架构师提供的文本描述。现有的1958年海耶斯街和布坎南街交汇处的会所和操场已经过时和破旧不堪。它还为其不同的用户提出了重大的无障碍和安全问题。由于旧金山的海斯谷和西部加班区附近几乎没有公园，非营利性公共土地信托(TPL)与旧金山游憩和公园部合作，对公园进行了翻修。新的游乐场和会所为这个密集的区域提供了一个安全、欢迎的设施，促进了对自然、户外活动和社会聚会的共同欣赏。这反映了TPL通过在城市及其周围的土地保护来创建宜居社区的使命。

Text description provided by the architects. The existing 1958 clubhouse and playground at the intersection of Hayes and Buchanan Streets had become outdated and rundown. It also presented significant accessibility and safety issues for its diverse users. Because San Francisco’s Hayes Valley and Western Addition neighborhoods have few parks in the vicinity, the nonprofit Trust for Public Land (TPL) partnered with the San Francisco Recreation and Parks Department to renovate the park. Reflecting TPL’s mission to create livable communities through land conservation in and around cities, the new playground and clubhouse provide this dense area with a safe, welcoming facility that fosters a shared appreciation for nature, outdoor activity, and social gathering.

这座低矮的钢制和玻璃结构建筑坐落在遗址南缘的一个小斜坡上，可以俯瞰这座城市的景色，并专注于该城市开放的操场和公园区域，吸引游客从海耶斯街的正门进入。在一个充满活力的蓝色侵入板雨幕，该设施沟通活动和活力的内在。顾客可以进入大型社区娱乐室和多用途电脑室。这些可以留作晚上使用。这两个主要的书，或亭子，是由一个活生生的屋顶，包括办公室，厨房，和洗手间，并创造了一个保护门廊一样的空间下面。南高地的中段覆盖着当地的植物。随着成熟，活生生的屋顶将成为公园的延伸。所有的循环都放在建筑物的外部。

Nestled into a slight incline along the site’s southern edge, the low-profile steel and glass structure frames views of the city and focuses on the site’s open playground and park areas, inviting visitors in from the main entrance on Hayes Street. Clad in a rain screen of vibrant blue Trespa panels, the facility communicates the activity and vitality within. Patrons have access to a large community recreation room and a multi-use computer room. These can be reserved for evening use. These two main volumes, or pavilions, are joined by a living roof, which covers the office, kitchen, and restrooms and creates a protected porch-like space below. The south elevation’s middle section is covered with native plantings. As it matures, the living roof will come to feel like an extension of the park. All circulation is placed on the exterior of the building.

 © Ken Gutmaker

肯·古特马克

周围社区的直接反馈和参与极大地影响了公园的设计发展。从项目启动之日起，第三方物流就与当地组织进行了一系列深入的会议，并举办了公共设计论坛。通过这些互动，若干优先事项-包括高质量、现代设计和绿色特征-得到了改进，成为最终项目的实质性内容。

Direct feedback and involvement from the surrounding community significantly influenced the design development of the park. From the project’s inception, TPL engaged local organizations in a series of in-depth meetings and held public design forums. Through these interactions, several priorities—including high quality, contemporary design, and green features—were refined to become substantial elements of the final project.

 © Ken Gutmaker

肯·古特马克

该设施集成了一个整体系统的被动场地和建筑战略，包括活屋顶，太阳能热水供暖，和被动冷却。建筑方向最大限度地利用了场地的阳光和风力条件，允许最佳的采光和通风。其他可持续的设计元素包括再生牛仔布绝缘，低流量厕所，森林管理委员会认证的木材，和本土的，耐旱种植。通风雨幕提供额外的绝缘。户外游乐场采用再生材料和透水表面，以进一步减少对环境的影响。

The facility integrates a holistic system of passive site and building strategies, including the living roof, solar hot water heating, and passive cooling. Building orientation takes maximum advantage of the site’s sun and wind conditions, allowing for optimal daylighting and ventilation. Other sustainable design elements include recycled denim insulation, low-flow toilets, Forest Stewardship Council–certified wood, and native, drought-tolerant plantings. The ventilated rain screen provides additional insulation. The outdoor playground incorporates recycled materials and pervious surfaces to further minimize environmental impact.

 © Ken Gutmaker

肯·古特马克

该项目是该市三个参与TPL的“人民公园-旧金山倡议”的第一个地点，得到了五家当地公司和其他私人资助者的支持。海斯谷游乐场和俱乐部也得到了旧金山市和县的资助。与旧金山娱乐公司合作

The project was the first of three sites in the city to participate in TPL’s Parks for People—San Francisco Initiative, supported by five local corporations and other private funders. Hayes Valley Playground and Clubhouse also received funding from the City and County of San Francisco. Working in partnership with the San Francisco Recreation & Parks Department, TPL hired WRNS Studio as part of Public Architecture’s 1% Pro Bono Program.

WRNS Studio提供的文本。

Text provided by WRNS Studio.

 © Ken Gutmaker

肯·古特马克