架构师提供的文本描述。这个项目提出了一个新的国内类型：一个‘画廊房子’。它结合了半公共艺术画廊和两个著名收藏家的住所，他们重新定义了与艺术共存和照顾艺术的意义。这些客户是一位病毒学家和数学家，专门收集当代女性艺术家的作品，不仅与朋友，而且与更大的艺术界分享和推广她们的藏品。他们要求建立一个住宅，让他们的大量藏品和游客可以从半公众画廊传阅到家庭空间，每个区域都提供了一个不同的环境来体验作品。街道一级的画廊举办私人收藏的展览，以及朋友的收藏。画廊是艺术家和策展人演讲的场所，增加了公众对艺术界以及社区规模的参与。随着展厅空间的延伸和重新定义，当它继续向下两层楼和顶楼雕塑花园的楼梯上延伸和重新定义时，由于其开放的规划，住宅区甚至包括了展览线路中最私人的空间。

Text description provided by the architects. Hybrid program This project proposes a new domestic typology: a 'gallery house'. It combines a semi-public art gallery and a residence for two prominent collectors who have redefined what it means to live with and look after art. The clients, a virologist and a mathematician, exclusively collect work by female contemporary artists and feel compelled to share and promote their collection, not only with friends but also with the larger art world. They requested a home within which both their extensive collection and visitors could circulate from a semi-public gallery through to the domestic space, each zone offering a different environment for experiencing the work. The street-level gallery hosts exhibitions curated from their private collection as well as the collections of friends. A site for artist and curator talks, the gallery increases public engagement in the arts within the art world as well as at the scale of their own neighborhood. Extending and redefining the exhibition space as it continues up the stairs to the next two floors and the penthouse sculpture garden, the domestic zone includes even the most private spaces in the exhibition circuit by virtue of its open plan.

 © Tim Griffith

蒂姆·格里菲斯

这个地点是一个填充物，毗邻南方公园，是旧金山为数不多的具象公共空间之一。这一独特的城市条件为寻找一种抽象的建筑语言提供了信息，这种语言探索了图形-地面关系的互锁清晰性及其边缘条件的阈性。设计过程开始时，看到的基本条件的地段作为坚实的波切，已经满。然后将可建信封的固体质量切割并细分为联锁元件。该地段的空间被全面划分和互锁数字识别为固体或空白，并分配了各种程序。以这种方式，原来的充分空间被阐述和解释

Figural voids The site is an infill lot bordering South Park, one of the few figural public spaces in San Francisco. This distinctive urban condition informed the search for an abstract architectural language that explores the interlocking clarity of figure-ground relationships and the liminality of their edge conditions. The design process began by seeing the base condition of the lot as solid poche, already full. The solid mass of the buildable envelope was then incised and subdivided into interlocking elements. The space of the lot was comprehensively partitioned and the interlocking figures identified as solid or void, and assigned various programs. In this manner, the original fullness of the space was articulated and accounted-for, resulting in a perceptible heaviness in the built project.

 © Tim Griffith

蒂姆·格里菲斯

软边-固体和空隙相互滑动-与抽象的4×5×4笛卡尔框架无关。在房屋内，矩阵加强了在分配固体和空隙中隐含的空间划分。但在与南方公园相会的立面上，正交框架溶解并重新组合，以模拟满树公园的有机形态。在上面两层的阳台上，泰赛尔弯曲地为阳台创造了一个适合居住的空间。这个膨胀的阈值是由于对规划规则约束的参数解释的详尽分类，从而触发了典型的旧金山海湾窗口。在屋顶雕塑花园的“数学-有机”摊铺机和肉质材料中重新出现了正面屏幕的柔软几何图形。

Soft edges The solids and voids slide past each other, indifferent to the abstract 4 x 5 x 4 Cartesian framework that informs the structural system. Within the house, the matrix reinforces the divisions of space implicit in the allocation of solids and voids. But at the facade that meets South Park, the orthogonal framework dissolves and reassembles to emulate the organic morphology of the tree-filled park. The tessellations flex to create a volumetric inhabitable space for balconies on the upper two floors. This swollen threshold resulted from an exhaustive taxonomy of parametric interpretations of the Planning Code constraints for allowable projections that trigger the typical San Francisco bay window. The soft geometries of the facade screen reappear in the 'mathematical-organic' pavers and succulents at the rooftop sculpture garden.

 © Tim Griffith

蒂姆·格里菲斯

可持续性/采光-房子的外壳对旧金山温和但多变的气候和天气有着微妙的保护和保护能力，使其免受冷雾的影响，然后与阳光和微风充分连接。辐射地板温暖室内，而大的可操作墙壁连接大房间到公园和树木在东南和城市的看法西北。与前、后两层可操作的墙壁所提供的水平扩张相比，带有耐旱植物的绿色屋顶被天窗穿透，给更深的室内房间带来了令人惊讶和强烈的日光。在55英尺高的垂直楼梯空间上，锯齿形屋顶甚至用北光冲洗空间和艺术。在画廊，南店面的扩散玻璃与北天窗的背面展示墙，为艺术提供白天和全年的整个周期的日光。房子和画廊跟踪气候和天空周期，从东到西，从蓝天到雾，找出居住在一座城市的建筑中，几乎不依赖购买燃料和场外能源。

Sustainability / daylighting The envelope of the house responds to the temperate but varied climate and weather of San Francisco with a nuanced ability to shelter and protect from the cold fog, then open for full connection to sun and breeze. Radiant floors warm the interior while large operable walls connect the large rooms to the park and trees on the southeast and the city as view to the northwest. In contrast to the horizontal expansion offered by the operable walls on both residential floors front and back, a green roof with drought-resistant plants is pierced with skylights to bring surprising and intense daylight to the deeper interior rooms. Over the 55' high vertical space of the stairs, a sawtooth roof washes the space and art with even north light. In the gallery, the south storefront diffusing glass is coupled with a northern skylight over the back display wall, providing daylight for the art throughout the cycles of the day and the year. The house and gallery track the climatic and sky cycles, from east to west and blue sky to fog, locating the occupants in a building that engages in the city with little reliance on bought fuels and off-site energy.

 © Tim Griffith

蒂姆·格里菲斯