架构师提供的文本描述。设置在瑞典夏令营地区的斯特伦，这个被遗弃的农舍改造-思考和发挥怀旧和住房的概念，结合在一起，非常现代的渴望空间，光和自然。该地区的房屋传统上是坚固的和巢状的，以保护在狂风开阔的景观中。但是，在顾客依附于传统风格的同时，他们也想在室内享受大自然。

Text description provided by the architects. Set in the Swedish summer retreat area of Österlen, this conversion of an abandoned farmhouse re-thinks and plays on the notion of nostalgia and shelter, combining them with very contemporary desires for space, light and nature. Houses in the area are traditionally robust and nest-like for protection in the blustery, open landscape. But while the clients were attached to the traditional style, they also wanted to enjoy the nature indoors.

 © STAMERS KONTOR

(C)斯坦斯·康特

改造的挑战是重新发明给房子一种归属感的元素。在保留原有窗户和地板等要素的同时，三分之二的内墙被拆除。空间被进一步打开，插入大的窗口开口，隐藏的框架，溶解在现有的织物。因此，旧窗户的细枝末节与其说是反对的，不如说是强调的。

The challenge of the conversion was to re-invent the elements that gave the house a sense of belonging. While elements like original windows and floors were kept, two thirds of the interior walls were torn down. The space was further opened up by inserting large window openings with hidden frames that dissolve in the existing fabric. Accordingly the fine detailing of the old windows is rather accentuated than opposed.

 floor plan

在所有干预措施中都有这种减少要素的战略。材料仅限于混凝土、松木和光滑的白色灰泥。苍白和漂白的调色板连接到外面的风景，并通过注入明亮的颜色表面，与背景和记忆的概念有关。这些颜色让人想起了客户在中国的许多年，但也让人想起了在附近的海滩上用鲜艳的毛巾和风筝度过的夏日时光。颜色从来没有大胆地呈现出来，而是随着一个空间向另一个空间的过渡而出现和消失。

This strategy of reducing the elements is present in all interventions. Materials are limited to concrete, pine wood and smooth white plaster. The pale and bleached palette connects to the scenery outside and is finished off by an infusion of bright coloured surfaces, relating to conceptions of context and memory. The colours are reminiscent of the clients’ many years in China, but also of summer days spent on the nearby beach with its bright towels and kites. The colours are never boldly presented, but appear and disappear as one transitions from one space to the other.

 © STAMERS KONTOR

(C)斯坦斯·康特

楼梯、窗户和地板的精确布置强调了不同表面的相遇。其结果是现代模拟的叙事，老房子似乎拥有。双面炉子放置在房子的中心，稍微升高，使火更接近眼睛水平。炉子的放置标志着新的混凝土地板与旧木地板的相遇。这次会议正是在一个大切割窗口的边缘结束的。

The precise placement of the stair, windows and floors emphasize the meetings of contrasting surfaces. The result is a contemporary simulation of the narrative that old houses often seem to possess. The two-sided stove is placed in the heart of the house, elevated slightly to bring the fire closer to eye-level. The placement of the stove marks the meeting of the new concrete floor with the old wooden floor. This meeting ends precisely at the edge of a large cut-out window.

 © STAMERS KONTOR

(C)斯坦斯·康特

在预算有限的情况下，关键的设计策略是选择一种“非物质的奢侈”。只使用廉价的材料来添加现场制作的元素，比如加热的混凝土浴室长椅、木制淋浴壁龛或定制的钢长凳。结果是一个朴实无华的避暑别墅，它把奢华的焦点带回到了体验和简单上：与自然的直接关系，鲜艳色彩的飞溅，或水落在木头上的声音。

Having a restrained budget to work with, the key design strategy was to opt for an ‘immaterial luxury’. Using only inexpensive materials opened up for adding elements made on site, like a heated concrete bathroom bench, a wooden shower niche or a custom made steel bench. The result is an unpretentious summerhouse that brings the focus of luxury back to being about experience and simplicity: the direct relation to nature, splashes of bright colours or the sound of water falling on wood.

 © STAMERS KONTOR

(C)斯坦斯·康特