架构师提供的文本描述。一个森林财产的所有者想要一个安静的空间来观察周围的自然。一个归化的下层导致一个视觉动力学的坡道，与微妙的内部形成对比。进入小屋的入口是通过一扇像雪松墙一样隐蔽的门进入的。在入口对面的一扇超大的窗户里，立即将视野拉回到外面，形成了一个成熟树木的复合视图。旁边是一个微型茶柜。主空间中的一个凸起的平台支撑着三个纹身垫。

Text description provided by the architects. The owners of a forested property wanted a quiet space to observe the surrounding nature. A naturalized understory leads to a visually kinetic approach ramp that contrasts to the subtle interior. Entry to the hut is through an obscured door detailed like the cedar walls. Inside an oversized window opposite the entrance immediately pulls the view back outside to a composed view of mature trees. Adjacent to this is a miniature tea cabinet. A raised platform in the main space supports three tatami mats.

 © Jeffery S. Poss

C.Jeffery S.Poss

沿北池塘边缘的位置使一些流出物的感觉得以发展。一整天，水的反射都投射到肥皂上。屋顶将雨水输送到池塘上方的中央喷口。在塔塔米的房间里，一扇水平的窗户构成了沉思的水碎片。光滑的白桦树的地板有一种沉静的深池的感觉结果是一个内部体积是保护和平静，但充满微妙的能量。

The location along the north pond edge allowed the development of several effluvial sensations. Throughout the day water reflections are projected onto the soffit. The roof channels rainwater to a central spout over the pond. A horizontal window in the tatami room frames a meditative fragment of water. The floor of glossy ebonized birch has the sensation of a deep still pool ‐ the grass tatami mats become an island within an island. The result is an interior volume that is protective and serene but alive with subtle energy.

 © Jeffery S. Poss

C.Jeffery S.Poss