架构师提供的文本描述。2011年4月，最近一家日本餐厅在里斯本开业。由建筑实践“Saraiva Associados”创建，这个设计的目的是反映日本文化的不同方面。他们的想法是让客户惊讶，让他们发现新的纹理，新的颜色和新的气味，在他们采取的每一步，甚至在他们的每一次访问。

Text description provided by the architects. In April 2011 the most recent Japanese restaurant opened in Lisbon. Created by the Architecture Practice “Saraiva + Associados”, the aim of this design was to reflect different facets of Japanese culture. The thought was to surprise the clientele by letting them discover new textures, new colours and new scents in every step they take or even in every visit they make.

 © Fernando Guerra | FG+SG

费尔南多·格拉

这个项目的巨大挑战在于四个不同的区域-酒吧、寿司酒吧、用餐区和日本景点-却隐藏着T形的计划。实心玻璃显示器通过展示酒吧的动态，创造了内部和外部之间的巨大互动，由于可移动柜台(室内/室外)提供的灵活性，酒吧被战略性地放置在入口。这种布局结合了生机勃勃的特点，绕过了用一条平淡的走廊迎接游客的想法。

The great challenge of this project resided in the arrangement of four distinct areas – the Bar, Sushi Bars, Dining Area and Japanese Spot – yet concealing the T-shaped plan. The solid glass display creates a great interaction between the interior and exterior by revealing the dynamism occurring at the Bar, which was strategically placed at the entrance due to flexibility provided by the movable counters (indoor/outdoor). This layout combined with vibrant features circumvents the idea of greeting the visitors with a dull corridor.

 © Fernando Guerra | FG+SG

费尔南多·格拉

一旦您进入SushiCafé，您将感到沉浸在一个复杂的环境中，充满了舒适。白色是最主要的颜色，提供和谐和精致。它存在于大理石路面、墙壁和较低的天花板上。现在你问它有什么特别之处。墙壁，被认为是餐厅的主要建筑商标，由水平玻璃纤维条组成，反映了起伏的成分。让人回想起音乐的流动性，它们不是随机设计的，而是根据它们能够提供的功能而设计的。例如，他们转变成台阶，爬到一个高架和投影平台，在那里的圆盘曲棍球加强活泼的气氛。这些背光的白色刀片曾经与这种材料的半透明质量相结合，创造了一个温暖的发光背景，根据光线的颜色和强度来改变环境。位于就餐区的白色柯里安(树脂)苏轼酒吧为氛围增添了一层个性。这个工作服注定要为活菜呈现一个模式，从微妙的白色光束变得清晰。照明质量仍然是一个透明度和阴影的游戏，因此不存在单调和统一-一个逐步和平稳的色调变化。

Once you enter SushiCafé you will feel submerged in a sophisticated environment replete with comfort. White as the predominant colour offers harmony and delicacy. It is present on the marble pavement, on the walls and on the lower ceilings. Now you ask what is so special about it. The walls, considered the main architectural trademark in the restaurant, consist of horizontal fibreglass strips which reflect an undulating composition. Reminiscing fluidity of music, they were designed not randomly but in accordance to the functionality they could provide. For instance, they transform into steps which climb into an elevated and projected platform, where the Disc Jockey enhances the lively atmosphere. These backlit white blades once merged with the translucent quality of this material create a warm glowing backdrop, which modifies the ambience according to the colour and intensity of light. The Sushi Bar in white corian (resin) located by the dining area adds a layer of personality to the ambience. This worktop destined for live cuisine presents a pattern that becomes clear from the subtle white beam. The lighting quality remains as a game of transparency and shadows, hence the inexistence of monotony and uniformity – a gradual and smooth change of tones.

 © Fernando Guerra | FG+SG

费尔南多·格拉

与精致的白度形成鲜明对比的是，它引入了一种光滑的金色，它不仅给整个设计增添了一丝高贵的气息，同时也给整个设计增添了一丝温暖。这种精致的音色在一些独特的家具作品中占据了优势。店前的酒吧是从一个穿孔的金板上长出来的。同样的语言也反映在日本的地方，在那里墙壁呈穿孔板的形状。此外，灯光有节奏地穿过天花板，在黑暗的桌面上带来了大量的灯光。

Contrasting yet merging with the sophisticated whiteness, it was introduced a smooth gold colour that does not only add a hint of nobility but also a touch of warmth to the entire design. This exquisite tone preponderates in some unique furniture pieces. The Bar by the shop front grows from a perforated golden plate. The same language is reflected in the Japanese Spot, where the walls assume their shape in perforated panels. Also, lights rhythmically run across the ceiling bringing pools of lights on the dark tabletops.

苏世凯咖啡厅无疑是当今里斯本市区的必游之地。这是葡萄牙的日式烹饪在建筑语言上的一个突破。这家餐馆反映了一种强烈而现代的形象。

The SushiCafé is certainly a must visit spot in today’s urban Lisbon. It is a breakthrough in Portugal’s Japanese Cuisine yet in Architectural Language. The restaurant reflects a strong and modern image.