架构师提供的文本描述。Pécs是一座历史悠久的多元文化城市，2010年成为欧洲文化之都。对于新图书馆的位置，选择了一个远程、向下、未开发的地块。这意味着新建筑没有限制，也没有可能与其他建筑物直接匹配。在设计过程中，我的目标是动态合成以多种方式出现的双重性。在建筑中，“蜂巢”代表着思想的中心，指的是永恒。这是一个抽象思维的地方：是知识自由的隐喻，反过来也是知识自由的隐喻。

Text description provided by the architects. Pécs, a multicultural city with a rich history, was the European Capital of Culture in 2010. For the location of the new library a remote, run down, undeveloped plot was chosen. This meant the new building did not have the constraint or possibility to directly match other buildings. During the design process, I aimed to dynamically synthesize the dualities which appear in many ways. In the building a “beehive” represents the ideological center and refers to permanence. This is a place of abstract thinking: a metaphor for the freedom of knowledge and also, in reverse, for the knowledge of freedom.

 © Tamás Bujnovszky

c.Tamás Bujnovszky

我认为，我对知识中心的回应是一座建筑，它的重点不是具体的、永久改变的知识，而是思维的可能性：换句话说，是一个可以充满人们思想的空白空间。

I see beauty in the idea that my response for a knowledge center is a building where the focus is not on concrete, permanently changing knowledge but on the possibility of thinking: in-other-words, an empty space which can be filled with the thoughts of the people in it. 

一楼接待室是水平开放的，上层根据他们的活动情况，比较内向。广泛性的“蜂巢”，在任何常识中都是不起作用的，它将这些不同特征的空间连接起来。就形式而言，内部的抽象空间是相似的、古旧的、有机的。

The ground floor reception room is horizontally open, and the upper floors are, in accordance with their activities, rather introverted. The extensive “beehive”, un-functional in any common sense, connects these differently characterized spaces. In terms of forms, the inner, abstract space is analogous, archaic and organic.

 © Tamás Bujnovszky

c.Tamás Bujnovszky

蜂巢周围的空间是理性规划的结果，它们以其灵活性表达了变化的可能性。表面由通风的白色陶瓷涂层玻璃定义，这代表了最新的技术.“蜂巢”的内部表面是一件独立的艺术作品：佐尔奈瓷砖，以其闻名于世的伊红涂层，借鉴当地的历史特色。

The spaces surrounding the “beehive” are the result of rational planning; with their flexibility they express the possibility of change. The facades are defined by the airy, white ceramic-coated glass, which represents the latest technology. The inner surface of the “beehive” is an independent work of art: The Zsolnay ceramic tiles, with their world-famous eosin coating, refer to the use of local historical characteristics. 

 © Tamás Bujnovszky

c.Tamás Bujnovszky

材料的双重用途是有意的.重要的是，一个建筑作品可以有不同的解读方式：它应该是本地的和国际的，时尚的和传统的，历史的和当代的，但是首先要有自我认同。

The dual-use of material is intentional. It is important that an architectural work can be read in different ways: it should be local and international, stylish and traditional, historical and contemporary, but first of all have self-identity.

 © Tamás Bujnovszky

c.Tamás Bujnovszky