架构师提供的文本描述。休息和放松是这项任务的主要目标。它位于门多萨市的郊区，以及葡萄园、果树、杨树和安第斯山脉的自然环境，是门多萨这个挂毯的一部分，我们将在那里开发旅游综合体。

Text description provided by the architects. Rest and relaxation were the main objectives of this assignment. Its location on the outskirts of the city of Mendoza and its natural environment of vineyards, fruit trees, poplars and views of the Andes were part of this tapestry of Mendoza where we will develop the tourism complex.

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在一个老葡萄园的土地上，它有100米的正面和400米的长度，这个项目是由一条人行横道构成的，从东西方向连接它的建筑物。这种情况迫使游客在出入停车场下车步行进入校园，这是一种忽视和与外界隔离的行为。

In a land of an old vineyard of 100 meters of frontage and 400 in length, the project is structured from a pedestrian path that connects its buildings in an east-west orientation. This situation forces the visitors to leave their vehicle at the access parking lot to enter the campus on foot, as an act of neglect and separation from the outside.

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沿着这条路出现的一系列户外空间将被发现，并生活在一种有趣的体验中，试图唤起游客的敏感态度，使他们更容易体验复杂的环境。

A series of outdoor spaces that occur along this path will be discovered and lived in a playful experience that attempts to arouse the visitor’s sensitive attitudes and to predispose them to experience powerfully the complex.

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该建筑的设计，水疗和酒店，从几乎开玩笑的意图，有一些小项目，将分组和安排战略性地形成特定的干预措施。

The building’s design, spa and hotel, starts from the almost playful intention of having a number of small items that will be grouped and arranged strategically shaping the particular interventions.

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因此，我们认为，设计的建筑经历了两种类型的空间，即在这些元素之间定义的空间，它们之间的位置似乎是由陆地上的任意位置和内部存在的内部空间所决定的。

Thus, we think that the buildings designed experience two types of spaces, the space defined in-between these elements positioned by seemingly arbitrary location at the land and interior space that exists inside themselves.

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“中间”所定义的空间是虚空的，它通过元素滑落，是一个缩小、扩展、排斥或寻找自然阳光的空间-打开或关闭视野，并不断引导我们进入复杂的旅行和实验。

The space defined by “the in between" is empty that slips through the elements, is a space that shrinks and expands or rejecting or looking for natural sun- light, opening or closing views and constantly leads us to the complex travel and experimentation.

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因此，在这个空间中穿行的行为，是由容纳房间的具体元素定义的，在一个被稀释的空间中，用光的使用和与自然环境的关系来寻找强度点，这本身就变成了一种感官体验。

Thus the act of walking through this space defined by concrete elements that house the rooms, in a space that is diluted horizontally finding points of intensity given by the use of light and the relationship with the natural environment becomes a sensory experience in itself.

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在酒店的情况下，一个水平的混凝土板统一并定义了空间垂直。地板是唯一对天然斜坡的变化作出反应和调整的因素。

In the case of the Hotel a horizontal concrete slab unifies and defines the space vertically. The floor is the only element that reacts and adjusts to changes in the natural slope.

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在哈玛姆水疗中心，空间被定义为与外部完全隔离的空间。定义空间的元素位于这里，目的是创建一个由浴室、蒸汽室和按摩室组成的课程，添加一堵围在它周围的围墙，剥夺它与外界的视觉联系，并将它变成一个从光中产生的空间。

At Hamam+Spa the space is defined totally isolated from the outside.Elements that define the space are located with the intention of creating a course of baths, steam and massage rooms, add a perimeter wall that encloses it, deprives it of its visual relationship with the outside world and turns it into a space that arises from light.

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因此，墙壁和天花板上的小开口会产生背光、细节、评估合格空间和激励感官。

So small openings in walls and ceilings create backlight, details, rates qualifying spaces and motivate senses.

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酒店与周围的自然环境建立了更多的沉思和实验关系，而水疗中心则提供了严格的内向。通过上传您的中间层，通过坡道从开阔的绿地进入酒店，水疗中心是相反的，放置在半层以下。你必须走一条坡道，在中间半埋的建筑前用竹墙围起来，这样才能明显地放慢速度，为游客提供庇护。

While the hotel addressing a more contemplative and experimental relationship with natural context that surrounds it, the spa provides for strict introversion. By uploading you mid-level to access the hotel via a ramp from the open green space, the spa is in contrast, placed half a level down. You have to take a ramp that is enclosed in walls of bamboo that precede an intermediate half-buried, pre-access to the building on a clear intention of slowing down and shelter the visitors.

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酒店外部公共空间的流动性与休闲区域有着清晰的联系，然而，温泉浴场的墙壁是由甘蔗作物干燥而成，形成了建筑水疗中心周围的一层不透明、阴影和声音的面纱，把它困在了一个隐私和安静的圈套中。

The fluidity of the hotel's public spaces with the outside articulates a clear relationship with recreational areas, however the spa's walls arising from cane crop drying, creating a veil of opacity, shadows and sounds around the building Spa, trapping it in an enclosure of privacy and quiet.

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裸露混凝土的印记和个性为这些地区提供了所寻求的色调构造。在这里，光勾勒出颜色和纹理的敏感性，由一个4厘米宽的松木预制混凝土模板提供，作为空间的表现力和个性的一部分。

The stamp and personality of exposed concrete provides the hue tectonic sought for these areas. Where light articulates the sensitivity of colors and textures provided from a precast concrete formwork in pine wood 4 cm wide, built as part of expressiveness and personality of the spaces.

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