架构师提供的文本描述。在2010年夏天之前，当纸业公司被邀请设计一些新建筑时，房屋领域已经被改变了几次，新增的东西不在最初项目的范围之内-一个带有遮阳地面的夏季厨房和一间客房出现了。他们认为，进一步发展最初的建筑风格意味着至少会完全丧失工地上建筑的一致性，否则可能会被许多建筑所淹没。此外，它还会延续一种对他们来说完全陌生的建筑理念。因此，他们认为，与周围的一切完全不同，不仅是在某一地点，而且在一目了然的领土上，这将使房屋获得新的地位、新的质量和新的规模。更多的图片和建筑师的描述后，休息。

Text description provided by the architects. Before summer 2010, when PAPER | TOTEMENT was invited to design some new constructions, the house territory had been already changed a few times with new additions that were not within the scope of the initial project – a summer kitchen with a sunshade ground and a guest house appeared. It was clear to them that further development of the initial architectural style meant a complete loss of at least some consistency of constructions on the site or it could be overwhelmed by a lot of buildings. Besides, it would continue an architectural idea which was absolutely alien to them. Therefore, they decided that something absolutely different in contrast to all that was around not only on the given site, but also along the territory which one can see at a glance, would allow the house to receive a new status, a new quality and a new scale. More images and architects' description after the break.

我们决定接种疫苗，植入“另一个人的肉体”，创造出一种生长方式，用它的力量抵抗当前的建筑现实，它的个性绝对迟钝，同时创造了一个可怕的、杂乱无章的、精心设计的莫斯科附近的景观，它的栅栏和定居点给人留下了悲伤和可怕的印象，这是罕见的例外。尽管在这个“俄罗斯上海”上花了很多钱。我们的应用任务很简单。我们客户的家庭增加了，而且缺乏某些设施。我们不得不增加主住宅面积，在其上附加一个游乐区和一个儿童区。必须从外面找出额外的空间，而不干涉房子的布局，因为里面不可能改变任何东西。

We decided to inoculate, to implant “another's flesh”, to create an outgrowth, resisting with all its force to the current architectural reality, absolutely dull in its individuality and at the same time creating an awful, motley and elaborate landscape of near Moscow with its fences and settlements making a sad and terrible impression with rare exception, despite plenty of money spent for this "Russian Shanghai". Our applied task was quite simple. The family of our client increased, and there was a lack of certain facilities. We had to increase the main house area by attaching a recreation zone and a children’s zone to it. The additional space had to be found out from the outside without interfering into the house layout as it was not possible to change anything inside.

 Courtesy of paper | totement

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从逻辑上讲，在游泳池上方的现有露台上发现了一个娱乐和接待区。托儿所操场是一项比较困难的任务。由于房子内和周围都没有空闲的地方，所以我们决定从主楼到西北面重建客房，再建一层，有一条通往主楼的暖气通道。

Logically a recreation and reception zone was found on the existing terrace located above the swimming pool. A nursery playground was a more difficult task. As there were no free areas either inside the house or around it we decided to reconstruct the guest house located to the northwest from the main house and to built one more floor with a warm passage to the main house.

 Courtesy of paper | totement

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我们从不同的角度作出了最终的建筑决定，结合或拒绝了积极和消极的功能需求和可能性，重建的技术问题，预算和条件(从第一幅草图到建筑建成已过了一年，我们晚了1.5个月，考虑到冬季建筑条件的种种困难，这似乎是微不足道的)。同时，它也是一种建筑，作为我们对目前情况的看法。

We reached the final architectural decision from different points of view, combining or rejecting positive and negative functional necessities and possibilities, technical problems of reconstruction, the budget and terms (1 year passed from the first sketch till the building was built, we were 1,5 months late, which appeared to be insignificant, taking into account all the difficulties of winter season conditions for building). And also it was an architecture as our point of view regarding the situation at the present moment.

 Courtesy of paper | totement

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现有住宅的状态是“现在”，有一个“成人”游乐区-一个“现在”变成过去的地带，一个儿童游乐场区-一个“现在”变成未来的区域。过去是通过观察周围的世界与现在联系在一起的，它是透明的，因为它已经成为现实，而且倾向于缺席，倾向于0或结束，溶解，洗净或失去一份。因此，这一部分被认为是一个玻璃容量与当前环境的融合。

The existing house received its status of being “present” with an “adult” recreation zone – a zone of the “present” turning into the past, and a children's playground zone – a zone of the “present” turning into the future. The past is connected with the present by observing the world around, it is transparent, as it has already come true and tends to be absence, tends to «0» or to an end, dissolution, washing out or to the loss of a from. Therefore this part was thought to be a glass capacity merging with the current environment.

