架构师提供的文本描述。深圳和香港双城双年展自2005年开始，以“城市化”为既定的长期主题。今年，获选的首席策展人是特伦斯·莱利(Terence Riley)，他是国际公认的建筑师和策展人。他的重要项目之一是领导现代艺术博物馆(纽约)和迈阿密艺术博物馆的翻新和扩建。特伦斯·莱利(Terence Riley)在2011年双年展的策展人演讲中，构思了一个相当简单、公理而有力的主题：建筑创造城市-城市创造建筑。

Text description provided by the architects. Shenzhen and Hong Kong Bi-City Biennale takes place since 2005, with 'urbanisation' as a set long-term theme. This year, the chosen chief curator is Terence Riley, internationally reckognized architect and curator. Among his significant projects are leading the renovation and expansion of Museum of Modern Art (New York) and The Miami Art Museum. In his curatorial statement for the 2011 Bienale, Terence Riley conceived a rather simple, axiomatic but powerful theme: Architecture creates cities – Cities create architecture.

 © Miljenko Bernfest & Marko Salopek

米尔延科·伯恩费斯特

在深圳中心的一个广泛的项目中，莱利创建了一个名为“超光村”的展览，提供了六个建筑团队来设计轻巧的、可移动的建筑。根据建筑界著名专家的提名，选出了六个办公室：业余建筑工作室(杭州，中国)、克劳威尔·阿奎科托斯(西班牙穆尔西亚)、马科斯(纽约)、奥布拉(纽约)、工作室UP(克罗地亚萨格勒布)和魏春宇(中国长沙)。以轻盈为主题，莱利要求展馆在建筑和概念上探索“光”的概念，同时也参考了(如今被滥用的)可持续性主题。

Among an extensive programme, in Shenzhen center, Riley created an exhibition entitled Ultra-Light Village, offering six architectural teams to design lightweight, transportable structures. Based on the nominations by noted experts from the field of architecture, six offices were chosen: Amateur Architecture Studio (Hangzhou, China), Clavel Arquitectos (Murcia, Spain), MOS (New York), OBRA (New York), STUDIO UP (Zagreb, Croatia) and Wei Chun Yu (Changsha, China). Setting the theme of lightness, Riley asks the pavilions to explore the idea of 'light' in both construction and concept, referencing also the (today much abused) theme of sustainability.

 © Miljenko Bernfest & Marko Salopek

米尔延科·伯恩费斯特

作为超光速村展览的一部分，工作室Up的吉兹莫质疑轻的概念不是一种身体状况，而是一种体验。它作为一种装置，挑战内部和外部、公共和私人空间、自然和人造景观的观念。

As part of the UltraLight Village exhibition, STUDIO UP's GIZMO questions the concept of lightness not as a physical condition, but as an experience. It serves as a device, challenging the ideas of interior and exterior, public and private space, nature and manufactured landscape.

它以一种自相矛盾的方式面对周围的人和空间-当它在内心的时候，你会更清楚地意识到外面的世界。这种情况引发了一个人的感官和思想，引起了对他们所看到的夸张世界的某种反应。

It confronts people and space around them in a paradoxical way – one is more aware of the outside world when is inside. Such situation initiates one's senses and thoughts, provoking a certain reaction to the exaggerated world they see.

这两个对立的入口相对于集体和个人规模之间的边界，创造了另一个自相矛盾的场景。在单数入口，外表是肥大的；在大众入口，焦点是个体。

The two opposing entrances relativize the border between collective and individual scale, creating yet another paradoxical scene. At singular entrance, the exterior is hypertrophied; at mass entrance, the focus is the individual.

反光的内部产生游牧的一面。根据位置和位置的不同，Gizmo每次都是一个不同的空间：外部的反射改变了内部的空间。根本上。

The reflective interior generates the nomadic aspect. Depending on location and position, Gizmo is each time a different space: the reflections of the exterior change the space within. Radically.

 © Miljenko Bernfest & Marko Salopek

米尔延科·伯恩费斯特