© Daniele Domenicali

达尼勒·多梅尼卡利

威尼斯是一座有机城市，海水从环抱城市的泻湖进入6小时，然后持续6小时。咸水和泻湖的淡水混合在一起，创造了一个独特的生态系统，也许，人类在那里建造了违背自然的生态系统。

Venice is an organic city, where the sea water goes in for six hours and goes out for six hours from the lagoon, which surrounds the city.. The saltwater is mixed with fresh water of the lagoon, creating a unique ecosystem, where, perhaps, against nature, man has built.

 © Daniele Domenicali

达尼勒·多梅尼卡利

在这些绿色的水里，由于海底的生命，一切都被反射出来，从天空开始，在白天、季节和天气条件下提供颜色的变化。运动中的颜色永远不会被抓住。

In these green water, due to the life of the seabeds, everything is reflected, starting from the sky which provides colour variations throughout the day, seasons and weather conditions. Colours in motion never graspable.

 © Daniele Domenicali

达尼勒·多梅尼卡利

在这些水域中，除了天空，拜占庭和帕拉迪奥的建筑也被反映出来，但也反映了二十世纪鲜为人知的建筑。

In these waters, besides the sky, Byzantium and Palladio's architecture are reflected, but also the less known architecture of the twentieth century.

 © Daniele Domenicali

达尼勒·多梅尼卡利

“Centrale Mazzoni”是威尼斯圣卢西亚火车站的前中央车站，由“未来主义”的工程师和建筑师Angiolo Mazzoni在三十年代设计，是二十世纪的建筑之一，在古城的中心有着宝贵的形式和象征价值。

The "Centrale Mazzoni", former Central Station of Venice Santa Lucia railway station, designed in the thirties by the "futuristic" engineer and architect Angiolo Mazzoni, is one of these twentieth century buildings; it has a valuable formal and symbolic value in the heart of the ancient city.

 © Daniele Domenicali

达尼勒·多梅尼卡利

现在它像一个空着的大盒子一样来到这里。作为威尼斯人工业革命的证据，修复工程精心保存的立面掩盖了有机重建项目的核心。

It arrived as a big empty abandoned box nowadays. The facades, carefully preserved by the restoration project, as evidence of the Venetian industrial revolution, hide the heart of the organic redevelopment project.

 © Daniele Domenicali

达尼勒·多梅尼卡利

“理性主义的本质”隐藏了一个秘密：每一种几何关系都以黄金比例联系在一起；理性揭示的有机威尼斯。

The "rationalistic essence" hid a secret: each geometrical relationship was linked by golden ratio; a shell appeared connecting the dots. The organic Venice unveiled by rationality.

历史的这一继承意味着将分布空间组织为一系列的感官和色彩感知，这是前所未有的，自然光在白天和季节进入并改变颜色。每一个窗口都有不同的颜色，也有不同的栏杆，通过一种不提供参考的组合，保持理性的思维，这种理性不恰当地生活在感觉的空间中。

This inheritance from history suggested to organize the distribution spaces as a series of sensory and chromatic perceptions, never the same, where natural light comes in and changes colour during the day and seasons. Each window has a different colour, as well as the parapets, through a combination which does not give references, keeping mind out of rationality, which improperly lives in the space of feelings.

这副眼镜在夜间会玷污光线，既有自然的，也有人造的，但也是一面反映周围环境的镜子，他们有能力在建筑物的中心水面上照镜子，那里常常充满超现实的沉默，现在这个旅游小镇很难找到。

The glasses stains the light, both natural and artificial, during the night, but they are also a mirror reflecting the surrounding context and they have the ability to mirror themselves on water, in the heart of the building, where often reigns a surreal silence, difficult to find in the tourist town by now.

色彩，玻璃，石头，砖块，木材，轻，有机的形状构成了一个单一和完整的参考系统的项目。这种材料总是存在于城市里，每一个角落都是彩色的。玻璃是这个城市工业遗产的一部分。

Colour, glass, stones, bricks, wood, light, organic shapes make a single and whole system of reference for the project. This material is always present in the city, every corner is colour. Glass is a founding part of the industrial heritage of this city.

 © Daniele Domenicali

达尼勒·多梅尼卡利

在工程中，使用的颜色是与红砖和白石，城市的材料。天空中的光比地球上的光还多：这个项目把光明带到了以前黑暗笼罩的建筑里。

In the project, the use of the colour is related to the red brick and white Istrian stone, the materials of the city. More light in the sky than on earth: the project has brought the light into the building, where darkness reigned before.