架构师提供的文本描述。这座建筑完全是用混凝土建造的，是建立在三个基本目标之上的。这座建筑完全是用混凝土建造的，是以加固地基为基础，以三个基本目标为基础的。

Text description provided by the architects. This building constructed entirely in concrete, is based on three fundamental objectives. Constructed entirely in concrete, this building lies on reinforced foundations and is grounded on three fundamental objectives.

 © Kristen Pelou

Kristen Pelou

第一个目标是指定社会住房。“社会”这个词是必不可少的，因为它表明了住宅建筑创造社会凝聚力和居民之间交流的能力。社交能力依赖于认可的思想。一方面，从地形的角度来看，认识是一个发现周围环境的问题，包括从自己的公寓对周围环境的感知。

The first objective relates to the designation of Social housing. The word « social » is essential as it indicates the ability of a residential building to create social cohesion and exchange between its residents. Sociability relies on the idea of recognition. At one hand recognition is, in a topographical point of view, a matter of discovering ones surroundings, including the perception of the surroundings from ones own apartment.

在这幢楼里，即使是最小的公寓，外面也能看到各种各样的景色。意见的多样性使人们更好地了解周围的环境。

In this building even the smallest apartments have a variety of views to the outside. The diversity of the views provides a better understanding of the surrounding environment.

另一方面，承认也包括承认他人、成为城市的一部分和与城市互动。每个住房单元都在门面上表现出来，很快就被认为是“有大窗户的”、“有露台的”或“屋顶上的”。

At the other hand, recognition does also include the recognition of others, to be a part of the city and to interact with the city. Every housing unit expresses itself in the façade and is quickly recognized in the neighborhood as “the one with the large window”, “the one with the terrace” or “the one on the roof”.

 © Kristen Pelou

Kristen Pelou

每个居民通过自己的住房单元成为建筑物的必要组成部分，并由此成为社区和城市的一部分。这已经是一种社会认可的形式。

Each resident becomes hereby an essentiel part of the building itself through his housing unit, and by this also a part of the neighborhood and the city. This is already a form of social recognition.

第二个目标是不妥协地执行住房单位的计划，这是整个工作中的第一优先事项。不可能有任何妥协。一个舒适的房子不仅是一个宽敞的房子，它是一个提供更多的房子。比它有更多的空间，更多的功能和宜居性。

The second objective is the uncompromising work with the plans of the housing units, which were the first priority during the entire work. There can not be any compromises. A pleasant house is not only a spacious house, it’s a house that offers more. More space than it has surfaces, more functions and habitability.

为了实现空间的扩展和多样性，创建了对角线视图，以提供透明和复杂性，连续空间序列，以及广泛的不同内部。阳台和露台是作为室内客厅的直接延伸而设计的，并且足够宽敞，可以成为舒适和实用的室外起居室。一个愉快的房子也是，简单地说，在每一个房间，包括厨房和浴室自然光的房子。

In order to achieve spatial expansion and variety, diagonal views were created to provide transparency and complexity, sequences of continuously spaces, and a wide range of different interiors. Balconies and terraces were designed as directly extensions of the indoor living rooms, and to be spacious enough to become comfortable and useable outdoor living rooms. A pleasant house is also, simply a house with natural light in every room, including kitchens and bathrooms.

 © Kristen Pelou

Kristen Pelou

由于我们发现将浴室放置在住房单元的正面是不适当的，因此使用玻璃扇来提供间接的自然照明。最后，一个令人愉快的房子，是一个表明建筑师一直关注细节的房子：浴室的瓷砖，水槽的形式，以及选择正确的水龙头-而且总是对环境和经济自由度有意识。

As we found it improper to place the bathrooms on the facade side of the housing units, glass fanlights were used in order to provide indirect natural lighting. Finally, a pleasant house, is a house that shows that the architect has been concerned about the details : the tiles for the bathrooms, the form of the sinks and to choose just the right faucets - and yet always with an awareness of the context and the financial latitude.

 © Kristen Pelou

Kristen Pelou

共享空间是提供公共标识的邻居之间共享的空间。共同的空间，其中付出了很大的注意，以同样的方式，每个住房单位。实现不同细节和解决方案的方法多种多样，说明即使预算少，也有可能注意、选择和设计每一个要素。换句话说，在项目的所有规模上都给予了极大的关注。

The shared spaces are spaces shared between neighbors who provide a common identity. The shared spaces where payed much attention, in the same way as each housing unit. A variety of ways to realize the different details and solutions where used, to show that even with a small budget, it is possible to pay attention to, choose and design each element. In other words, a great attention was payed in all scales of the project.

 © Kristen Pelou

Kristen Pelou

此外，经典细节被重新解释为项目的一部分。例如，传统的豪斯马尼亚楼梯地毯已经在这里变成了一个黑色油漆衬里的生混凝土楼梯和它的白色负线的楼梯下侧的楼梯。

Moreover classical details has been reinterpreted as a part of the project. For example, the traditional Haussmanian staircase carpet has been here turned into a black painted lining on the raw concrete stairs and its white negative lines the underside of the flight of the stairs.

这给我们带来了最后但并非最重要的目标：建筑的行为是一种塑料行为。我们的工作重点是一个空间和这个空间的建设之间的关系。建筑的方法，材料，力，所有这些都是建筑行为的一部分。

This brings us to the last but not least important objective: the act of architecture is a plastic act. Our work is focused on the relationship between a space and the construction of this space. The methods of construction, the materials, the forces, all these take part of the act of architecture.

 © Kristen Pelou

Kristen Pelou

这就是为什么选择混凝土，因为它在拉伸和压缩同时工作。

This is why concrete was chosen, as it works in tension and compression at the same time.

它的实施，没有可见的接头，给人的印象是一个整体的质量，并把建筑物变成一个单位，任何东西都无法挤出。这座建筑都是关于建筑的。

Its implementation without visible joints gives the impression of a monolithic mass, and turns the building into a unit from which nothing can be extruded. The building is all about structure.

它的设计符合街道的环境。在墙角的某些部分的倒退，有助于使建筑物上升和显得更加微妙，同时也使我们想起了特定的城市情况。

Its design reacts to the context of the street. Set backs of certain parts at the corner of the façade, contribute to make the building rise and appear more delicate, and it reminds us at the same time of the particular urban situation.

 © Kristen Pelou

Kristen Pelou

案文由Charles-Henri Tachon提供

Text provided by Charles-Henri Tachon