架构师提供的文本描述。萨普堡是南挪威一片绿色、平坦和平静的地方，也是往返瑞典途中的传统停留地。2004年，挪威公路局与区域政府一道，与桑德斯接触，要求在该地区开展一个新项目；然而，独特的是，没有预先确定该委员会的特殊需要。

Text description provided by the architects. Sarpsborg is a green, flat and calm piece of South Norway and a traditional stopover for travellers on the route to and from Sweden. In 2004, the Norwegian Highway Department together with the Regional Government approached Saunders for a new project in the area; uniquely however, without having predetermined the commission’s particular needs.

Saunders专注于该网站，旨在确定其挑战和优势，以确定其问题和机遇，并与客户密切合作，不仅开发最佳设计解决方案，而且项目本身的简介。他解释说，我们讨论了我们需要的东西，并由此得出了体系结构。

Focusing on the site and aiming to identify its challenges and advantages in order to define its problems and opportunities, Saunders worked closely with the client, not only to develop the optimum design solution, but also the project’s own brief. We discussed what we needed and the architecture came out of that, he explains.

由于萨普堡是来自瑞典的旅行者第一次体验挪威的口味之一，对客户来说，重要的是他们能够放慢脚步，花时间去发现周围的大自然。当地的森林和海岸线构成了一个美丽的，但在很大程度上不为该国的一部分。邻近的高速公路的速度和噪音只会增加旅行者的休息和与自然的重新联系的需要，因此绿色的休息空间排在第一位。一个低墙坡道环绕着休息区，确定了2000平方米的面积范围，而春天开花的果树点缀着庭院。在展览中，桑德斯设计了七个与平面设计师卡米拉·霍尔克罗夫特(Camilla Holcroft)合作的小展馆，展示了当地铜器时代的岩石雕刻信息，这是一个展览，继续在斜坡的墙壁上展出。

As Sarpsborg is one of the first tastes of Norway the travellers from Sweden experience, it was important for the client that they would be able to slow down and spend time discovering the surrounding nature. The local forest and coastline form a beautiful, yet largely unknown part of the country. The neighbouring highway’s speed and noise only enhance the traveller’s need for a break and re-connection with nature, so a green resting space was on the top of the list. A low walled ramp spirals around the rest area, defining the 2000 sq m area’s limits, while spring-flowering fruit trees adorn the courtyard. Within it, Saunders designed seven small pavilions working with graphic designer Camilla Holcroft, showcasing information on the local rock carvings from the Bronze Age, an exhibition, which continues on the ramp’s walls.

桑德斯说，周围的森林里到处都是石刻，但没人知道，因为每个人都只是开车去奥斯陆。这些建筑也为临时艺术家展览提供了选择。

The surrounding forest is full of rock carvings but no one knows about them because everybody just drives through trying to get to Oslo, says Saunders. The structures also offer the option for temporary artist exhibitions.

景观的平整度意味着周围自然的美只能从一定的高度去欣赏，所以塔的创建很快就成为了其中的一个主要部分。坡道的不对称墙从0到4米，然后形成一个30米简单的九层高的建筑在现场的北缘，只有一个楼梯和电梯。这座塔名叫索尔伯格(译为“太阳山”)，从空中俯瞰附近的海岸线和奥斯陆峡湾，真是太戏剧化了。

The flatness of the landscape meant that the beauty of the surrounding nature could only be enjoyed from a certain height, so the creation of a tower quickly became a main part of the brief. The ramp’s asymmetrical walls rise from 0 – 4m, then forms a 30m simple nine–storey-tall structure on the site’s northern edge, including only a staircase and an elevator. Named Solberg (which translates into ‘sun mountain’), the tower’s aerial views towards the nearby coastline and the Oslo fjord are truly dramatic.

 © Bent Rene Synnevaag

本特·雷内·辛纳瓦格

最后，结合周边现有建筑发展了设计风格和美学，选择了最小的和几何的现代造型，对比了当地农庄的传统形式。使用的主要材料是老化漂亮的外墙用Corten钢，以及庭院的设计元素和信息点所用的温暖油化硬木。当地的石板和细砾石铺平了地面水平。

Finally, the design’s style and aesthetic was developed in relation to the environs’ existing architecture; minimal and geometrical contemporary shapes were chosen, contrasting the local farming villages’ more traditional forms. The main materials used were beautifully-ageing CorTen steel for the exterior walls and warm oiled hard wood for the courtyard’s design elements and information points. Local slate and fine gravel pave the ground level.

桑德斯强调了该地区的自然和历史景点，并得到了强有力的建筑形式的支持，建造了一个综合体，直接响应客户和现场的需求。2010年夏季，几个城市、地区政府和国家公路部门之间的合作完成了Sarpsborg项目。

Underlining the area’s natural and historical attractions, supported by strong architectural forms, Saunders produced a complex, in direct response to both the clients’ and site’s requirements. A cooperation between several municipalities, the regional government and the national highways department, the Sarpsborg project completed summer 2010.

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