架构师提供的文本描述。充足的热带阳光照射在房子顶楼的白色空间上，穿透了空洞化的元素，覆盖了室内空间的地板。因此，空间花边的设计是由阴影和太阳射线形成的。这种效应在整个环境中成倍增加，从光本身就形成了一个结构。在整个白天，整个月中，随着太阳的出现，空洞化的元素呈现出不同的形态；在夜间，这一效果再次被改变；在一个不断的蜕变过程中，它的形态从光中改变。

Text description provided by the architects. The light of the abundant tropical Sun falls on the white volume of the top floor of the house, penetrating the holes of the hollowed elements and covering the floor of the interior space. Thus, the design of spatialized lace is formed from the shadows and solar rays. The effect is multiplied throughout the ambient, making a construction from the light itself. Throughout the days, throughout the months, the hollowed-out elements take on different forms with the incidence of the sun; at night, this effect once again is transformed; in a continuous process of metamorphosis, its form changes from the light.

 © Nelson Kon

(Kon)

由墙组成的空心单元的软体积几何是一个复杂的结构，由无限弯曲线构成。模组元素是一件艺术作品，是由奥地利裔美国人埃尔文·豪尔设计的，自1950年以来，他一直在构思和制作建筑空间的雕塑。他的极简主义元素与建筑对话，并提醒我们一些巴西现代建筑的痕迹。这些曲线设计得非常完美，与Niemeyer的巴西利亚建筑相吻合；此外，这些混凝土模块也是从Cobogós那里下来的，Cobogós把它的名字借给了在累西腓建造的房子，卢西奥·科斯塔(Luco Costa)微妙地提到了殖民建筑。

The soft volumetric geometry of the hollowed-out elements comprising the walls is a complex construction, made with infinite curved lines. The modular element, a work of art, was designed by the Austrian-American Erwin Hauer who, since 1950, has conceived and made sculptures for architectural space. His minimalist elements dialogue with the architecture and remind us of some traces of Brazilian modern architecture. The curved lines, designed with perfection nod to the architecture of Brasilia by Niemeyer; furthermore, the concrete modules descend from the Cobogós, which lends its name to the house, created in Recife and diffused by Lucio Costa in delicate references to colonial architecture.

 © Nelson Kon

(Kon)

CobogóHouse是一座现代住宅，埃尔文·豪尔的艺术可以自然地被用作整个建筑的一部分。在装订纯卷的游戏中，由白色的抹布糊、混凝土和木材制成；它与梯田花园一起，由埃尔文·豪尔的空洞无物的元素建造而成。在这个空间里，有一个多用途的客厅和一个小水疗中心。

The Cobogó House is a modern house in which the art of Erwin Hauer can be used naturally, as a part of the entire architecture. In the play of mounting pure volumes, made of white spackling paste, concrete and wood; lies, together with the terrace garden, the volume constructed from the hollowed elements by Erwin Hauer. Inside this space, there is a multiple-use living room and a small spa.

 © Nelson Kon

(Kon)

在一楼，客厅与花园完全相连，那里有一个小人工湖。鱼类和植物有助于保持池中的生物平衡，而不需要使用危害环境的化学产品。这一环境思想贯穿于整个项目，该项目纳入了严格标准所确立的可持续性原则，类似于认证。在室内，人们非常关心使用回收设备和减少用水；合理安排建筑以尽量减少影响；使用设备提高能源效率和优化；安装太阳能采暖板；除了使用经认证的、回收的或生态正确的材料之外。利用这些知识，再加上尊重当地气候的建筑，使得房子具有良好的内部舒适性。

On the ground floor the living room connects entirely with the garden, where there is a small artificial lake. Fish and plants help maintain the biological balance of the pool without the use of chemical products that assail the environment. This environmental thought permeated the entire project which incorporated principles of sustainability established by rigid standards, similar to certifications. In the house, there is a great concern to use recycling apparatus and reduce water consumption; rationalize and organize the construction to minimize the impacts; use devices for energy efficiency and optimization; install solar heating plaques; besides using only certified, recycled or ecologically correct material. The use of this knowledge together with architecture that respects the local climate resulted in a house having excellent inner comfort.

 © Nelson Kon

(Kon)

在后面的起居室，一边是一个大的前花园，另一边是一片树木的露台，以及卧室，里面的环境都是木制的，这样就有了良好的通风和内部遮阳。面板可以完全打开，就像从地板到天花板的滑动玻璃门一样，以这种方式稀释内外空间之间的过渡。在最后一层，被认为是建筑空间的艺术作品是房子的象征，就像花园里巨大的贾布蒂卡比拉一样，它建造了一个独特的空间和一种反射式的氛围，唤起了短暂的沉思沉默。

In both the back living room, which on one side opens to a large front garden and on the other to a patio of trees, and the bedrooms, the inner ambients are shaded by wooden mashrabiyas that make possible good ventilation with internal shading. The panels can open entirely as can the floor-to-ceiling sliding glass doors, diluting, in this way, the transition between internal and external space. On the last floor, the work of art thought of as architectural space is the symbol of the house which, just as the enormous Jabuticabeira of the garden, constructs a singular space and a reflexive atmosphere that invokes a brief contemplative silence.

 © Nelson Kon

(Kon)