架构师提供的文本描述。尽管圣保罗广场具有明显的建筑和历史价值，而且它位于里斯本市的中心位置，但它仅仅是一个通往市中心地下俱乐部和酒吧的通道-城市中心的边缘和沙漠是自相矛盾的。

Text description provided by the architects. Regardless of its obvious architectonic and historic value and its central location in the city of Lisbon, the square of S. Paulo has been merely a passage site on the way to the underground clubs and bars on the downtown area - paradoxically marginal and desert in the centre of the city.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

该城市的守护神圣安东尼奥(St.António)在整个6月期间举行了庆祝活动，利用这一机会，Parafernália文化协会与鄂登·多斯·阿奎科托斯(Ordem Dos ArquArchtos)联手，以振兴和重新启用这一地点，将其重新置于城市路线上。

Taking advantage of the celebrations of the patron saint of the city - St. António - that take place during the whole month of June, the cultural association Parafernália joined forces with Ordem dos Arquitectos in order to revitalize and reactivate this site placing it again on the city routes.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

他们的想法是，这次干预将主要集中在一个吸引人的舞台上，成为被邀请的艺术家表演的平台。它应该是一个单一的低成本的物品，有能力成为这个新的文化活动中心的引擎-这是一个临时的作品，它将成为广场和派对的明星，不仅是受欢迎的音乐会，也是摇滚乐、世界音乐、法多之夜和DJ。

The idea was that the intervention would focus mainly on an attractive stage to be the platform for the invited artists to act. It should be a single low-cost object with the ability to be the engine of this new centre of cultural events - a temporary piece that would be the star both of the square and the parties, made to receive not only popular concerts, but also rock, world music, fado nights and DJs.

尽管资源稀缺，舞台规模庞大，但这种轻型结构(由预制模块部件制成)被设计成一个标志性的城市催化剂，同时保留和尊重广场的统一空间层次。同时，它也是一项利用色彩作为城市活化剂的项目，与古城的柔和色彩形成鲜明对比。

Despite the scarce resources and the huge volumetric scale desired for the stage, this lightweight structure (made out of prefabricated modular parts) was designed to impose itself as an iconic urban catalyser while retaining and respecting the consolidated spatial hierarchy of the square. At the same time, it is a project that takes advantage of the use of colour as an urban activator contrasting with the subdued colour of the old town.

 © Teresa Otto

特蕾莎·奥托

舞台的前部就像附近的“卡萨·多斯·比科斯”的历史建筑，也是圣安东尼奥庆祝活动的典型气球。它的风景如画的形式是通过标准结构的叠加，纺织材料涂上红色。

The front of the stage resembles the historic building of "Casa dos Bicos", just nearby, and also the typical balloons of the St. António festivities. Its picturesque scenic forms were attained by the superimposition of standard structures coated of textile material dyed in red.

 © Francisco Nogueira

弗朗西斯科·诺盖拉

考虑到给定的植入，舞台盒本身是设计为无形的，并与人和城市。因为它只是雨的掩护，它是透明的(塑料的)，让它背后的历史纪念碑-圣保罗教堂-成为干预行动的一部分，在整个广场上都可以看到。

Considering the given implantation, the stage box itself was designed to be intangible and to mingle with the people and the city. As it is just a cover for the rain, it is transparent (plastic), letting the historical monument behind it - St. Paul's Church – to be part of the intervention and fully visible from all over the square.

 © Diogo Aguiar

Diogo Aguia

白天，里斯本的阳光使织物发红，并显示出结构阴影的表现性投影。晚上，当事件发生时，舞台被照亮成一盏曲折的红灯，对于当地社区来说，这是一个为期一个月的项目，它只是一个临时行动，希望能按时完成。

During the day, the sunlight of Lisbon makes the fabric glow red and reveals the expressive projections of the structure’s shadows. At night, when the events take place, the stage is illuminated into a sinuous frame of red light.Being useful for the all month for the local community, this project was a temporary action that hopefully will remain on time.

 © Francisco Nogueira

弗朗西斯科·诺盖拉