架构师提供的文本描述。该项目需要三个不同的设施：商业建筑-后来的酒店-为IM Matijevic，较小的商业建筑和一个公共的多层车库。其思想是设计各部分，并将功能组织在一个紧凑和谐的统一。

Text description provided by the architects. This project required three different facilities: commercial building - later Hotel - for IM Matijevic, smaller business building and a public multi-level garage. The idea was to design the pieces and organize the functions in one compact and harmonious unity.

 © Rade Kovač and MITarh

c Rade Kovač和MITarh

诺维萨德中心区空间设计的基本原则是保持整个建筑面积的统一性，并将结构设计成一个整体，与周围的建筑和区域相对应。酒店是这三座建筑中的第一座。公共车库和较小的商业建筑预计在未来。

The basic principle in designing space in the central area of Novi Sad was to keep the unity of the entire building area, and to design structures perceived as a single mass, which would correspond to the surrounding buildings and area. Hotel is the first of these three buildings, which is built. The public garage and smaller business building are expected in the future.

 © Rade Kovač and MITarh

c Rade Kovač和MITarh

酒店位于诺维萨德主要步行区的起点和塞尔维亚国家剧院的对面，是太空的主导点。它被认为是一个立方体形式，并遵循了多年的研究主题：“表面深度”，“层膜”和立方设计的布拉尼斯拉夫米特罗维ć和MITAH团队。酒店的位置非常暴露，在城市林荫大道上占有主导地位。我们渴望在空间中形成一种独特但不引人注目和简单的形式，使我们能够平衡这一地区的差距，为塞尔维亚国家剧院的几何力量提供对应和平衡的力量。介质要达到统一的形式，或者说是单卷包封-建筑正面，既均匀又透明。这种矛盾是通过精细的材料结构来实现的，在这种情况下，垂直金属带具有周期性的中断，让光线进入内部并过滤外部环境。

Hotel is located across the beginning of the main pedestrian zone in Novi Sad and across of the Serbian National Theatre, as a dominant point in space. It was conceived as a cubic form, and follows years of research on the topic: "surface depth", "layers of membranes" and cubic design of Branislav Mitrović and MITarh team. Location of the hotel is very exposed and has dominate role in the city boulevard. The desire to make a distinctive, but unobtrusive and simple form in space, led us to balance the gap in the area by providing counterpart and counterweight to the power of geometry of the Serbian National Theatre. Medium to achieve a unified form, or a single volume is the envelope - the building facade, both homogeneous and transparent. This ambivalence is achieved by fine-structuring of material, in this case the vertical metal strips with periodic interruptions, that let the light inside and filter the outside surroundings.

 © Rade Kovač and MITarh

c Rade Kovač和MITarh

这种透明和流线型的立方体失去了外观上普通元素的特权。最大的透明度是由膜，但也是强度的紧凑型立方体。处于内部空间的用户没有禁闭感或幽闭恐惧症，因为他本质上有非常清晰的视野，而来自外部的传递者则认为物体是一种封闭的形式，只有在某些直视下才能窥视室内的隐私。这种设计是内外空间关系的新目的。其体积建筑塑造了城市公共空间，适应了城市和投资者的高品位要求。它符合上下文，这是作者的目标之一。

This transparent and gossamer cubic form loses the prerogative of ordinary elements on the facade. Maximum transparency is achieved by the membrane, but also the strenght of the compact cube. The user who is located in the inner space has no sense of confinement or claustrophobia, as he essentially has a very clear view, while the passer from the outside perceives the object as a hermetic form, and only can peer into the privacy of the interior only in certain direct views. This design is a new purport of the relation between the inner and outer space. With its volume building shapes urban public space, and adjusts object to urban and investors' high dencity requirements. It fits into the context, which was one of the goals of the authors.

 © Rade Kovač and MITarh

c Rade Kovač和MITarh

新结构的高度和构成与传统的城市核心形态有关。与对城市街区的传统理解不同的是，将其视为一个整体，而不考虑传统元素-插值和内部庭院。选择立面，使三件物品，建成的酒店，未来的商业建筑和车库，作为一个统一和紧凑的形式。此外，像这样组成的立面使这座房子成为周围环境中的一个标志和地标。今年，在第33届建筑沙龙上，“Centar”酒店获得了2010年塞尔维亚最佳实现目标大奖赛奖。

Height and composition of the new structure is determined in relation to the form of the traditional urban core. Difference to conventional understanding of the urban block is treating it as a unity, without taking into account the traditional elements - interpolation and the inner courtyard. Chosen facade makes possible that three objects, built hotel, and future business building and garage, act as a unified and compact form. Also, facade composed like this makes this house a sign and landmark in the surroundings. This year, on 33rd Salon of Architecture, Hotel "Centar" was awarded Grand Prix award for the best realized object in Serbia in 2010.

 © Rade Kovač and MITarh

c Rade Kovač和MITarh