架构师提供的文本描述。这座房子坐落在韩国巨山城郊的一座小山上，面对着基纳克山。在工程场地的南面矗立着一些平缓的山丘上的房屋，还有基纳克山北边的塔，这座塔在远处是一个湖的框架。风从山谷中飘出，吹过大地，穿过小山。

Text description provided by the architects. This house sits on a hill facing Jinaksan on the outskirts of South Korea’s Geumsan, Chungcheongnam-do. South of the project site stands houses on modest hills and to the north towers Jinaksan, which frames a lake in the distance. The wind escapes from the valley and blows across the land, passing through the hills.

 © Youngchea PARK

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在这座43平方米的简单房子里，从26平方米的半开放空间看，山峦似乎已经够近了，一条简单的小径蜿蜒而下，构成了雄伟景色的一部分。清理房子前面的土地，我们建立了一个花园，为户外娱乐创造了淋浴和甲板。这座房子是为它的主人、他的书、他的学生和他的老师而设计的，它的设计同时体现了西方的木结构和韩国传统建筑的空间。

From the semi-open space of 26 square meters in this simple house of 43 square meters, the mountains seem close enough to touch, and a simple path winds its way below as part of an unobstructed view of a majestic landscape. Clearing the land at the front of the house, we’ve formed a garden and created showers and a deck for outdoor entertainment. This house is designed for its owner, his books, his students, and his fellow teachers, and it is designed to simultaneously reflect Western wooden structure and embrace the space of Korean traditional architecture.

 © Youngchea PARK

扬切亚公园

在我们为建筑工作的二十多年里，我们一直在努力理解韩国建筑的本质。韩国建筑区别于日本或中国建筑的要素无疑是，在韩国建筑中，空间的移动和流动；也就是说，韩国建筑中的空间不是一个冻结的框架，而是相互作用和变化的不同空间。这所房子的房间随波逐流，光和风都留下了它们存在的痕迹。

In the twenty-some years since we’ve worked for architecture, we have struggled to understand the essence of Korean architecture. The element of Korean architecture that distinguishes it from Japanese or Chinese architecture is, without a doubt, the fact that, in Korean architecture, space moves and flows; that is, a space in Korean architecture is not one frozen frame, but rather, different spaces that interact and change. The rooms of this house follow that flow with ease, and both light and wind leave traces of their presence.

 © Youngchea PARK

扬切亚公园

这座房子现在所处的土地让人想起了一座名为“多圣东”的房子，它属于15世纪的一位哲学家，名叫易望旺，所以我们建议建造一座风格与客户一致的房子。虽然Do-San Seodang是小的，简单的，线性的，但它的设计在概念上是丰富的.易纲接受了一种叫“京”(敬)的理论，它呼吁自己谦卑，尊重他人，以及简单、实用和理性的生活方式。杜三圣当是易望旺的现在，形成和支持他的书是过去的，继承他教诲的学生是未来的学生。而且它很美。

The land on which this house now stands brought to mind a house called Do-San Seodang, which belonged to a philosopher of the 15th century by the name of Yi Hwang, and so we suggested a house of a style that reflected his to the clients. Although Do-San Seodang is small, simple, and linear, its design is conceptually rich. Yi Hwang embraced a theory called Gyung(敬), which called for humility in oneself and respect for others, as well as a simple, practical, and rational lifestyle. Do-San Seodang is Yi Hwang as the present, the books that formed and supported him as the past, and the students that carry on his teachings as the future. And it is beautiful.

 © Youngchea PARK

扬切亚公园

一座容纳宇宙…的简单的小房子一听到这些话我就会心跳加速。我们梦寐以求的房子不是一座大到可以从月球上看到的房子，而是一座充满意志力的房子。Do-San Seodang是我们建筑师梦寐以求的作品，也是我们渴望效仿的作品。

A small and simple house that holds the universe… Just hearing these words makes my heart race. The house we dream of is not one that is large or grand enough to be seen from the moon; rather, it is one full of intent. Do-San Seodang is a creation that we as architects dream of and aspire to emulate.

 © Youngchea PARK

扬切亚公园

我们中的大多数人都痴迷于拥有一套房子，而我们又纠结于那所房子的大小。现代的房屋越来越大，他们的居住者也在积累越来越多的物质财富，减少了可用的空间，迫使房屋扩张。人们通常出生在小身体里，回到一个更小的最后休息的地方。那么，为什么我们想要对我们来说太大的房子呢？我们的财产膨胀到了不必要的程度，最终我们被它们的重量所拖累。我们既不是国王，也不是神，也不是外星人。就像不合身的衣服一样，不适合主人的房子也显得不自然。我们应该在太小和太大之间划清界限吗？人们相信，如果他们的房子随着生活的进步而增长，他们就已经取得了成功。然而，奢华的房子并不能保证幸福和满足感。

Most of us obsess over owning a house, and we obsess over the size of that house. Modern-day houses have grown larger and larger, and their occupants, too, are accumulating more and more material wealth, reducing available space and forcing expansion. People typically are born into small bodies and return to an even smaller final resting place. Why, then, do we desire houses that are too big for us? Our possessions swell to an unnecessary magnitude, and in the end we are burdened by their weight. We are neither kings nor gods, nor are we aliens. Like clothing that does not fit, houses that do not fit their owners appear unnatural. Where do we draw the line between too small and too large? People believe that if their houses grow as their life progresses, they have achieved success. An extravagant house, however, does not guarantee happiness or satisfaction.

 © Youngchea PARK

扬切亚公园

客户想要一个简单的小房子，他可以和妻子在一起度过余生，卧室和客房的布置，最小的厨房和浴室，以及这所房子的阁楼式的书房，非常类似于Do-San Seodang的布局。巧合的是，他不仅是一位学者，而且他现在和哲学家在他开始建造他的“三圣堂”时的年龄是一样的。这座房子是过去、现在和未来，它将成为一个与自然和客户的学生和谐相处的空间。

The client wanted a small and simple house in which he could spend his remaining years with his wife, and the arrangement of the bedroom and guest room, a minimal kitchen and bathroom, and the attic-turned-study in this house strongly resembles the layout of Do-San Seodang. Coincidentally, he parallels Yi Hwang not only in that he is a scholar, but also in that he is now the same age as the philosopher was when he began to build his Do-San Seodang. This house is the past and the present and the future, and it will become a space that exists in harmony with both nature and the client’s students.

 © Youngchea PARK

扬切亚公园