架构师提供的文本描述。当我还是个孩子的时候，我钓到了一些小鱼，并把它放在水槽里。如果我现在处于同样的情况，我会在一个鱼缸旁边。当鱼缸被称为鱼缸时，它将被用作鱼缸。这是一个简单的概念，但水槽可以被称为鱼缸，因为它具有类似于鱼缸的功能。当您给一个对象命名时，它继承了名称的函数，但是如果您设计一个没有名称的地方，那么它就可以通过发生的活动自由地开发自己的名称。

Text description provided by the architects. When I was a child I caught some killifish and kept it in a sink. If I was in the same situation now I will by a fish tank. When a fish tank is called a fish tank it will be used as a fish tank. This is a simple concept, but the sink could have been called a fish tank as it had similar function as a fish tank. When you give a name to an object it inherits the function of the name, but if you design a place without a name then it is free to develop its own name by the occurring activities.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

咖啡馆/日位于静冈县Numazu-市火车站5分钟的安静住宅区内。该项目是对位于一栋两层楼一楼的一座日式酒吧的两个单元进行翻修。

Café/day is located within a quiet residential area five minutes from the train station of Numazu-shi, Shizuoka. The project was to renovate two units of a Izakaya (Japanese style bar) located on a ground floor of a two story building.

在大楼前面有停车场、道路和驾驶学校，感觉就像这条路永远在继续。在观察驾驶学校的时候，有很多黄色的汽车，甚至连设置车道的杆也是黄色的。颜色黄色对咖啡厅的设计有很大的影响，周围的特征也影响着咖啡厅的设计。

In front of the building there are car parks, a road, and a driving school and it felt like the road continued forever. When observing the driving school, there were a lot of yellow cars and even the poles that configured the driving lane was yellow. The color yellow was very influential and the surrounding feature influenced the design the café.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

计划是拆除党墙，使伊扎卡亚的两个单元成为一个大空间，并有选择地拆除隔离墙的部分，以开放空间。柜台、照明装置和固定家具被涂上一种颜色，使其抽象，并从空间中抹去了Izakaya的名字。唯一使用的新材料是地板用沥青。它继续进入商店，在内部和外部之间划出白线。这家咖啡馆得以成为一家真正开放的咖啡馆。

The plan was to make the two units of Izakaya into one big space by demolishing the party wall and to selectively demolish parts of the wall to open up the space. The counter, lighting fixtures, and fixed furniture were painted a single color to make it abstract and erase the name of Izakaya from the space. The only new material that was used was asphalt for the flooring. It was continued into the shop with white lines marking the boundaries between the interior and exterior. The café was able to establish itself as a truly open café.

家具也融入了户外空间的特点。这张长椅是为了模仿公交车站的长椅而设计的，而对于沙发，汽车座椅进行了改装，变成了沙发。我们设计的空间使得酒吧柜台变成了书架，而Izakaya本身就是一家咖啡馆，而聚会、交谈和喝咖啡的活动使它更像一家咖啡馆。

The furniture also incorporates characteristics of the outdoor space. The bench was designed to mimic a bus stop bench and for the sofa, the car seats were modified and changed to become a sofa. We designed the space so that the bar counter becomes book shelves, and the Izakaya itself to a café and the activities of gathering, talking and drinking coffee made the it more like a café.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

我们以一种矛盾的方式使用了名字的力量，并找到了一种新的方法，一种在改造工程中的设计过程。在未来的设计过程中，我们希望从没有名字开始。

We used power of names in a paradoxical manner and found a new approach, a design process in renovation works. We would like to start with no names in the process of designing in the future.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano