架构师提供的文本描述。这个项目涉及两幅图像，第一幅是中世纪的可展开板，作为可移动的外墙或祭坛，现在又被改造成锯齿状的外墙。死亡在神秘与恐惧之间激发了人类的灵感。死亡意味着从这个世界过渡到一个没有人知道的领域。

Text description provided by the architects. This project involves two images, the first being the medieval unfold-able boards, which worked as removable façades or altarpieces, and are now remade into the zigzagged façade. Death inspires human beings with something between mystery and fear. To die means a transition from this world to an area that no one knows.

因为坟墓是发生这种转变的地方，所以它应该永远关闭，他们的门永远不应该打开。因为坟墓是不可能打开的，即使你想打开，也没有手柄或锁。门被插在墙上，合并在一起，使入口变得秘密，就像发生在里面的过道一样。事实上，外观只能以一种特定的方式打开，只有所有者才知道这种组合。

Because the tomb is where this transition takes place, it should be closed forever, and their doors should never be opened. Since the tomb should be impossible to open, even if you wanted to, there are no handles or locks. The doors are inserted in the walls, merging together, making the entrances secret, just like the transits that occur inside. In fact, the façade can be only opened in a specific way, a combination that only the owner knows.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯

在里面，我们发现一朵被阳光穿过的云。这是一种大气状况，可以在自然界中找到，并与我们对神性的文化参照相联系，刺激我们的精神方面。那一刻在白云的抽象化中得到了结晶。从地下室开始，它上升到中间平台，一直持续到云层的空间，在那里，我们的视线消失在充满这个地方的抽象和虚幻的氛围中。

Inside we find a cloud that is crossed by sunbeams. It is an atmospheric situation that can be found in the nature and that, linked to our cultural references of the Divine, stimulate our spiritual side. That moment gets crystallized in the abstraction of the white cloud. Starting from the basement, it ascends to the intermediate platform and goes on until the cloud’s space, where our sight gets lost in the abstract and unreal atmosphere that fills the place.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