架构师提供的文本描述。安藤忠雄的设计有两个平行的混凝土矩形围。这些形式被部分掩埋在国家公园的坡地中，成为景观的组成部分。为了不破坏场地上原有的树木，这种结构对邻近的生态系统做出了反应，而具体的形式则通过对光线的戏弄来解决更普遍的自然问题。休息后更多关于Koshino House的报道。

Text description provided by the architects. Tadao Ando’s design for the Koshino House features two parallel concrete rectangular confines. The forms are partially buried into the sloping ground of a national park and become a compositional addition to the landscape. Placed carefully as to not disrupt the pre-existing trees on the site, the structure responds to the adjacent ecosystem while the concrete forms address a more general nature through a playful manipulation of light. More about the Koshino House after the break.

 © Kazunori Fujimoto

(Kazunori Fujimoto)

北卷包括一个两层高的高度，包括一个双高的客厅，一个厨房和一个餐厅在一楼与主卧室和书房在二楼。南部的弥撒由六间排列整齐的儿童卧室、一间浴室和一个大厅组成。将这两个空间连接起来的是一个低等级的隧道，位于院子的外部楼梯下面。

The northern volume consists of a two-storey height containing a double height living room, a kitchen and a dining room on the first floor with the master bedroom and a study on the second floor. The southern mass then consists of six linearly organized children’s bedrooms, a bathroom and a lobby. Connecting the two spaces is a below grade tunnel that lies beneath the exterior stairs of the courtyard.

 © Kazunori Fujimoto

(Kazunori Fujimoto)

安藤利用两个长方形棱镜内的空间来表达场地的基本性质。这一空间揭示了一个庭院，覆盖和轮廓的自然地形。

Ando used the space within the two rectangular prisms as a way to express the fundamental nature of the site. This space reveals a courtyard that drapes over and contours to the natural topography. 

 © Kazunori Fujimoto

(Kazunori Fujimoto)

一套宽阔的楼梯沿着倾斜的土地进入封闭的外部空间，让光线穿过树冠进入下陷的庭院。这个自我控制的空间代表了自然的褶皱，它已经被条件反射的结构所束缚，并成为合成的。

A wide set of stairs follows the sloping land into the enclosed exterior space and allows the light that penetrates through the canopy of trees into the sunken courtyard. This self-governing space represents the fold of nature that has been bound by the conditioned structures and become synthetic.

 © Kazunori Fujimoto

(Kazunori Fujimoto)

狭小的孔洞被打穿了外部楼梯附近的立面，操纵着自然光和阴影的复杂交叉进入室内空间。这些图案为简单的房间提供了唯一的点缀。其他插槽从两个模块的不同平面上被切断，从而在整个房子中产生同样的复杂性效果。

Narrow apertures have been punched through the façades adjacent to the exterior staircase and manipulate complex crossings of natural light and shadow into the interior spaces. The patterns provide the only amount of ornament to the simple rooms. Other slots are cut from various planes of the two modules to produce the same effect of complexity throughout the entire house.

在原建筑四年后，安藤设计了一种新的加成物。新的洞穴空间位于现有建筑的北面，位于向上倾斜的土地内。该研究的特点是与直线组织相矛盾的大胆曲线，开创了一种全新的节奏。

Four years after the original construction, Ando designed a new addition to the compound. Placed to the north of the existing structures, the new cave-like space rests within the upward sloping piece of land. The study features a bold curve in contradiction to the rectilinear organization, initiating a completely new rhythm.

 © Kazunori Fujimoto

(Kazunori Fujimoto)

与原来的庭院设计不同，加法和原质量之间的空间允许自然相互移除形式。一小块草编织在混凝土结构之间，而弯曲的墙从建筑延伸来定义外部空间。类似于其他盒子，沿着弯曲的墙壁移去天花板平面的一小片，以增加内部的复杂性和装饰性；然而，弯曲的光线图案与以前的建筑中的线性图案有很大的不同。

Separate from the original courtyard design, the space between the addition and the original mass allows nature to remove the forms from each other. A patch of grass weaves its way between the concrete structures, while the curved wall extends from the building to define the exterior space. Similar to the other boxes, a slice of the ceiling plane along the curved wall is removed to add that bit of complexity and ornamentation to the interior; however, the curved patterns of light greatly differ from the linear patterns in the former building.

 © Kazunori Fujimoto

(Kazunori Fujimoto)