架构师提供的文本描述。最初位于城墙外，后来在伯加拉镇成长的四分位内，这座宫殿在1659年作为伊里扎尔的财产出现。这时，它仍然是一座大房子，周围有一些果园，业主们对它进行了彻底的整修。这是在1692年，当我们发现第一个描述，指的是一个文艺复兴花园的存在。

Text description provided by the architects. Originally located outside city walls, later within the following quartiers of the growth of the town of Bergara, the Palace appears as Yrizar property in 1659. At this time it was still a large house with some orchards around, and the owners renovated it completely. It was in 1692 when we find the first description that refers to the existence of a Renaissance garden.

 © Aitor Ortiz

C.Aitor Ortiz

从60年代到90年代，果园/花园空间经历了各种各样的变化和转变。我们在2010年底看到的空间基本上是由一个封闭的地方决定的，其中包括园境区、文艺复兴起源的花园和“关闭”园，受到巴斯克政府文化部的一项法令的保护，其中只提到了花园。

Between the decade of 60´s and 90´s, orchard/garden space undergoes various changes and transformations. The space that we perceived at the end of 2010 was basically defined by an enclosure that includes the landscaped areas, the garden of Renaissance origin and "closing", protected by a decree of the culture department of the Basque Government, in which it’s only mentioned the garden.

原来的砌体墙已经消失了，在它的位置上，我们可以找到一种格子关闭，这不是由于以往的任何模型。不幸的是，围栏让行人可以看到花园，因此它扭曲了它与周围环境隔离的感觉，扭曲了原始的角马的空间性。

The original masonry wall has disappeared and in its place we can find a kind of lattice closing, which is not due to any previous model. Unfortunately, the enclosure lets the garden be viewed by pedestrians and therefore it´s distorted its perception as an isolated garden from its environment, distorting the original hortus conclusus spatiality.

 © Aitor Ortiz

C.Aitor Ortiz

一方面，干预的目的保证了文化遗产遗址的完整。这些行动建议用当代的整理材料重新定义历史价值，而不扭曲宫廷-花园集的感知，原始的空间位置。

On the one hand, the aim of the intervention guarantees to remain intact the cultural heritage site. The actions propose to redefine with contemporary finishing materials the historical value without distorting the perception of the palace-garden set, the original spatial location.

该行动试图以某种方式恢复古典花园的隐私，需要恢复这一空间的意义，该空间最初与宫殿直接相关，并受到外部世界的保护。同样的职业，砖墙，过去的干预措施严重扭曲，成为二十一世纪的金属密封，类似厚厚的，但微妙的“暗示”的花园，隐藏和保护。

The operation tries to regain somehow the Classic Garden privacy, needed to restore the meaning of this space, that originally was directly related to the palace and protected from the outside world. The same vocation of the masonry wall that past interventions had significantly distorted, becomes into twenty-first century´s metal sealing, similar thick but subtly "suggests" the garden that hides and protects.

周边封闭的强度随围护面积的不同而变化。从古典花园周边所需的不透明度，到宫殿的远端(西侧)的一定渗透性，直到它最终消失在北方，标志着应该继续关闭宫殿花园的地方。

The perimeter closing varies in intensity according to the garden area that encloses. From the required opacity in the perimeter of the Classic Garden , to a certain permeability in the far side of the palace (westside) until it finally disappears in the north, marking where should be continued the closing of the gardens of the palace.

在150×300 mm和6mm厚的“L”中，放置在不同位置的球状钢板是闭合的生成元件，它重新拉出原来的石壁厚度，但较轻。夹紧在两个板块之间的钢板序列建造了“新”墙，它改变了花园和街道之间的关系。此外，这堵墙上刻有一些信息、文字和地图，这些信息、文字和地图提供了总体数据，不知何故，这些信息、文字和地图使其具有价值，并将其归还给Bergara公民的集体记忆。

A corten steel plate in an "L" of 150x300mm and 6mm thick, placed in different positions is the generating element of the closing, which redraws the original stone wall thickness, but lighter. Clamped between two plates, the sequence of steel plates builds the "new" wall, which transforms the relationship between the garden and the street. Furthermore, this wall is engraved with some information, text and maps that provide data on the whole, that somehow, puts it in value and returns it to the collective memory of the citizens of Bergara.

 © Aitor Ortiz

C.Aitor Ortiz