架构师提供的文本描述。多年来，人们的注意力一直集中在紧邻的地点，克隆堡城堡和文化旅游团对埃尔西诺的游客和当地居民都有吸引力-但现在埃尔西诺的旧造船场已经变成了一个1.7万平方米的文化和知识中心，包括音乐厅、陈列室、会议室和一个公共图书馆。文化场象征着埃尔西诺从一个工业城镇向一个文化中心的转变。这样，庭院被设计成过去与现在之间的枢纽，强化了当地社区的身份，同时也表达了一种国际态度，加强了地方与全球社区的关系。

Text description provided by the architects. In many years the attention has been aimed at the site adjacent, where Kronborg Castle and cultural tour de forces exert their magnetic pull on both tourists and local citizens of Elsinore – but now Elsinore’s old shipbuilding yard has been transformed into a 17.000m2 cultural and knowledge centre, including concert halls, showrooms, conference rooms and a public library. The Culture Yard symbolizes Elsinore’s transformation from an industrial town to a cultural centre. In this way, the yard is designed as a hinge between the past and present, reinforcing the identity of the local community, but at the same time expressing an international attitude, reinforcing the relation between the local and global community.

 © Adam Mørk

亚当·莫尔克

过去与现在的对比渗透到文化场中。例如，最初的钢筋混凝土骨架得到了加固，但暴露在这里，作为该地区工业历史的参考。因此，历史背景一直是设计过程中的主要结构理念，确保敏锐的观察者在院子的每一个角落和墙壁的每一个剥落中都能发现历史的一章。换句话说，如果你想了解Elsinore到底是什么，过去和现在之间的无形模糊是什么感觉，这就是参观的地方。

The contrast between past and present permeates the Culture Yard. For instance, the original concrete skeleton with armoured steel has been reinforced, but left exposed as a reference to the area’s industrial past. The historic context has thus been the main structural idea in the design process, ensuring the keen observer will discover a chapter of history in every corner of the yard and every peeling of the wall. In other words, if you want to understand what Elsinore really is, what the intangible blur between past and present feels like, this is the place to visit.

 © Adam Mørk

亚当·莫尔克

由于建筑特色，如锻铁楼梯和混凝土元素，与现代玻璃结构和室内设计相互作用，过去的日子和现在的对比变得明显。它是文化场的一种玩弄新旧张力场的方式，使过去与现在的观念，工业社会与信息社会的观念不断地存在。

Thanks to architectural features such as wrought iron stairs and concrete elements, interacting with modern glass structures and interior designs, the contrast between the days of yore and the present becomes evident. It is the Culture Yard’s way of playing with the field of tension between old and new, making the notion of past versus present, the industrial society versus the information society, constantly present.

 © Adam Mørk

亚当·莫尔克

尤其引人注目的是，从海边和克伦堡城堡看，多面的外墙是最引人注目的。就像一个支离破碎、但非常连贯的结构一样，巨大的玻璃和钢幕墙挑战着这座历史遗址，并毫不留情地凝视着海峡-这条海峡把丹麦和瑞典隔开了。透明的立面也加强了内外的关系，因为你可以从街道上达到顶峰，从建筑物的每一层都能欣赏到克隆堡城堡的壮丽海景和景色，特别是从玻璃洞穴，它以戏剧性的姿态突出在大楼的正门上方。

Particularly striking, when viewed from the seafront and Kronborg Castle, is the multifaceted façade. Like a fragmented, yet strongly coherent structure, the enormous glass and steel façade challenges the historic site and stares unflinchingly across the Sound – the strait that separates Denmark and Sweden. The transparent façade also reinforces the relation between inside and outside, as you can peak in from street level and enjoy the magnificent sea view and view of Kronborg Castle from every floor of the building, especially from the glass cave which in a dramatic gesture protrudes out of the building above the main entrance.

 © Adam Mørk

亚当·莫尔克

以这种方式，外观包围了庭院在一个独特的气氛，因为令人眼花缭乱和戏剧性的发挥线产生了一种空间感。虽然立面是由数百条线和三角形组成的，但它似乎是一个大容量，产生了一种时间和地点的感觉。建筑体积还考虑到环境因素，因为立面不仅是一种美学和空间建筑特色，而且也是一种气候屏障，减少了对建筑冷却和取暖的能源需求。

In this way, the façade encloses the yard in a distinctive atmosphere, as the dazzling and dramatic play of lines generates a sense of spaciousness. Although the façade is made of hundreds of lines and triangles it appears as one big volume, generating a sense of place and time. The volume also takes the environment into account, since the façade not only functions as an aesthetic and spatial architectural feature, but also as a climate shield, reducing the energy demand for cooling and heating of the building.

 © Adam Mørk

亚当·莫尔克

AART建筑师提供的案文

Text provided by AART Architects

 © Adam Mørk

亚当·莫尔克