“所有的孩子都是艺术家。问题是，一旦他长大了，如何保持艺术家的地位。“-巴勃罗·毕加索(Pablo Picasso)

“All children are artists. The problem is how to remain an artist once he grows up.” - Pablo Picasso

这是一个家庭海滨住宅项目，位于前农田的维多利亚东部一个令人震惊的孤立地点。这个设计是对“房子”这个理想化的概念是如何通过它的语境和用途进行转变的研究。该网站有着非凡的品质：咆哮的四十年代的强风；倾斜的地点；从利普TRAP角到威尔逊的“海角”的壮丽全景。该住宅需要最大的灵活性，作为一个海滩住宅，可以满足不同的睡眠需求-任何东西，从单一的客人到蓬勃发展的家庭暑假。

This project for a family coastal residence is located on a stunning isolated site in eastern Victoria on former farmland. The design is an investigation of how an idealised conception of “house” is transformed by its context and use. The site has extraordinary qualities: harsh prevailing winds of the Roaring Forties; sloping site; and sublime panoramic views from Cape Liptrap to Wilson’s Promontory. The residence required maximum flexibility as a beach home that could accommodate varying sleeping needs - anything from a single guest to burgeoning family summer holidays.

 sequence diagram

作为出发点，该设计的截面特征采用了一个理想的儿童形状的门式房。然而，这种对架构的解读被计划的重新定位所颠覆。房子扭曲，以容纳框架的看法，并利用自然下降的遗址，两翼捕捉到重要的景观的东西。建筑物的这些扶手在北面形成了一个避风区，提供了一个受风向保护的区域。在内部，翅膀是由一个模棱两可的中心空间，作为临时画廊，入口，阳台，存储，餐饮，休息室和流通区。这个有争议的地区更直接地接触景观和环境，并适应不断变化的使用模式。

As a point of departure, the sectional character of the design adopts an idealised child-like profile of a gabled house. However this reading of the architecture is subverted by a reorientation of the plan. The house twists to accommodate framed views and take advantage of the natural fall of the site, with two wings capturing significant views of the landscape to the east and west. These arms of the building create a sheltered area to the north side which provides a protected area from the prevailing winds. Internally the wings are mediated by an ambiguous central space that operates as provisional gallery, entry, veranda, storage, dining, lounge and circulation zone. This contested area engages more directly with the landscape and environment and accommodates shifting patterns of use.

原文由安德鲁·辛普森建筑师提供。

Text provided by Andrew Simpson Architects.

 © Christine Francis

(克里斯蒂娜·弗朗西斯)