架构师提供的文本描述。一座由东本Y.设计的70年代的牧场房子，包括一个独立的工作室。黑暗，不引人入胜，也没有捕捉到切萨皮克湾的一条支流的景色，画框工作室被移走了。新的工作室是建立在现有的基础之上，并连接到主楼。

Text description provided by the architects. A 1970's ranch house designed by Y. Toshimoto, included a detached studio. Dark, uninviting and not capturing the view of a tributary of the Chesapeake Bay, the frame studio was removed. The new studio is built on top of the existing foundation and connected to the main house.

 © Ron Solomon

罗恩·所罗门

新的壁炉是一个破坏性的形式，流动到外面之间的两棵壮观的日本红枫树。钢框架支持一个浮动的冷杉萝卜，拉，板天花板。

The new fireplace is a ruinous form that flows inside to outside between two spectacular Japanese red maple trees. The steel frame supports a floating fir rafter, purlin, planked ceiling.

 Courtesy of Bohl Architects

博尔建筑师

该房间的建筑目标是捕捉亲密的成熟花园的景观，水的中间视图，以及长远的地平线。

The architectural goal of the room is to capture the view of the intimate mature garden, the intermediate view of the water, and the long distant view of the horizon.

 Courtesy of Bohl Architects

博尔建筑师

通过操作这些多尺度，工作室添加成功地集成到现有的建筑，同时宣布它的独立性。

By manipulating these multiple scales, the studio addition successfully integrates with the existing building while  simultaneously proclaiming its independence.