架构师提供的文本描述。这座炼金术士精品店座落在60英尺高的空中，像一朵浮云，向迈阿密海滩的天空敞开，它是一个悬浮着的玻璃盒子，插在赫佐格和德梅隆设计的停车场的第五层。在里面，它的反射材料捕捉周围环境的颜色和能量，并使它在迈阿密海滩的许多有利点可见。

Text description provided by the architects. Perched sixty feet in the air like a floating cloud and open to the Miami Beach sky, the Alchemist boutique is a hovering glass box inserted into the fifth floor of a parking structure designed by Herzog and de Meuron. Inside, its reflective materials capture the colors and energy of the surrounding environment and make it is visible from many vantage points throughout Miami Beach.

 © Michael Stavaridis

迈克尔·斯塔瓦里迪斯

对于沿奥尔顿道的行人和通勤者来说，反光天花板和墙壁在城市环境和商店之间创造了一种视觉联系，从而把他们拉进了空间。相反，在空间内部，下面的城市景观活动被反射天花板带来并倒置。五颜六色的汽车和人们沿着天花板在商店的顾客头顶上移动。

For the pedestrians and commuters along Alton Road, the reflective ceiling and walls create a visual link between the urban context and the shop, thereby drawing them into the space. Conversely, while inside the space, the activity of the urban landscape below is brought in and inverted by the reflective ceiling. Colorful cars and people move along the ceiling above the heads of the store's patrons.

 © Michael Stavaridis

迈克尔·斯塔瓦里迪斯

空间的动态构造语言直接来源于仓库周围的持续运动。街道和车库的速度和运动不仅反映在镜子中，而且还通过安装动力镜来增强。传感器上的互动镜子与商店内的移动同步。

The dynamic tectonic language of the space is derived directly from the constant movement surrounding the store. The speed and motion on the street and in the garage is not only reflected in the mirrors; it is also enhanced by a kinetic mirror installation. Interactive mirrors on sensors ripple in sync with movement within the shop. 

 © Michael Stavaridis

迈克尔·斯塔瓦里迪斯

当客户进入商店时，镜像面板移动并逗弄它们靠近。一旦订婚，镜子模仿客户的动作，停止时，当他们停下来，当他们开始时，当他们这样做。这些运动的图像通过起伏的镜子传递到下面的街道，并创造了从商店到城市和城市的倒影。

As clients enter the store, the mirrored panels move and tease them to come closer. Once engaged, the mirrors mimic the clients' movements, stopping when they stop and starting again when they do. These images of movement are relayed to the street below by the undulating mirrors and create a play of reflections from the shop to the city and back.

 © Michael Stavaridis

迈克尔·斯塔瓦里迪斯