架构师提供的文本描述。毕尔巴鄂港在2009年底举办了一场竞赛，在毕尔巴鄂建造新的邮轮码头。一座潮湿的城市，有金属记忆，有造船厂、起重机、后工业区、葡萄牙的悬索桥。我们从一个金属正交棱镜开始，在里面工作，因为它是一个雕塑。这座建筑开始向大海开放，它是一个巨大的水晶立面。

Text description provided by the architects. The Port of Bilbao, launches a competition at the end of 2009 in order to build the new Terminal of Cruise ships in Bilbao. A damp city, with a metallic memory, of shipyards, cranes, postindustrial areas, the suspension bridge of Portugalete. We start from a metallic orthogonal prism, and working in it, as it was a sculpture. The building starts to open to the sea, with it's large crystal facade.

在南方，对城市来说，围墙要不透明得多，形成了到达广场的框架，吸引了从大天窗进入大楼的北光。该项目开始在不同体积和长度的几个容器中结构。新的航站楼在一层，但它的部分是由大天窗的北光。

To the south, to the city, enclosure is much more opaque, framing the arrival square and attracting the northern light that comes in the building through the big skylights. The project starts to be structured in several containers with different volumes and length. The new Terminal runs in one floor, but it´s section is shaped by big skylights picking up northern light.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

我们开始玩满和空的想法，参考巴斯克雕塑家，介绍航站楼的项目，一些集装箱，并保持空的空间。你可以在那里等船到达的地方。等待：待在一个被认为是一个人必须去或一定要发生的地方。我们为不同的等待形式提出了不同的空间。

We start to play with the idea of full and empty, by reference to the Basque sculptors , introducing the programme for the Terminal ins some of the containers, and keeping the empty space. Spaces where you can wait ship arrival. Wait: To remain in a place where is supposed that a person have to go or something must happen. We propose different spaces for different waiting forms.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

在外面，我们安排了到达的地方，大停车场，几条光线照亮了大楼，使它成为城市的参考。为了缩短施工时间，我们决定进行钢铁工业建设，把大部分建筑建在工厂里，然后从阿斯图里亚斯经陆路运输到毕尔巴鄂，在那里组装大楼。

Outside we ordered the arrival space, the big parking, where several light lines illuminate the building, making it a reference from the city. In order to reduce construction time, we decide to make steel industrialized construction, building most part of the building in a factory, and transporting it by road from Asturias to Bilbao, where the building was assembled.

 © Mariela Apollonio

玛丽拉·阿波罗尼奥

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