架构师提供的文本描述。采用简单的线形平面形式，把亭子分割成适合自然植被和场地特色的布局。而生活院落、实心粘土墙元素、露天浴室、“冷却”种植的水景、连接人行道、床等都与传统别墅有很强的相似之处，而更有创意的“有机”屋顶和利用屋顶空间才是设计上的本质区别。

Text description provided by the architects. The use of simple linear plan forms, broken up into pavilions to accommodate the natural vegetation and site features dominate the layout. While the living courtyards, solid clay wall elements, open air bathrooms, “cooling” planted water features, connecting walkways, daybeds etc all have strong similarities to the Traditional Villa, it is the more creative ‘organic’ roof and the utilization of the roof space that is the essential difference in the design.

 © Chris Coldicott

c.Chris Coldicott

屋顶线的灵感既来自海洋环境的有机外壳形式，也来自于在当地渔船上到处可见的无所不在的帆船。这样的屋顶被认为带来了更多的兴趣和独特性，并将非常响应从盛行的风冷却。屋顶的联锁形式在山墙的北侧提供了额外的遮阳，而山脊线的倾斜角度通过使较温暖的空气沿山脊线移动和离开山墙，有助于被动冷却。

The roof lines were inspired both by the organic shell forms of the marine environment but also by the ubiquitous dhow sails seen all over the Quirimbas on the local fishing vessels. Such a roof was seen to introduce more interest and uniqueness and will be very responsive to cooling from the prevailing winds. The interlocking forms of the roofs provide additional shading on the north sides of the gables, and the sloping angle of the ridge line aids with passive cooling by allowing the warmer air to move along the ridge line and out of the gables.

 © Chris Coldicott

c.Chris Coldicott

主卧室和私人书房使用45至60度的俯仰所创造的大天花板空间，两者都能俯瞰大海，而塔楼的上层则连接到主套房，形成一个宽敞的私人浴室。

The large ceiling space created by the 45-60 degree pitches are used for the Master Bedroom and Private study, both of which have elevated views of the sea while an upper level in the tower is bridged to the master suite forming a generous private bathroom.

 © Chris Coldicott

c.Chris Coldicott

建议第二联锁屋顶的某些部分形成遮阳屏，以便在住宅内创造可能的遮阳机会。

It is proposed that certain portions of the second interlocking roof form shaded screens in order to create a variation in the possible shading opportunities within the dwelling.

 © Chris Coldicott

c.Chris Coldicott