 Courtesy of paper | totement

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该截面被划分为两个玻璃平行柱，斜墙在现有房屋的对称轴上移动。保持足够的静态，他们套房的托儿所与他们的光转移和倾斜的墙壁。左边是“女士的”客厅，右边是“男人的”客厅。女人的角色更倾向于男人的角色，而男人的角色则更大胆地挂在游泳池上，反映了孩子们的部分。两个部分通过一个峰值连接和分离，顶部有一个进气口。

The section is divided into two glass parallelepipeds with inclined walls displaced over an axis of symmetry of the existing house. Remaining static enough, they suite to a nursery with their light shifts and inclinations of walls. In the left part there is a “lady’s” drawing room, in the right part – a “man’s” one. The woman’s part has an inclination to the man’s one, which hangs over the swimming pool more defiantly and reflects the children’s section. Both parts are connected and separated by a peak with an air intake at the top.

 Courtesy of paper | totement

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孩子们的部分被弄瞎了，窗户上有几个切口，屋顶上有一个灯笼，以便与外界接触。它的“然而”没有一定的形式，用某种“脐带”与主屋相连-这条通道只有一个支撑点，它发展和展望“未来”，透过窗户和灯笼的长水平裂缝，让西南地区温暖的阳光进来。最前面的材料-油漆铝-首先是由于功能原因-雪袋、水处理问题和俄罗斯气候的其他一些特点。但它也有一幅动感的画，当它从近距离观看时，它会“摧毁”或“冲走”飞机。

The children’s section is made blind with several cuts for windows and a lantern in the roof for a contact with the outer world. It “yet” has no certain form and is connected with the main house by a certain “umbilical cord” – a passage which has one point of support, it develops and looks into the “future”, letting in a warm southwestern sunshine through long horizontal cracks of windows and the lantern. The front material – painted aluminum - was chosen first of all due to functional reasons – snow bags, problems of water disposal and some other peculiarities of the Russian climate. But also it has a dynamic painting which “destroys” or “washes away” the plane when watching from a short distance.

 Courtesy of paper | totement

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我们试图获得最具动态性的，但不完整的形式，就像它是由一个孩子“制造”的。里面有一个石墨，白色，灰色-黑色的盒子屋顶空间，这取决于时间和太阳的位置。它的内部平面和能力正在移动，还没有找到它们的最终位置。它们就像干净的床单，上面有人、树、灯和自己的影子。

We tried to get the most dynamically directed, but incomplete form, as though it was “made” by a child. Inside it there is a graphite white-grey-black box-roof space, which varies depending on the time of the day and sun position. Its inside planes and capacities are moving and have not found their final position yet. They are like clean sheets with moving shades of people, trees, lamps and themselves on them.

 Courtesy of paper | totement

由纸张提供

这是“满”和“空”的游戏-这是房子的主要建筑理念。开放和封闭，过去和未来，联系和破裂是我们对这个项目感兴趣的。两院都很难被植入现有的综合体中(我们感谢所有与我们一起工作的设计师和合作伙伴)，每一步本身都隐藏着不确定性，需要做出灵活的决定。

This is the game of “full” and “empty” – and it is the main architectural idea of the house. Open and closed, the past and the future, connections and ruptures were what we were interested in this project. Both houses are difficultly implanted in the existing complex (we are grateful to all the designers and partners we worked with), each step concealed in itself an uncertainty and need to make flexible decisions.

 Courtesy of paper | totement

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我们的最后一笔是在玻璃延伸处的屋顶上划的。这是一个“纹身”，是一个黑白两色的迷宫，屋主每天走在卧室的阳台上时都能看到。它一劳永逸地改变了这个地方的面貌，至少对一个人来说，它证实接种已经进行，唯一的问题是它将来会改变什么。

Our final stroke we made on the roof of the glass extension. It was a "tattoo" made as a black-and-white labyrinth which the owner of the house could see every day when walking out on the balcony of his bedroom. Once and for all it has changed the picture of the place at least for one person, it confirms that the inoculation has taken place and the only question is what it will change in future.