摄影师斯特凡图奇拉最近与我们分享了他的照片香奈儿移动艺术馆扎哈哈迪德建筑师。为香奈儿设计的展馆遍及世界各地，香港，东京，纽约，直到它在巴黎的世界亚拉巴学院的最后一站。

Text description provided by the architects. Photographer Stefan Tuchila recently shared with us his images of the Chanel Mobile Art Pavilion by Zaha Hadid Architects. Designed for Chanel the pavilion traveled all over the world, Hong Kong, Tokyo, New York until reaching it's final stop at L'Institut du Monde Araba in Paris.

 © Stefan Tuchila

.斯特凡·图奇拉

展馆的材料包括：由纤维增强塑料、PVC屋顶、ETFE屋顶灯建造的立面，主要结构由74t钢制成，有1752多个不同的钢连接，二级结构由铝挤压而成。

Materials for the pavilion include: a façade constructed from fibre re-inforced plastic, the roof PVC, ETFE roof lights, the primary structure was created from 74t steel and has over 1752 different steel connections, and the secondary structure consists of aluminium extrusions.

 © Stefan Tuchila

.斯特凡·图奇拉

700平方米香奈儿展馆的形式是对香奈儿标志性作品的庆祝，毫无疑问，它的精致细节层次分明，合在一起，形成了一个优雅而有凝聚力的整体。由此产生的功能性、多功能的建筑结构是一系列连续的拱形元素，中央空间有一个庭院。在半透明的天花板后面的人工光清洗墙壁，强调‘拱形’结构，并协助创造一个新的人造景观的艺术设施。一个巨大的屋顶灯的开放，戏剧性地淹没了入口处的白天，模糊了内部和外部的关系。除了灯光和色彩效果外，每一段的接缝所创造的空间节奏也给整个室内提供了强烈的透视图。

The form of the 700 sqm Chanel Pavilion is a celebration of the iconic work of Chanel, unmistakeable for its smooth layering of exquisite details that together create an elegant, cohesive whole. The resulting functional, and versatile architectural structure of the Pavilion is a series of continuous arch shaped elements, with a courtyard in its central space. Artificial light behind the translucent ceiling washes the walls to emphasize the ‘arched’ structure, and assists in the creation of a new artificial landscape for art installations. A large roof light opening dramatically floods the entrance in daylight to blur the relationship between interior and exterior. In addition to the lighting and color effects, the spatial rhythm created by the seams of each segment gives strong perspective views throughout the interior.

 © Stefan Tuchila

.斯特凡·图奇拉

占地65平方米的中央庭院上方有巨大的透明开口，旨在举办活动，并为参观展览后的展览提供一个反思的场所。庭院作为展览馆与公共区域之间的中间空间。考虑到城市之间的大量运输，钢结构设计在一周内建成，这对于一个短暂的展馆来说是必不可少的。与庭院的直接视觉连接，128平方米的露台继续在展馆的外部和内部之间的对话。在事件期间，可以将这两个空间链接成一个大型事件区域。

The 65 sqm central courtyard has large transparent openings to the sky above and is designed to host events as well as provide an area for reflection after visiting the exhibition. The courtyard serves as an intermediate space between the exhibition and public area of the Pavilion. In light of the extensive shipping between cities, the steel structure has been designed to be built in under one week, which is essential for an ephemeral pavilion. With a direct visual connection to the courtyard, the 128 sqm terrace continues the dialogue between the Pavilion’s exterior and interior. During an event, the two spaces can be linked to become one large event zone.

 © Stefan Tuchila

.斯特凡·图奇拉

反光材料可以让外部皮肤被不同的颜色照亮，这些颜色可以根据每个城市不同的特殊活动方案而量身定做。香奈儿亭的结构的强大的雕塑质量和其信封的轻盈之间的二分法创造了一个大胆和神秘的元素。

Reflective materials allow the exterior skin to be illuminated with varying colors which can be tailored to the differing programmes of special events in each city. The dichotomy between the powerful sculptural mass of the Chanel Pavilion’s structure and the lightness of its envelope create a bold and enigmatic element.

 © Stefan Tuchila

.斯特凡·图奇拉

展馆的外部发展成为丰富的内部空间，最大限度地利用和重新思考空间的潜力，因为它的计划固有的灵活性。香奈儿馆的曲线几何的总流动性是哈迪德30年来对连续变换和平稳过渡系统的探索和研究的明显延续。有了这一系列的形态学，扎哈·哈迪德能够将展馆的短暂类型转化为香奈儿文化重要性的庆祝活动所需的感官形式。

The Pavilion’s exterior develops into a rich variety of interior spaces that maximize the potential to reuse and rethink space due to the innate flexibility of its plan. The total fluidity of the Chanel Pavilion’s curvilinear geometries is an obvious continuation of Hadid’s 30-years of exploration and research into systems of continuous transformations and smooth transitions. With this repertoire of morphology, Zaha Hadid is able to translate the ephemeral typology of a pavilion into the sensual forms required for this celebration of Chanel’s cultural importance.

 © Stefan Tuchila

.斯特凡·图奇拉