架构师提供的文本描述。一个客户把我介绍给比利时的一个电影制片人。他让我在摩洛哥马拉喀什买了几套房子。多年来，我经常访问摩洛哥。从第一次旅行起，我就被那个国家迷住了，到目前为止所研究的三个项目，在不同程度上都是由我停留期间收集到的所有图像和印象所提供的。

Text description provided by the architects. A client introduced me to a film producer in Belgium. He offered me to draw up the plans of several houses on land he had bought in Marrakech, Morocco. For many years I regularly visited Morocco. From the first trip I was bewitched by that country and the three projects studied to date are certainly fed, to varying degrees, by all the images and impressions gathered during my stays.

 © Jean-Marie Monthiers

(让-玛丽？莫蒂尔)

主要的困难是与客户端一起定义程序。最初我们计划在这个地方建三座房子。为了保护这块土地，这个项目逐渐缩小到了这三座房子中最小的一座。客户告诉我，他在同样的条件下买了第二块更大的地块(5公顷)，但地图集更靠近地图集，以便建造另外两栋房子。

The main difficulty was to define the program with the client. Originally we had planned to build three houses on this site. The project gradually decreased to finally the smallest of these three houses in order to preserve the field. The client informed me he bought a second larger plot (5 hectares) under the same conditions but closer to the Atlas in order to implement the other two houses.

 © Jean-Marie Monthiers

(让-玛丽？莫蒂尔)

对于第一个项目，我的愿望是与土地、植被和地图集建立密切的对话关系，作为一块面积为2.5公顷的170平方米的小房子，尽管规模不同，我们还是要创造一个动态平衡。我们玩光和影，以增强和加强卷。

For this first project my desire was to establish a close dialogue with the land, vegetation and the atlas to the horizon. Being a small house of 170 sqm on a plot of 2.5 hectares, we had to create a dynamic equilibrium despite this difference of scale. We played with light and shadow to enhance and strengthen the volumes.

 Ground Floor Plan

我们使用当地的材料和技术，如粘土，塔德拉克，皮埃尔德乌里卡。虽然我们种了500多棵树，但我们还是保存了这片土地的荒凉。我们把墙翻了一倍，以帮助应对气候，创造了高耸的房间和防晒设施。每个区域和国家都应该得到符合气候、文化和经济条件要求的建筑答案。

We used local materials and techniques like clay, tadelack, Pierre de Ourika. We have preserved the wildness of the land although we have planted more than 500 trees. We doubled the walls to help deal with the climate, creating room high-rise and sun protections. Each region and country deserves architectural answers, adapted in line with requirements climatic, cultural and economic conditions.

 © Jean-Marie Monthiers

(让-玛丽？莫蒂尔)