Mebius Atelier Tekuto
2011-07-17 00:00
架构师提供的文本描述。距离镰仓十分钟车程,是梅比乌斯之家的所在地。西边有一座山脉环绕着它。南部和东部是一个城市化控制区。这限制了这些地区今后的所有建筑。因此,承诺不破坏周围的绿色植物成为一个非常有吸引力的网站。
Text description provided by the architects. The site of the Mebius house is located ten minutes away from Kamakura. To the West it is surrounded by a mountain range. To the South and East are an Urbanization Control Area. This restricts all future building in those areas. Thus the promise of unspoiled surrounding greenery made for a highly appealing site.
(3)Sobajima Toshihiro Sobajima
“一个人能感受自然的空间,一个适合一对夫妇和宠物兔子居住的空间。”这些都是阿提尔·特库托客户的关键词,阿提尔·特库托用这句话来设计梅比乌斯的房子。虽然崎岖的地形确实带来了一些问题。南方的山脉限制了冬天可以穿透房屋的阳光。不平衡的土地对如何进行建设提出了挑战。Tekuto工作室的设计基于不同的节奏和波长,如太阳、月球周期、植物生命周期和人类周期。
“ A space where one can feel nature and a living space suited to a couple with a pet rabbit .“ These were Atelier Tekuto clients’ key words, and with that Atelier Tekuto proceeded to design the Mebius house. Though the rough terrain did pose some problems. The mountains to the south restricted the amount of sunlight that could penetrate the house in winter. Uneven land posed challenges to how construction could be carried out. Atelier Tekuto based their design on various rhythms and wavelengths, such as those of the sun, lunar cycles, plant life and human cycles.
(3)Sobajima Toshihiro Sobajima
ATelier Tekuto的目标是提供一个根据季节、一天中不同的时间、特定的活动或一个人所处的情绪而有多种空间选择的地方。这座建筑的空间是内外两层的融合。这些计划特别要求建立一条走廊,形成一个四边形,并辅之以其他体积互补的空间。
Atelier Tekuto’s aim was to provide a place where one had a multiplicity of spatial choice depending on the seasons, the different time of day, the particular activity, or what mood one is in. The building’s space is a fusion of interior and exterior layers. The plans specifically called for a corridor that formed a quadrangle, accompanied by other spaces of complementary volumes.
(3)Sobajima Toshihiro Sobajima
还需要尽量减少因场地形状不均匀而造成的开挖量。阿特利埃特库托没有试图对抗自然条件的环境,而是利用不平坦的土地阿泰尔特库托的优势,并建立了多层次。因此,建筑成长为一个充满建筑节奏的空间,不仅是一个平淡的立面,而且是一种引人注目的垂直感。
There was also the need to minimize the amount of excavation due to the uneven flag-like shape of the site. Atelier Tekuto did not try to fight the natural conditions of the environment, but used the uneven land to Atelier Tekuto’s advantage and established multiple levels. Thus the building grew as a space full of architectural rhythm, bearing not just a plain facade, but an eye-catching sense of verticality.
(3)Sobajima Toshihiro Sobajima
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