架构师提供的文本描述。Bothy是对两位艺术家罗杰·艾克林和马丁·库克及其家人进行的一座偏远小屋的翻新和延伸。扩建部分被黑色烧焦的木条覆盖，就像主房子后面的阴影一样，它的住宿空间已经开放，并计划提供一个明亮、现代的居住空间。石屋属于景观，在景观中休憩，没有自觉的界限或花园。

Text description provided by the architects. The bothy is a refurbishment and extension of a remote cottage carried out for two artists, Roger Ackling and Martin Cook, and their families. The extension, clad in black charred timber slats, lies as a shadow behind the main house, whose accommodation has been opened up in section and plan to provide a bright, modern living space. The stone cottage is of the landscape, and rests in the landscape, with no conscious boundary or garden.

 Courtesy of Reiach and Hall Architects

雷亚和霍尔建筑师的礼遇

罗杰的工作围绕着画画，用太阳作画。他用放大镜在找到的木头上焚烧精美的痕迹和图案。木头总是乱七八糟的。这些曾经有用但现在被丢弃的作品被重新发现为艺术品。

Roger's work centres around drawing, drawing by means of the sun. He burns exquisite marks and patterns, using a magnifying glass, on pieces of found wood. The wood is always jetsam. Once useful but now discarded these pieces are rediscovered as works of art.

 Courtesy of Reiach and Hall Architects

雷亚和霍尔建筑师的礼遇

莱赫和霍尔认为，现有的机器人几乎是建造码头，这曾经是一个有用的庇护所，现在已经被抛弃了。架构方面的挑战是如何更新这个外壳，以及如何在一个偏远的地方以有限的预算扩展它。

Reiach and Hall viewed the existing bothy almost as building jetsam, a once useful shelter that has now been abandoned. The architectural challenge was about how to renovate this shell and how to extend it on a limited budget in a remote location.

 Courtesy of Reiach and Hall Architects

雷亚和霍尔建筑师的礼遇

新扩建的概念是小山上的影子。想象来自北方的启蒙，一个影子从基本的身体形态向南投射。这个想法结合了关于苏格兰和北方的观念和激情，再加上对罗杰作品的理解和引用。

The concept for the new extension is a shadow on the hill. Imagining enlightenment from the North, a shadow is cast southwards from the basic bothy form. This idea combines notions and passions about Scotland and the North coupled with an understanding and reference to Roger’s work.

 Courtesy of Reiach and Hall Architects

雷亚和霍尔建筑师的礼遇