架构师提供的文本描述。这些宿舍是新成立的Y V大学校园的一部分，该大学位于印度安得拉邦的卡达。该项目所处的环境以国家赞助为特点，建筑技术有限，预算简朴。设计方法有意识地参与了印度现代大师的建筑遗产-热带气候的成功谈判，对有限资源的创造性利用，以及对社会空间的生产的关注。然而，在对形式和结构的滑稽操作上，它却明显地背离了这一范式。

Text description provided by the architects. The hostels are part of the large campus of the newly established Y V University, located in Kadapa, Andhra Pradesh, India. The project is located in a context characterized by state patronage with limited construction technologies and a spartan budget. The design approach consciously engages with the architectural legacy of Indian Modern Masters – a successful negotiation of tropical climates, creative use of limited resources and a concern with the production of social spaces. Yet it departs from this paradigm significantly in its playful manipulation of form and structure.

 © Rajesh Vora

c.Rajesh Vora

招待所是一个拼贴的空间和卷产生的图形的线条-首先乘以，然后空间化和转换，通过一系列的行动。该设计包括将房间组装成简单的矩形块，每个房间由五个房间组成，允许控制体积和规模。空间词汇表是在这些模块的动态作用下发展起来的。由此形成的体系结构是一个组装的组件，每一个街区‘旋转’，‘空心’，‘幻灯片’，‘堆栈’和插头-进入一个中央公共脊柱。这些行动为这一结构注入了活力，将其与印度现代主义的加权形式并列起来。

The Hostel is a collage of spaces and volumes generated from a graphical diagram of lines – first multiplied, then spatialized and transformed through a series of actions. The design involves assembling the rooms into simple rectangular blocks comprising five rooms each, allowing for the control of volumes and scale. The spatial vocabulary evolves out of the dynamic action of these modular blocks. The resultant architecture is an assembled kit-of-parts where each block 'swivels', 'hollows', 'slides', or 'stacks' and plugs-in to a central public spine. These actions lend dynamism to the structure, juxtaposing it against the weighted forms of Indian Modernism.

 © Rajesh Vora

c.Rajesh Vora

一个大胆的森林混凝土柱和电影景观周围的景观，增加了冻结运动的感觉嵌入在招待所的建筑。表面上随机的柱子上升，以满足有图案的华夫饼板，它不稳定地支持旋转的块；使沉重的形式感觉好像悬浮在空气中。华夫饼的钻石图案是精心设计出来的，以平衡结构的合理性和诗意的敏感性。

A bold forest of concrete columns and filmic views of the surrounding landscape add to the feeling of frozen movement embedded in the architecture of the Hostel. The apparently random columns rise up to meet a patterned waffle slab which precariously supports the swiveled blocks; making the heavy forms feel as though suspended in air. The diamond pattern of the waffle is carefully worked out to balance structural rationality and a poetic sensibility.

这一视觉动态雕塑将所揭示的结构的图案丝状与建筑物的实体形式相互交织在一起。此外，由于气候和建筑方面的考虑，引入了另一个关键的图形元素-混凝土贾利(屏幕)。一个传统的元素被重新解释为在混凝土中铸造一个新的贾利，使传统的劳动密集型工艺适应大规模制造技术。这些结构通过使用朴素的颜色进一步标点符号，每个模块和公共路径都由特定的颜色编码。

This visual dynamic sculpturally interlocks the patterned filigree of the revealed structure with the solid forms of the building. In addition, climatic and construction concerns have led to the introduction of another key graphical element – the concrete jali (screen). A traditional element is reinterpreted to cast a new jali in concrete, adapting traditional labour intensive processes to a mass fabrication technique. The structures are further punctuated through the use of earthy colors, and each modular block and public path is coded by a specific color.

由于对空间作为建筑主角的固有信念，创造了不同规模和特征的共同空间。这些线索贯穿整个建筑作为一个强大的叙事，由生动的图案阴影角落，微妙的梯田俯瞰景观，戏剧性的悬垂，檐篷地区，和多层的竞技场供学生占据。正是这些空间承载了建筑的精神，因为学生们有时会在那里学习，但通常只是为了好玩，带着更多美好的回忆回来。

The inherent belief in space as a protagonist of architecture, has led to the creation of common spaces of varying scale and character. These thread through the entire building as a strong narrative made up of vividly patterned shaded nooks, delicate terraces overlooking the landscape, dramatic overhangs, canopied areas, and multi-level arenas for students to occupy. It is these spaces that hold the spirit of the buildings, as students hang-out there sometimes to study but often to just have fun, taking back with them one hopes many more pleasant memories.