架构师提供的文本描述。埃德蒙兹·李建筑师的避暑别墅坐落在加州葡萄酒之乡的山丘上。其独特的形式与凸起的角落塑造了室外起居室和庭院。

Text description provided by the architects. Edmonds + Lee Architects’ Summerhill Residence sits high in the hills of California wine country. Its distinct forms with raised corners mold an outdoor living area and courtyard.

 © Bruce Damonte Photography

布鲁斯·达蒙(BruceDamonte)摄影

住宅由三个独立的结构组成，主楼、招待所和独立车库。这些建筑的方向最大限度地利用了室外空间，并将自然和人为的元素连接起来。

The residence consists of three separate structures, the main house, guest house and detached garage. The orientation of these buildings maximizes usable outdoor space and serves to connect natural and man-made elements.

 © Bruce Damonte Photography

布鲁斯·达蒙(BruceDamonte)摄影

内部和外部空间向外延伸到周围景观的起伏山丘。这种连接是通过设计来连接和模糊内部和外部之间的线。满墙的玻璃和膨胀的木甲板反映了一种愿望，以提高在“国家”的经验。

Interior and exterior spaces extend outwardly to the rolling hills of the surrounding landscape. This connection is harbored by the design to both connect and blur the line between interior and exterior. Full walls of glazing and expansive wooden decks reflect a desire to heighten the experience of being in the “country”.

 © Bruce Damonte Photography

布鲁斯·达蒙(BruceDamonte)摄影

主楼和招待所提供了一种审美并置，同时也捕捉到了他们自己对加州风景的看法。这两种结构相互镜像，但在维度上各不相同，但感觉是相互关联的。这也适用于分离的车库，并可归因于混合的共同材料和形式语言是一致的，在每个实体。这些凸起的角的住宅立方体增加了形式上的兴趣，并进一步服务于建筑师的愿望，融合室内和外部空间。

The main and guest houses provide an aesthetic juxtaposition while capturing their own views of the California scenery. Mirroring one another, these two structures vary in dimensionality yet feel interconnected. This also works for the detached garage, and can be attributed to a mixture of common materials and a formal language that is consistent throughout each entity. These raised corners of the residential cubes add both formal interest and further serve the architects desire to blend interior and exterior spaces.

 © Bruce Damonte Photography

布鲁斯·达蒙(BruceDamonte)摄影

从内部看，地平线的快照与内部的倾斜线混合在一起，使用自然的和人造的几何图形相互作用。与建筑物有关的实心与虚空之间的游戏，即使是在附近，也允许隐私。

From the interior, snapshots of the horizon are mixed with the sloping lines on the interior, using natural and man-made geometries to play off of each other. A play between solid and void relating the buildings allows for privacy even within close vicinity.

到了晚上，从这些结构的质量下面就可以看到一道光缝。穿透的窗户从两层主楼的木架下面往外看。这三个结构与周围的森林形成几何对应。外木覆层与玻璃和混凝土的外露面融合在一起，创造出既独特又辩证法的设计。

By night, slits of light show from underneath the masses of these structures. Punctured windows peek out from beneath the wooden overhang of the two story main house. The three structures rise as a geometric counterpart to the surrounding forests. Exterior wooden cladding along with exposed planes of glazing and concrete merge in order to create both distinct and dialectic design.

 © Bruce Damonte Photography

布鲁斯·达蒙(BruceDamonte)摄影