架构师提供的文本描述。该项目简介需要装修和内部的礼堂设施，作为医疗机构的一部分，用于切蒂亚德健康城。大礼堂设施的设计是为了迎合各种不同的活动，如舞台表演、讲座、研讨会、放映记录医学信息的网络广播。

Text description provided by the architects. The project brief entailed the fitting-out and interiors of an auditorium facility for Chettinad Health city, to be used as part of the medical institute. The auditorium facility has been designed to cater to a diverse activities such as stage performances, lectures, seminars, projection of recorded medical information web-casts & broadcasts and more.

 © Bharath Ramamruthum

(Bharath Ramamruum)

按照惯例，礼堂被认为是简单的，整体的，盒子状的结构，内衬声板.设计的意图是摆脱典型的形态，以创造一个更直观的动态空间。

 Conventionally, auditoriums are perceived as simple, monolithic, box-like structures lined with internal acoustic paneling. The design intent was to shift away from the typical morphology in order to create a more visually dynamic space.

 © Bharath Ramamruthum

(Bharath Ramamruum)

该项目位于印度南部的门户城市钦奈，是一座国际化的城市。该项目被用来作为一次机会，创造一种能让城市的面貌更加美好的内部环境。众所周知，这座城市在建立南印度的历史和文化扩张方面发挥了重要作用，因此，设计方法说明了一种进步的立场，而项目内部也体现了这一点。

Located in Chennai, a cosmopolitan city which serves as the gateway to South India, the project was exploited to be used as an opportunity to create an interior which would sym bolize the face of the city. The city is known to have played a significant role in the establishment of South India’s historical and cultural expansion and hence the design approach is illustrative of a progressive stance and the project interior exemplifies the same.

为了摆脱典型礼堂朴实无华的环境的单调，现代形式被用作插入物，创造出连续的表面，形成从地板延伸到墙壁、穿过天花板的线条和平面，从而在视觉上将这三个表面连接起来。因此，整个结构的天花板，墙壁和地板的礼堂提供了一个整体的形象。

To break away from the monotony of an unadorned environment of typical auditoriums, contemporary forms were used as insertions to create continuous surfaces which were conceived to be in the form of lines and planes that extended from the floor, to the wall and wrapped through the ceiling, thus visually connecting the three surfaces. Hence, the entire structure with the ceilings, walls and the floor of the auditorium gives a vision of being one whole surface. 

 © Bharath Ramamruthum

(Bharath Ramamruum)

一个人进入宽敞的门厅空间，这些空间通过几何模式被打破。在天花板上多层地反射出类似的图案，赋予空间一种封闭感，并反映出类似于礼堂天花板所形成的活力。

One enters the vast expanse of foyer spaces that are broken through geometric patterns. A similar pattern is reflected on the ceiling in multiple layers to endow the space with a sensation of enclosure and to reflect the dynamism similar to that which is shaped by the ceiling of the auditorium.

 © Bharath Ramamruthum

(Bharath Ramamruum)

飞机的强大线条被海湾照明和凹形灯具照亮，确保了形式和材料的纯洁性，同时增强了空间内的视觉戏剧性。礼堂的设想采用了类似的方法，使用三维几何图案穿过织物安装的、声学的墙壁和天花板面板，最终为礼堂空间创造了一个三维的信封。

The strong lines of the planes are illuminated by cove lighting and recessed light fixtures ensure that the purity of the forms and materials is accentuated, whilst enhancing visual drama within the space. The auditorium was envisaged using a similar approach, using the three-dimensional geometric pattern to run through fabric-mounted, acoustical wall and ceiling panels, eventually creating a Three- dimensional envelope for the auditorium space. 

 © Bharath Ramamruthum

(Bharath Ramamruum)

木制插槽设计为门户，被塑造为插入墙内的暖通空调，照明，视听设备和声学服务。为了增加假天花板的随机性，人们用覆盖着木头的凹槽刺破天花板。物质性和调色板受到限制，以使表面的连续性被感知。

Wooden Slots devised as portals, were shaped as insertions within the wall to house HVAC, Lighting, audio-visual equipments and Acoustic services. To augment the randomness of the false ceiling, recesses clad in wood were used to puncture the ceiling. Materiality and palette is restrained, in order to let the continuity of the surfaces be perceived.

 © Bharath Ramamruthum

(Bharath Ramamruum)