Cadiz Temporary Pavilion Breathnach Donnellan with EASA Participants
2011-11-03 00:00
架构师提供的文本描述。这座临时展馆是由29名学生组成的一个小组于2011年7月底在西班牙卡迪兹举行的欧洲建筑学生大会(EASA)学生活动的一部分,为期两周。这支队伍由基兰·唐纳兰和达拉·布雷斯纳赫导师率领。
Text description provided by the architects. This temporary exhibition pavilion was built as part of the student event EASA, European Architecture Students Assembly, in Cadiz, Spain, during a two week period in late July 2011 by a team of 29 students. This team was led by tutors Kieran Donnellan and Darragh Breathnach.
Courtesy of avanzada workshop team
展馆的概念是受卡迪兹海洋历史的启发,尤其是帆船。大多数在卡迪兹港漫步的人不会意识到这一地区的历史意义:第一,它被用作西班牙殖民美国的发射台;第二,这一任务所需的船只类型是建立在他们正在行走的地面上的。
The concept for the pavilion was inspired by the maritime history of Cadiz, and in particular, the Galleon sailing vessel. Most people enjoying a stroll trough Cadiz harbor would not be aware of the historical significance of the area: first that it was used as a launching pad for the Spanish colonization of the America's; and second that the type of ship needed for the task was built on the very ground that they are walking on.
Courtesy of avanzada workshop team
我们的团队看到了展示现场历史的机会,并创建了一个临时展馆,其设计部分受到帆船材料调色板的启发。绳子,通常是一种被赋予仆人职责的材料,可以放松,变成皮肤,膨胀和收缩,露出里面的艺术品。一个帆船船体的令人印象深刻的木器是通过使用夸张的木材结构构件尺寸,以及充分揭示细木工实现在展馆。绳子和木头之间明显的质量倒置,从类型学到展馆提供了一个受欢迎的变化,使船灵感建筑概念的规范实现。
Our team saw the opportunity to highlight the history of the site, and created a temporary exhibition pavilion whose design was partly inspired by the material palette of the Galleon. Rope, always a material relegated to servant duties, is allowed to relax and becomes a skin, expanding and contracting to reveal the artwork inside. The impressive carpentry of a Galleon hull is realized in the Pavilion through the use of exaggerated timber structural member sizes, along with fully revealed joinery. The inversion of apparent mass between rope and wood, from the typology to the Pavilion offers a welcome change to normative realizations of boat-inspired architectural concepts.
Courtesy of avanzada workshop team
展馆将由年轻艺术家主持展览,他们将在展馆的一生中轮流展示他们的作品。艺术品将对海洋主题作出反应,这样做将在容器和所包含的容器之间创造一种强有力的概念关系。
The pavilion was to host exhibitions by young artists who would display their work in turn during the course of the Pavilion's lifetime. The artwork would respond to the maritime theme and in so doing would create a strong conceptual relationship between container and contained.
该项目的形态是以一个折叠的集装箱为基础,参考现代造船厂的活动。键轴和视线决定了展馆手臂的角度,以及使用遮阳作为一种装置,使它周围的公共场所更令人愉快。
The morphology of the project is based on a folded + stretched container, a reference to the activities of the modern shipyard. Key axis and lines of sight determine the angles of the arms of the Pavilion, along with the use of shade as a device to make the public places around it more enjoyable.
Courtesy of avanzada workshop team
EASA是一个由学生/毕业生为学生/毕业生组织的非营利组织。每年,大会都在不同的欧洲国家举行。2011年,主要组织者布兰卡·多明格斯、弗兰·罗德里格斯·佩雷斯和耶稣·迪亚斯·奥苏纳在西班牙卡迪兹主办了EASA。
The EASA is a non-profit body organized by students/graduates for students/graduates. Each year, the assembly is hosted in a different European country. In 2011, it EASA was hosted in Cadiz, Spain, by main organizers Blanca Dominguez, Fran Rodriguez Perez and Jesus Diaz Osuna.
Text provided by Avanzada Workshop Team
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