罗氏别墅设计于1925年至1925年，是瑞士银行家拉乌尔·拉罗什的住宅，是勒·柯布西耶现代住宅方法的精髓。别墅是罗氏收藏前卫艺术作品的展览空间，是一个纯粹的空间组合，将住所和画廊的双重程序连接在一起。

Designed 1925-1925 as a residence for Swiss banker Raoul La Roche, Villa Roche is the quintessence of Le Corbusier’s modern approach to housing.The Villa acted as an exhibition space for Mr. Roche’s collection of avant-garde artwork, and is a pure assemblage of spatial volumes that interlocks the dual programs of domicile and gallery.

 © Steve Cadman

史蒂夫·卡德曼

罗氏山庄的步行街在将这两个项目联系起来方面发挥了重要作用，它被想象为一种“空间体验”，由一条经过深思熟虑的路径组成，引导居民，并将艺术品作为一条穿越历史的旅程揭幕。

The promenade through Villa Roche plays a significant role in linking these two programs into one.It was imagined as a “spatial experience” and consists of a specifically deliberate path which guides the inhabitant and unveils the artwork as an itinerary through history.

 © Rory Hyde

罗里·海德

从立体派艺术开始，以纯粹主义结束，长廊通过钢琴贵族进入一系列奇妙的照明空间，这些空间被感性地设计成经验性的，从单一的、固定的角度来看。精确地放置墙壁开口、楼梯、坡道和阳台，将空间划分为三维网格状的层，这些层透入令人惊叹的光照，但微妙而不突出地达到别墅的平衡。

Beginning with Cubist art and finishing with Purism, the promenade leads through the piano noble up into a succession of wonderfully illuminated spaces which were perceptibly designed to be experiential and viewed from a single, fixed point. Precisely placed wall openings, stairs, ramps, and balconies divide the space into three dimensional grid-like layers which are permeable to stunning illumination, yet subtle and unobtrusive to the Villa’s equilibrium.

 axonometric drawing - © Jaques

轴测图.C.Jaques

罗氏别墅无疑是一种形式和程序的综合体；它的等级结构是柯布西耶参观雅典卫城的灵感所在。每个房间都有一个特定用途-卧室、厨房、浴室-布置得越位于更宏伟的区域，作为一个中心前厅，在别墅及其内部散发光线。

Villa Roche is most certainly a complex of form and program; its hierarchy is a theme inspired by Corbusier’s visit to the Acropolis.Each room has with a particular purpose - bedroom, kitchen, bath - are arranged offside to the much more grand area which acts as a central vestibule, diffusing light throughout the Villa and its interior.

 © Steve Cadman

史蒂夫·卡德曼

通过罗氏别墅的一系列收缩和扩建走廊，让居住者有个性化的空间体验，突出的空间作为聚焦点，步行街可以同时体验，然而，是个人在别墅中的路径决定了他对这座住宅的看法。

Through the series of contracting and expanding corridors in Villa Roche, the dweller is allowed a personalized experience of the space.The prominent spatial volume serves as a focal point where the promenade can be experience all at once, however, it is the individual’s path throughout the villa is what will determine his perception of this residence.

 © Amaury Henderick

阿莫里·亨德里克

为了与“柯布西恩色彩空间”保持一致，Villa Roche的内部采用了从深灰色到透明蓝色，再到淡色的颜色方案。与完全白色的外观相比，生动的内部色彩口感协调了别墅原本不对称的布局。

In keeping with “Corbusien color-space,” Villa Roche’s interior makes use of a polychromatic color scheme, ranging from dark gray, to lucid blue, to pale sienna.In contrast to the entirely white façade, the vivid internal color palate harmonizes the otherwise asymmetrical arrangement of the Villa.

 © Rory Hyde

罗里·海德

勒柯布西耶独特的设计方法的别墅罗氏创造了一个惊人的模式法国建筑，是他的系统设计方法的充分体现。勒柯布西耶形容罗氏别墅是“风景如画，充满运动，但需要一个古典等级来约束它。”

Le Corbusier’s idiosyncratic approach to the design of Villa Roche yielded a stunning model of French architecture, and is a representation of his systematic design approach at its fullest. Le Corbusier describes Villa Roche as “picturesque, full of movement, but requiring a classical hierarchy to discipline it.”

 © Harold Hollingsworth

哈罗德·霍林斯沃斯