架构师提供的文本描述。在希腊神话中，纳西塞斯望向湖中欣赏他的美丽。但是，如果这个湖是有生命的，在纳西塞斯的眼睛里看着它自己的倒影呢？

Text description provided by the architects. In Greek mythology, Narcissus looked into the lake to admire his beauty. But what if the lake was animate and looking at its own reflection in Narcissus eyes?

这座房子坐落在米萨基米苏贝·柯恩(MisakimizubeKoen)的入口处，是一座风景如画的公园，对面是一个湖泊，旁边是樱花树。公共、服务和私人的规划区在空间上将房屋组织成三个不同的区域，并进一步标点主聚落的景观元素；为庭院和屋顶甲板提供空间。这种基础形式被进一步雕琢成结构、日光/通风和观点关注点。

Situated at the entrance of Misakimizube Koen, one of the picturesque parks fronting a lake and flanked by Sakura trees, the house was conceived to be an object with the environment. The programmatic zones of Public, Service and Private spatially organized the house into 3 distinct zones with further punctuation of the main massing with the Landscape element; providing spaces for the courtyard and roof deck. This base form was further chiseled with structure, daylight/ventilation and viewpoint concerns.

65%的低层日本房屋是用木材建造的，这种材料在混凝土和钢等其他建筑材料中的重量与强度比最高。使用可再生能源的木材，再加上建筑技术，采用传统的榫和榫连接系统，并配以钢支架，这座房子能够推动无处不在的“盒装”建筑围护结构在日本的木材住宅建设。

65% of low rise Japanese houses are constructed out of timber, a material that has the strongest weight to strength ratio amongst other building materials like concrete and steel.  Using timber from a renewable source, coupled with building technology that utilized a hybrid of traditional mortise and tenon joint system with steel bracketing, this house was able to push the ubiquitous “boxed” building envelope for timber residential construction in Japan.

 © Jeremy San

(杰里米·桑)

将公共计划推向高层的解决方案是显而易见的，因为需要容纳3辆汽车的停车位。此外，在第二层设有起居/就餐/厨房，这为公园提供了一个高耸的风景景观。这条3.2米宽的木制悬臂是不寻常的，其标准上限为1.5米。使用桁架楼盖的最初结构概念发展到最终的结构解，利用桥梁施工和书架围护的优雅灵感，在庭院墙中对结构进行进一步加固，以减少建筑形式的偏心，从而减少地震时的横向移动。

The solution to push the Public program to the upper level was obvious with the need to accommodate parking for 3 cars. In addition, this offered an elevated scenic view of the park by having living/dining/kitchen at the second level. The extensive 3.2 m wooden cantilever was unusual with the norm capped at 1.5 m. The initial structural concept of using a truss floor progressed to the final structural solution; using an elegant inspiration from bridge construction and book shelf bracketing. Further reinforcement of the structure was made in the courtyard wall to reduce eccentricity of built form and thus lateral movements during earthquakes.

 © Jeremy San

(杰里米·桑)

外部形态反映了建筑物的内部结构，创造了表达倾斜表面的机会，进一步表达了它们对雨水排放和周围景观的崇高反射的反应。为了将樱花的外部景观带入餐饮空间，我们特意建造了一个不对称的窗台，提供了从外部到内部的物质连续性，构成了风景如画的景观框架。

The outer form reflected the inner structure of the building, creating opportunities for expression of inclined surfaces. These further expressed their responses to rainwater drainage and the sublime reflection of the surrounding landscape. In order to bring views of the exterior Sakura into the dining space, an asymmetrical window ledge was purposefully built, providing a material continuity from exterior to interior and framing the picturesque view.

 Floor Plan

“反思”的思想五花八门，形成了一系列展开的意义：外部环境的反射、环境的内部反射、内省的反思空间和住宅结构的反思。

The idea of “Reflection” was multifarious and became a series of unfolded meanings; exterior reflection of surrounding, interior reflection of surroundings, introspective reflection spaces and reflection of the house structure.

 © Jeremy San

(杰里米·桑)

景观分为三个区域，前院、庭院和屋顶甲板。前院可容纳三辆汽车的停车场，并成为房子的入口框架。连接到公园的组织依赖于结构进化的外观，在视觉上与它联系在一起，并使用类似的地面铺路材料。庭院，一个亲密的私人花园，构成了环境漏斗的一部分，以消散夏季的热空气。这一空间进一步锚定主卧室，1-塔塔米自省室，和双卷图书馆。屋顶甲板，房子的顶峰，进一步提高了一个人的地方感与其周围的环境，并提供了完美的观赏平台，无论是花(樱花)和花比(烟花)节日。

The landscape falls into three areas, the front yard, the courtyard and the roof deck. The front yard accommodates parking for three cars and becomes the entrance frame for the house. The connecting tissue to the park relies on the structurally evolved facade that visually associates with it and uses similar ground paving material. The courtyard, an intimate private garden forms part of the environmental funnel to dissipate hot air during summer. This space further anchors the master bedroom, 1-tatami introspective room, and double volume library. The roof deck, the pinnacle of the house further heighten one’s sense of place with its surroundings and provides the perfect viewing platform for both Hanami (Sakura) and Hanabi (Fireworks) festivals.

汉莎反射楼浓缩了现场的能量，形成了一个住宅，以轻微的扭曲回首周围的环境。

Hansha Reflection House condenses the energies on site to formulate a dwelling that looks back at the surroundings with a slight twist.

 © Jeremy San

(杰里米·桑)

Studio SKLIM提供的文本

Text provided by Studio SKLIM