架构师提供的文本描述。阿夫莱斯金属基金会新总部的概念是在第一次访问时产生的，是从对这个地方的记忆中产生的。安赛乐米塔尔工厂的石板公园，就在我们的工地旁边，还有开始玩这些大钢片的想法，这是从第一批图纸和工作模型中得到的。我们一开始就有这样的想法，理查德·塞拉、奇利达和奥泰萨一直在我们的脑海中。

Text description provided by the architects. The concept of the new headquarters of the Metal Foundation, in Aviles, was born in the first visit and from the memory of the place. The slabs parks of the factory of ArcelorMittal, where placed just by our site and the idea of staring to play with this big pieces of steel is present from the first drawings and working models. We start then with the idea of playing with that, the reference of Richard Serra, Chillida and Oteiza, was always in our mind.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

 Floor Plan

该基金会的老建筑位于Aviles旧城，而新的大楼将被安置在一个后工业区、海港和奥斯卡·尼迈耶文化中心的前面。我们建议建造一座城市建筑，保持你对旧总部街道、广场和感觉的渴望。

The old building from the Foundation is placed in Aviles old town, while the new one will be placed in a postindustrial area, by the harbour and in front of Oscar Niemeyer Cultural Centre. We propose an urban-building, keeping the longing of the streets, the squares, and the sensations that you have in the old headquarters.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

几块木板，这个节目的容器，互相移动，住在庭院，广场，露台等…。重要的是要有一座生机勃勃的建筑，一座要居住的建筑，在城市、海港、海洋…的屋顶上行走。一座可以远远超过工业园区唯一时间表的建筑，为Aviles提供了一个新的空间。连接旧记忆、厂区、管道、起重机等…的工业建筑在城市爆炸时期。

Several slabs, containers of the programme, move over each other, living placed to courtyards, squares, terraces, etc… It´s important to get an alive building, a building to be lived, with walking roofs over the city, the harbour, the sea…A building that can be used much more than the only timetable of the industrial park where is placed, a new space for Aviles. An industrial building that links the old memory, the factory area, the pipes, cranes, etc…with the city of Aviles, in an urban explosion period.

一套黑色的书，与游客见面，向南，向城市开放。红色在建筑物的通道和循环中运行，保留了钢铁生产的感觉。在里面，光淹没了建筑，与黑暗的局外人形成了鲜明的对比。钢结构和装置是裸露的，以便在不同的课程中展示，基础金属将教授。

A set of black volumes, meets with the visitant, opening to the south, to the city. The red colour runs in the accesses to the building and in the circulations, remaining the sensations of the steel production. Inside, the Light floods the building, contrasting with the Darkness outsider. The steel structure and the installations are naked, in order to be shown in the different courses that the Foundation Metal will teach in.

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