架构师提供的文本描述。客户来到我们的办公室，打算搬进房地产开发部门。其共同点是，它们侧重于提出具有高设计内容的项目，支持一种不同的视觉方法。在早期的设计阶段，我们希望创造一个开放的，更互动的街道存在，这导致了一个非常不同的设计反应。

Text description provided by the architects. The clients came to our office with the intention of moving into property development. The common ground was that they were focused on presenting projects with high design content, supporting a different visual approach. In the early design phase we were looking to create an open, more interactive street presence, which led to a very different design response.

 © Robert Hamer

罗伯特·哈默

真正的前立面是受60年代和70年代初立体声橱柜研究的启发，其中的板条木反映了开槽扬声器的元素；在这种情况下，它们可以容纳有盖的入口和私人套房窗口。这座房子在倾斜的钢柱上轻轻地平衡着，这让人想起立体声柜子的腿，这让房子看起来像漂浮在陆地上。

The actual front façade was inspired by the study of 60s and early 70s stereo cabinets with the slatted timber reflecting the slotted speaker elements; in this case they accommodate the covered entry and private en suite window. The house sits lightly balanced on angled steel posts again reminiscent of the stereo cabinet legs, which affords the house the appearance of floating out across the land.

 Middle Floor Plan

中层平面图

该项目坐落在其树木周围，银灰被选择作为包层，因为它的最终灰色将完全融合，并提供归属感的树背景。银顶灰木材有一个独特的能力，同化到周围，提供了一个非常不同的视觉影响。在北方，木材仍然是显而易见的，但只有在第三层-从这个有利的角度来看，我们希望上层以树屋的形式出现。ExoTec Fa ade Panel系统是使用的另一种主要材料，因为它与木材形成了令人耳目一新的对比。

The project sits well in its treed environs, Silvertop Ash was chosen as the cladding because its eventual grey color will blend completely and afford a sense of belonging in the treed backdrop. Silvertop Ash timber has a unique ability to assimilate into the surrounds, offering a very different visual affect. To the North the timber is still evident but only on the third story – as from this vantage point we wanted the upper level to appear as a tree house. ExoTec Façade Panel System was the other main material used because it offers a refreshing contrast to the timber.

 © Robert Hamer

罗伯特·哈默

客厅窗口的切割元素将视线引向游泳池、烧烤区和后院空间，保护隐私。内部开始一个平坦的贴面墙在接近。它的目的是创造在一棵大树的基础上的感觉。实际上，它把斗篷、化妆室、地窖和厨房合二为一。这一切都是通过隐藏的门实现的，一旦打开，就会带来意想不到的惊喜。

The cut out element of the living area window directs the line of sight down to the pool, BBQ area and backyard space, protecting privacy. The interior begins with a flat veneer wall on approach. Its intention is to create the feeling of being at the base of a huge tree. Practically, it houses the cloak, powder room, cellar and on into the integrated kitchen. It’s all achieved with hidden doors that, when opened, offer an unexpected surprise.

 Lower Floor Plan

低层平面图

这房子是开放的，但私人，木材特色的墙壁，内部邀请游客的探索之旅。街道正面的悬臂箱体内有日间床和图书馆，与书房空间相互作用。选择它的能力，以反映外部景观，一个玻璃溅后墙被放置在研究空间。

This house is open yet private and the timber feature wall of the interior invites visitors on a journey of discovery. The cantilevered box on the street facade internally houses the day bed and library, which interacts with the study space. Chosen for its ability to reflect the outer landscape, a glass splash back wall was placed in the study space.

 © Robert Hamer

罗伯特·哈默

包括一个哑巴，从车库到厨房四扇门中的一扇门后面的洗衣间。经典的加尔各答大理石已用于浴室，而厨房有凯撒石凳和一个预备立方体在主岛的长凳。

A dumbwaiter is included which travels up from the garage into the scullery that resides behind one of the four integrated doors in the kitchen area. The classic Calcutta Marble has been used in the bathrooms, while the kitchen has Caesar stone bench tops and a preparation cube at the end of the main island bench.

 © Robert Hamer

罗伯特·哈默