建筑和城市解决方案：

Architectural and urban solution:

展馆是整个建筑群的竣工，起源于过去几年，同时完成了城市规划的概念，这个概念除了其他之外，还安排了整个空间，并将其运作划分为较繁忙的部分，包括通路和容量停车场，以及公园较为平静的部分。展馆的定位、建筑和群众都充分体现了这座展馆对人的生命的紧急救援的重要性。建筑的一部分是直升机的着陆场，它的主体创造了一个清晰的定位点和艺术优势。

The pavilion is the completion of the whole complex of buildings that originated in the past years and, at the same time, the completion of the town-planning concept that, apart from other, arranged the whole space and divided its operation into the busier part with the access roads and capacity parking place and the calmer part of the park. The orientation, architecture and mass ayout refl ect the importance of the pavilion for acute rescue of human lives. A part of the construction is the landing area for helicopters of rescue service the body of which creates, at the same time, a clear orientation point and art dominant.

建筑的一部分是直升机的着陆场，它的主体创造了一个清晰的定位点和艺术优势。登机区是有屋顶的，带有屋顶的物体在其中连接着自行车室的功能，以及从主登机口到公共门厅的一种从相邻的变电所逐渐消失的屏幕。就其本质而言，客体的功能确定并不是很乐观的环境。痛苦和悲伤无处不在。建筑师的任务和努力是压制和减轻这些感觉，至少在可能的范围内。对象的图形和颜色识别的基本选择主题是开花的草地。作为设计的统一线，口碑主题在不同的技术和色彩中渗透到外部和内部。

A part of the construction is the landing area for helicopters of rescue service the body of which creates, at the same time, a clear orientation point and art dominant. The boarding area is roofed, the object bearing the roofi ng connects in it also the function of the bicycle room and a sort of a screen fading off the adjacent transformer station from the main boarding ways to the common entrance hall. As to its essence the functional determination of the object is not very optimistic environment. Pain and sorrow are omnipresent. The task and effort of the architects were to suppress and mitigate those feelings, at least within possibilities. The basic selected motif of graphic and colour identifi cation of the object is a meadow in blossom. The fl oral motifs permeate through the exterior and interior as unifying line of the design in different technical and colour makes.

 © Andrea Thiel Lhotakova

(Andrea Thiel Lhotakova)